This title provides an accessible and informative critical introduction to Tom Stoppard's "Arcadia" - a play commonly studied at undergraduate level.Tom Stoppard is widely regarded as one of the leading contemporary British playwrights, a writer who has earned an intriguing mix of both critical and commercial success. "Arcadia" is considered by many critics to be Stoppard's masterpiece, a work that weds his early career love for words and ideas with his later career emphasis on storytelling and emotional engagement.With its engaging alteration between past and present, "Arcadia" offers a comedic and entertaining exploration of chaos theory, entropy, the Second Law of thermodynamics, iterated algorithms, fractals, and other concepts culled the realms of math and science. This guide provides a comprehensive critical introduction to the play, giving students a much-needed overview of the play's background and context including Stoppard's source material as well as full discussion of the text and its performance history to date."Continuum Modern Theatre Guides" offer concise, accessible and informed introductions to the key plays of modern times. Each book is carefully structured to offer a systematic study of the play in its biographical, historical, social and political context, an in-depth study of the text, an overview of the work's production history including screen adaptations, and practical workshopping exercises. They also include a timeline and suggestions for further reading which highlight key critical approaches. This will enable students to develop their understanding of playwrights and theatre-makers, as well as inspiring them to broaden their studies.

The gig economy can be viewed as the fuel that lit the fire of change in economies throughout the world. Flexible work grew out of a cultural shift in how we defined how we wished to work. The gig economy also grew out of a need, a need to earn more to keep pace with the inflation that nullified expected gains in purchasing power as wages increased. We no longer define work as related to the brick and mortar buildings that housed the traditional 9 to 5 job. Perhaps, the office-centric era is over as many companies have now made decisions relative to how and when their employees can work. Work from home is no longer a wish; it is a reality, and the gig economy has been the fuel that has helped companies realize new and better ways to engage labor and serve consumers. The future has arrived! The marketplace is favorable to new ways to purchase products and services. Gig opportunities will continue to grow as a meaningful way to earn income. The ultimate gig is ultimately the one that best matches the gig seeker's definition of what matters most. Our ultimate motivation for taking on the work of this book, this research project, is rooted in a belief that the gig economy is helping to define a new reality; flexibility and freedom in how work is done can be achieved. We believe in the free enterprise system. When we focus on contribution, we best explore the possibilities that improve the quality of any product or service and the quality of all the lives we touch.

With a thirty-year run of award-winning, critically acclaimed, and commercially successful plays, from Rosencrantz and Guildenstern Are Dead (1967) to The Invention of Love (1997), Tom Stoppard is arguably the preeminent playwright in Britain today. His popularity also extends to the United States, where his plays have won three Tony awards and his screenplay for Shakespeare in Love won the 1998 Academy Award for Best Original Screenplay.

John Fleming offers the first book-length assessment of Stoppard's work in nearly a decade. He takes an in-depth look at the three newest plays (Arcadia, Indian Ink, and The Invention of Love) and the recently revised versions of Travesties and Hapgood, as well as at four other major plays (Rosencrantz, Jumpers, Night and Day, and The Real Thing). Drawing on Stoppard's personal papers at the University of Texas Harry Ransom Humanities Research Center (HRHRC), Fleming also examines Stoppard's previously unknown play Galileo, as well as numerous unpublished scripts and variant texts of his published plays.

Fleming also mines Stoppard's papers for a fuller, more detailed overview of the evolution of his plays. By considering Stoppard's personal views (from both his correspondence and interviews) and by examining his career from his earliest scripts and productions through his most recent, this book provides all that is essential for understanding and appreciating one of the most complex and distinctive playwrights of our time.

WhenYou Really Got Me exploded on Swinging London in 1964, the Kinks forever changed the course of rockn roll. Ray Davies and Joe Penhall's Olivier Award-winning Sunny Afternoon (2014) covers the bands formative years of 1964-7, when four working- class North London lads broke through to become one of the most unlikely and influential rock bands of the 1960s. Mixing the comic adventures ofDave the Rave with the touching introspection of Ray's sometimes fragile psyche, Joe Penhall's script weaves Ray Davies songs, both the hits and lesser-known works, into one of the finest jukebox musicals of the new millennium. Drawing on a wealth of background material, John Fleming examines the blend of events and songs selected, reconsidering the relationship between biography and drama to shed new light on the Kinks and the musical that tells their story.

When 'You Really Got Me' exploded on Swinging London in 1964, the Kinks forever changed the course of rock 'n' roll. Ray Davies and Joe Penhall's Olivier Award-winning Sunny Afternoon (2014) covers the band's formative years of 1964-7, when four working- class North London lads broke through to become one of the most unlikely and influential rock bands of the 1960s. Mixing the comic adventures of 'Dave the Rave' with the touching introspection of Ray's sometimes fragile psyche, Joe Penhall's script weaves Ray Davies' songs, both the hits and lesser-known works, into one of the finest jukebox musicals of the new millennium. Drawing on a wealth of background material, John Fleming examines the blend of events and songs selected, reconsidering the relationship between biography and drama to shed new light on the Kinks and the musical that tells their story.

LIFE gives people the freedom to shed their situation, their fears-their normal-and embrace the greatness in their depths in order to do things they never thought possible. Where do you find yourself right now? LIFE is all about facing that person in the mirror-YOU. Not your situation, not your "normal," but embracing everything that looks back from the mirror and running with it instead of from it. The content of LIFE is structured to serve as a mentor for readers, addressing how to embrace their own uniqueness and selling readers on how valuable they really are. It helps them put energy where their heart is so they can let their own brilliance overflow that's been hidden underneath the accepted normal. LIFE is a guide for readers to know themselves, hear their hearts, and feel fulfillment and overflow. That's what letting life flow effortlessly really means-live the life you want to live!

