Covering one of the most musically diverse regions in the world, Musics of Latin America emphasizes music as a means of understanding culture and society: each author balances an analysis of musical genres with discussion of the historical and cultural trends that have shaped them. Chapters cover traditional, popular, and classical repertoire, and in-text listening guides ensure that students walk away with a solid understanding of the music.

A history -- the first ever -- of the abundant traditions of German-American musical theater in New York, and a treasure trove of songs and information. Nineteenth-century New York was, after Berlin and Vienna, the third largest German-populated city in the world. German-language musical plays and light operas held an important niche in the lives of German immigrants and their families. John Koegel's Music in German Immigrant Theater: New York City, 1840-1940, tells, for the first time, the engrossing story of these theater works, and the many musical numbers from them that became popular as separate songs. Koegel documents performances, in German, of plays by Shakespeare and Goethe and operas by Offenbach, Verdi, and Johann Strauss. And he draws long-needed attention to German-American musical comedies written, beginning in the 1890s, by ethnic parodist Adolf Philipp. As their titles suggest -- Der Corner Grocer aus der Avenue A and Der Pawnbroker von der Eastside -- these musicals related directly to the daily experiences of theimmigrant population. Music in German Immigrant Theater is enriched by copious photographs, sheet-music title pages, and musical examples, as well as numerous sets of song lyrics -- some uproarious, others touching --in German and in English translation. The accompanying CD includes recordings of many of the songs discussed in the book. John Koegel is Professor of Musicology at California State University, Fullerton. WINNER - 2009 ForeWord Reviews' Book of the Year Award, music category. This book is also included in the AAUP's 2010 University Press Books Selected for Public and Secondary School Libraries along with a number of other URP books.

From today's perspective, Leon Polk Smith's artistic position can be understood as a "missing link" in art history. His work connects the European avant-garde with the American abstraction of the 1940s/1950s via references to the paintings of Piet Mondrian. Smith's pioneering role in the Hard-Edge style and his Shaped Canvases are in turn achievements that spread from the US to Europe. With his unique Constellations, Smith became known beyond the borders of the US. In recent years, his work has gained new visibility thanks to numerous exhibitions in the US. The solo show at Museum Haus Konstruktiv in Zurich and the accompanying publication are intended to contribute to the long overdue new reception in Europe.