Stunned by the death of his mentally ill brother, forty-two-year-old Mark Barr returns to his hometown in West Virginia for his brother's funeral only to find out that his estranged family has no such plans. Once back home, he discovers that his family's memory, as well as his own, of his brother as a broken, hopeless schizophrenic is belied by mounting evidence that Steve Barr had lived a much fuller and more complicated life. Armed with this new knowledge, Mark tears off on a mission to honor his brother's memory with justice and compassion. As he fights to change the hearts of his father, mother, and middle brother, all of whom are fractured by anger, blame, and dysfunction, his own stability is rocked apart. In tough, spare, beautiful language that pulls the reader into the peeling, gothic world of southern West Virginia, Don't Forget Me, Bro shows us that at the heart of every human existence is the ultimate fear of being forgotten, of simply being gone.

In this novel for young adults, Josh knows there is something about the tall Victorian House on the Harpers Ferry Hill, the one his father grew up in, that he can't quite put his finger on. And his impossible father won't give him any clues. He's hiding something. And then there's the famous John Brown. The one who all the tourists come to hear about. The one whose statue looms over Josh's house. Why does he seem to haunt Josh and his whole family? When the fancy Richmonds come to town and move right next door, their presence forces Josh to find the answers and stand up to the secrets of the House, to his father-and to John Brown, too. The historic village of Harpers Ferry comes alive in this young boy's brave search for answers and a place of his own in this brilliant first novel by John Michael Cummings.

Jason Stevens is growing up in picturesque, historic Harpers Ferry, West Virginia in the 1970s. Back when the roads are smaller, the cars slower, the people more colorful, and Washington, D.C. is way across the mountains--a winding sixty-five miles away.
Jason dreams of going to art school in the city, but he must first survive his teenage years. He witnesses a street artist from Italy charm his mother from the backseat of the family car. He stands up to an abusive husband--and then feels sorry for the jerk. He puts up with his father's hard-skulled backwoods ways, his grandfather's showy younger wife, and the fist-throwing schoolmates and eccentric mountain characters that make up Harpers Ferry--all topped off by a basement art project with a girl from the poor side of town. "Ugly to Start With" punctuates the exuberant highs, bewildering midpoints, and painful lows of growing up, and affirms that adolescent dreams and desires are often fulfilled in surprising ways.