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In the 1930s, flying was all the rage. All over Britain women and
men had grown up watching wartime flying aces perform aerobatics in
the sky. Now they too were learning how to fly. Robert Owen is the
only son from a Welsh vicarage, now a brilliant pilot and flying
instructor, recently of the Royal Air Force. He has taken a new job
at the flying school at Best, a prosperous cathedral town in
England. Flying has never seemed so alluring and so terrifying.
Human frailty is tested in the drilling and repetition of hours in
flight, and Robert's skills as a pilot and in diplomacy with pupils
with delusions about their competence are tested to their limits.
And then he falls in love, risking his heart as well as his body in
the air.
John Llewelyn Rhys (1911-1940) was born in Abergavenny. He
published The Flying Shadow in 1936 (also reissued by Handheld
Press), and in 1939 published The World Owes Me A Living (filmed in
1945). Both were powerful novels about British aviation in the
1930s: the planes, the pilots, their need to be in the air, their
skill and bravery, their hard-drinking lives, the long-distance
record-breaking attempts, and death through accidents and taking
one risk too many. In August 1940 Rhys died in an RAF training
flight. His widow, the novelist Jane Oliver (author of Handheld's
best-selling Business as Usual), assembled his last book for
publication: a collection of short stories published in 1941 as
England is My Village. It won the prestigious Hawthornden Prize in
1942, and in the same year Jane Oliver set up the John Llewelyn
Rhys Prize in her late husband's memory: 'something to give young
writers the extra chance he didn't get'. This new edition of
England is My Village, and The World Owes Me A Living is a stunning
rediscovery of this brilliant writer. 'Had he lived,' an obituary
noted, 'he might have become the Kipling of the RAF.' Rhys's prose
is spare and direct, with no words wasted. The dialogue is
immediate, conveying mood, emotion, relationships, character and
action with precision. The stories date from 1936 to 1940 and
remind us of the responsibilities placed on very young men flying
thousands of feet up in the air in boxes of metal, petrol and
canvas. The Introduction is written by Kate Macdonald and Luke
Seaber.
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