Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. Written in the fourteenth century, the Book is a captivating blend of fact and fantasy, an extraordinary travel narrative that offers some revealing and unexpected attitudes towards other races and religions. It was immensely popular, and numbered among its readers Chaucer, Columbus, and Thomas More. Here Mandeville tells us about the Sultan in Cairo, the Great Khan in China, and the mythical Christian prince Prester John. There are giants and pygmies, cannibals and Amazons, headless humans and people with a single foot so huge it can shield them from the sun. Forceful and opinionated, the narrator is by turns learned, playful, and moralizing, with an endless curiosity about different cultures.
Anthony Bale provides a lively new translation along with an introduction that considers questions of authorship and origins, the early travel narrative, Crusading and religious difference, fantasy and the European Age of Discovery, and Mandeville's pervasive popularity and influence. The book includes helpful notes on historical context that provide insights into medieval culture and attitudes. There are also three maps, an index of places and a general index, and a note on medieval measurements.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Immediately popular when it first appeared around 1356, "The Travels of Sir John Mandeville" became the standard account of the East for several centuries?a work that went on to influence luminaries as diverse as Leonardo da Vinci, Swift, and Coleridge. Ostensibly written by an English knight, the "Travels" purport to relate his experiences in the Holy Land, Egypt, India, and China. Mandeville claims to have served in the Great Khan's army and to have journeyed to ?the lands beyond countries populated by dog-headed men, cannibals, Amazons, and pygmies. This translation by the esteemed C.W.R.D. Moseley conveys the elegant style of the original, making this an intriguing blend of fact and absurdity, and offering wondrous insight into fourteenth- century conceptions of the world.