This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

When young Christy Mahon flees from his family's farm and tells the townspeople he killed his father, they respond in a way he did not expect. After an intense fight with his father, young Christy Mahon flees from his family's farm to tell the townspeople what he had done. When Christy claims that he killed his own father, the townspeople are surprisingly more interested in the story rather than condemning his immoral actions. Reluctantly, Christy recounts the story of the disagreement that eventually led to Christy hitting his father in the head with a heavy farming tool. The townspeople are transfixed, and deem Christy to be a bold and impressive man. As continues with his story, Christy captures the attention of a beautiful barmaid named Pegeen. Though Pegeen is betrothed to another man, she begins flirting with Christy, who appreciates the attention. However, amid the town's celebration of Christy's bold act, a surprise visitor comes into town, and is not as enchanted by Christy's actions as the others. Angry and hurt, the visitor challenges Christy's actions, risking his newfound position of a celebrated figure, and forcing Christy to desperate measures. Separated into three acts, John Millington Synge's play, The Playboy of the Western World, examines the human tendency to worship the sensationalized without regard to morals. When The Playboy of the Western World first premiered in the famed Abbey Theatre in Dublin, Ireland in 1907, it elicited an extreme reaction from its audience. Scandalized and enraged by the portrayal of the townspeople, riots broke out. Critics also detested the work, feeling just as insulted as the other Irish people. Despite the outrage of its initial release, The Playboy of the Western World is now considered John Millington Synge's masterpiece, and is celebrated for its lyrical beauty. The play has also since been adapted into a musical and film, serving as a testament to the play's genius and compelling content. This edition of The Playboy of the Western World by John Millington Synge is now presented in an easy-to-read font and features a new, eye-catching cover design. With these accommodations, The Playboy of the Western World is restored to modern standards while preserving the original mastery and lyricism of John Millington Synge.

"room (although tight) on pp270 for LS barcode-if not drop in an extra 2 pages

'This authoritative edition adds a dimension to our understanding of John Millington Synge...annotated in generous detail.' British Book News
'it is good to have all this material brought together, splendidly elucidated by Professor Saddlemyer's notes.' London Review of Books
'a model of editorial scholarship.' Times Higher Education Supplement

This revised edition of the play is published alongside commentary and notes by Christopher Collins, Assistant Professor of Drama at the University of Nottingham, UK. It includes information for today's students on the play's context; themes; dramatic devices; production history; critical reception; academic debate; and ideas for further study. It also includes interviews with practitioners involved in major recent productions of the play. Described by J.M. Synge as "a comedy, an extravaganza, made to use", The Playboy of the Western World is one of the most iconic plays to have come out of Ireland in the 20th century and is today recognised as a staple of the dramatic canon. It is published as a new Student Edition, which offers a 21st century lens on a play over 100 years old. When it was first performed in 1907 at Dublin's Abbey Theatre, Synge's play provoked uproar and was interrupted more than once by the police. Today, we recognise its importance in making Irish drama the force it became in the early 20th century.