Since its first publication this book has been hailed as the most comprehensive history of art ever published in a single volume. Presenting art history as an essential part of the development of humankind, it offers an authoritative, balanced and enlightening account, ranging from a statuette carved in central Europe some 30,000 years ago to the digital, video and installation art of the new millennium. The volume covers painting, mosaic, drawing, printmaking, sculpture, architecture and photography. Textiles, coins, pottery, enamels, gold and silver are also included. The scope is international, encompassing the arts of Asia, Africa and Oceania as well as Europe and the Americas. This Revised Seventh Edition expands the original coverage by embracing new developments in archaeology and art historical research, and in particular contemporary art historian Michael Archer has greatly expanded the authors' discussion of the art world over the past two decades, providing a new perspective on the latest developments shaping our cultural history. The insight, elegance and fluency that the authors bring to their text are complemented by 1459 superb illustrations, many of which are now in colour.

Whether you are a theatre major looking forward to a career in the arts or a non-major interested in an overview to increase your appreciation as an audience member, THE ESSENTIAL THEATRE, 11th Edition, provides an engaging, insightful, and informative resource that will enrich your theatre experience throughout your life. Written by highly respected teachers and theatre historians, the text has earned its reputation as one of the most comprehensive, authoritative surveys of the theatre. Its vibrant treatment of theatre practice--past and present--catalogs the origins of theatre through postmodernism and performance art. The Eleventh Edition includes an all-new chapter devoted to musical theatre, new "Then and Now" boxes that link theatre history to present-day, and numerous new photos--including photos of actors you will quickly recognize from film and television.

John Fleming (1785 1857) was a minister of the Church of Scotland, but in his time at the University of Edinburgh he had also studied geology and zoology. In the tradition of the country parson who was also a talented and knowledgeable naturalist, he published his first works on the geology of the Shetland Islands while serving there as a minister. His subsequent works led to his being offered the chair of natural philosophy at the University of Aberdeen, and subsequently at the newly created chair of natural history at the Free Church College in Edinburgh. The two-volume Philosophy of Zoology was published in 1822, and the young Charles Darwin is recorded as borrowing it from the library of Edinburgh University in 1825/6. His intention in the book was to 'collect the truths of Zoology within a small compass, and to render them more intelligible, by a systematical arrangement'.

John Fleming (1785 1857) was a minister of the Church of Scotland, but in his time at the University of Edinburgh he had also studied geology and zoology. In the tradition of the country parson who was also a talented and knowledgeable naturalist, he published his first works on the geology of the Shetland Islands while serving there as a minister. His subsequent works led to his being offered the chair of natural philosophy at the University of Aberdeen, and subsequently at the newly created chair of natural history at the Free Church College in Edinburgh. The two-volume Philosophy of Zoology was published in 1822, and the young Charles Darwin is recorded as borrowing it from the library of Edinburgh University in 1825/6. His intention in the book was to 'collect the truths of Zoology within a small compass, and to render them more intelligible, by a systematical arrangement'.

It would take years of reading to learn the vocabulary succinctly provided in Word Power. The dictionary contains everything from slang (cool, zulued) to scholarship (soliloquy, archaic smile), to science (azimuth), with some added hokum (Montezuma's revenge). Each entry is defined, given a pronunciation, and used in four sample sentences. Where possible, synonyms, antonyms, and etymology are provided, as well. With its painstaking selection and pithy examples, Word Power is suitable for students, professionals, and anyone interested in the storied and variegated English language.

Brilliant, decisive, and hard-charging, Deputy Inspector Allhoff was the NYPD's ace detective until bullets from a mobster's machine gun robbed him of his legs, his career, and-in the opinion of an associate-his sanity. Yet Allhoff was too good a man to be put out to pasture, so New York's police commissioner found a way to keep him employed and refer to him such cases as the department couldn't or wouldn't handle. Confined to a wheelchair and operating from a seedy tenement flat, Allhoff is assisted by two cops: Battersly, the rookie patrolman whose brief moment of cowardice cost the inspector his legs, and Simmons, the bitter career cop who detests Allhoff but sticks with the embittered cripple to protect his own pension. Created by D.L. Champion, Inspector Allhoff denied most conventions of detective-pulp fiction. He could never be confused for one of Raymond Chandler's knights errant, trudging down those mean streets. Allhoff was no Rover Boy in trench coat and fedora. He was, in fact, a sadist and a psychopath. With 30 entries published between 1938 and 1946, the Allhoff series was among the most popular and long-lived to appear in Dime Detective, the prestigious crime pulp second only to the legendary Black Mask in its impact on the genre.

New York-based private investigator Cass Blue is a morally flexible tough guy who backs up his hard-boiled rhetoric with frequent applications of the blackjack he carries in a hip pocket. No case is too seedy or sordid for him to take, and he's capable of taking as much as he dishes out when it's necessary. The cops don't trust him much more than they do the criminals, but that doesn't keep him from giving clients full value for their retainers. With the dubious assistance of speakeasy owner Al Lascoine, Cass sasses and slugs his way through a succession of Depression-era adventures. The Cass Blue yarns are related in the first person by stylish pulp writer John Lawrence, who guides his protagonist through a maze of conventional plots and countless gunfights. What the series lacks in polish and innovation, it makes up for with vigorous action and the tough-as-nails attitude that gave Dime Detective the distinctive flavor that made it the most important crime pulp excepting the legendary Black Mask.