American environmental literature characteristically embodies an appreciative, lyrical evocation of the natural world. But conservation-minded authors have often been moved to dramatize diverse, anthropogenic perils to environmental preservation. John Gatta freshly reveals how this darker strain of environmental writing enlarges upon a jeremiad tradition of prophecy inherited from Puritan New England. In the spirit of ancient Hebrew prophecy, jeremiads reach beyond effusions of doom and gloom toward prospects of renewal through a conversion of heart. Accordingly, writing steeped in what Gatta terms this "Green Jeremiad" tradition not only warns of material perils but incorporates a spiritual, existential layer of meaning.

This book is a collection of essays about the interaction between God, humans, and nature in the context of the environmental challenges and Biblical studies. Chapters include topics on creation care and Sabbath, sacramental approaches to earth care, classical and medieval cosmologies, ecotheodicy, how we understand the problem of nonhuman suffering in a world controlled by a good God, ecojustice, and how humans help to alleviate nonhuman suffering. The book seeks to provide a way to understand Judeo-Christian perspectives on human-to-nonhuman interaction through Biblical, literary, cultural, film, and music studies, and as such, offers an interdisciplinary approach with emphasis on the humanities, which provides a broader platform for ecotheology.

What might it mean, existentially and spiritually, for humans to form an intimate relation with particular sites or dwelling places on earth? In ancient Rome, the notion of a locale's genius loci signaled recognition of its enchanted, enspirited identity. But in a digitalized America of unprecedented mobility can place still matter as seed ground for the soul? Such questions have been broached by ecocritics concerned with how place-inflected experience figures in literature, and by theologians concerned with ecotheology and ecospirituality. This book offers a uniquely integrative perspective, informed by a theological phenomenology of place that takes fuller account of the spiritualities associated with built environments than ecocriticism typically does. Spirits of Place blends theological and cultural analysis with personal reflection, while focusing on the multi-layered witness presented by American literature. John Gatta's interpretive readings range across texts by an array of canonical as well as lesser-known writers. Along the way, it addresses such themes as the religious implications of localism vs. globalism; the diverse spiritualities associated with long-term residency, resettlement, and pilgrimage; why some sites seem more hallowed than others; and how the creative spirit of Imagination figures in place-identified perceptions of the numinous. Whether in Christian or other religious terms, no discrete place matters absolutely. Yet this study demonstrates how and why hallowed geography and the sacramentality of place have mattered throughout our cultural history.

This book explores a notable if unlikely undercurrent of interest in Mary as mythical Madonna that has persisted in American life and letters from fairly early in the nineteenth century into the later twentieth. This imaginative involvement with the Divine Woman -- verging at times on devotional homage -- is especially intriguing as manifested in the Protestant writers who are the focus of this study: Nathaniel Hawthorne, Margaret Fuller, Harriet Beecher Stowe, Harold Frederic, Henry Adams, and T.S. Eliot. John Gatta argues that flirtation with the Marian cultus offered Protestant writers symbolic compensation for what might be culturally diagnosed as a deficiency of psychic femininity, or anima, in America. He argues that the literary configurations of the mythical Madonna express a subsurface cultural resistance to the prevailing rationalism and pragmatism of the American mind in an age of entrepreneurial conquest.

Since colonial times, the sense of encountering an unseen, transcendental Presence within the natural world has been a characteristic motif in American literature and culture. American writers have repeatedly perceived in nature something beyond itself-and beyond themselves. In this book, John Gatta argues that the religious import of American environmental literature has yet to be fully recognized or understood. Whatever their theology, American writers have perennially construed the nonhuman world to be a source, in Rachel Carson's words, of "something that takes us out of ourselves."
Making Nature Sacred explores how the quest for "natural revelation" has been pursued through successive phases of American literary and intellectual history. And it shows how the imaginative challenge of "reading" landscapes has been influenced by biblical hermeneutics. Though focused on adaptations of Judeo-Christian religious traditions, it also samples Native American, African American, and Buddhist forms of ecospirituality. It begins with Colonial New England writers such Anne Bradstreet and Jonathan Edwards, re-examines pivotal figures such as Henry Thoreau and John Muir, and takes account of writings by Mary Austin, Rachel Carson, and many others along the way. The book concludes with an assessment of the "spiritual renaissance" underway in current environmental writing, as represented by five noteworthy poets and by authors such as Wendell Berry, Annie Dillard, Marilynne Robinson, Peter Matthiessen, and Barry Lopez.
This engaging study should appeal not only to students of literature, but also to those interested in ethics and environmental studies, religious studies, and Americancultural history.