A wide range of new scholarship on Chaucer's poetry. This collection of essays makes available a wide range of new scholarship on Chaucer's poetry. Opening essays address the issues of "Chaucerian representation" and "Chaucerian poetics", arguing for the multiplicity and complexityof what Chaucer "represents" and for the importance of his dual Anglo-French background in enabling him to articulate that complexity. Chaucer's use of Ovidian and Ciceronian sources and ideas is examined, and his pursuit of simplicity and suspicion of "delicacy"; the potent issues of sexuality and spirituality, and money and death (with Chaucer's own ending and his thoughts on last things) complete the collection. Contributors: DEREK BREWER, HELEN COOPER, PAUL DOWER, JOHN V. FLEMING, JOHN HILL, TRAUGOTT LAWLER, CELIA LEWIS, R. BARTON PALMER, WILLIAM PROVOST, JOHN PLUMMER, WILLIAM ROGERS.

Title: A Mayoral Year. An account of the year of office of C. J. Roberts, Mayor of Sydney, New South Wales, 1879. Compiled by J. Plummer.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Plummer, John; Roberts, Charles James; 1885. 279 p.; 8 . 10492.ee.2.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

When the magnificent volume first appeared in 1966, it was celebrated for its extraordinary beauty. Now, more than thirty years since its first publication, it is made available once again. Illustrating one of the great art treasures of the world, The Hours of Catherine of Cleves is a fiteenth century illuminated manuscript containing a series of some of the most beautiful illustrations of the bible ever made. Many of the great scenes form the Old Testament and many more from the New Testament are included, besides the Stations of the Cross and portraits of the saints. The work of an unidentified Dutch master painter, the manuscript was made for Catherine of Cleves on the occasion of her marriage to the Duke of Guelders. All the 157 surviving miniatures are reproduced to actual size and in exquisite colour with gold, together with three samples of pages containing the Latin prayers. Page after page reveals the elaborate program and rich illumination of the original. The progression from beginning to end shows an artist increasing in skill, relying in his earlier work on tradition and later emerging as an independent artist of bold, clear colours, dynamic brushwork and lively imagination. He stands as one of the supreme painters of fifteenth century Northern Europe. Each page is accompanied by a descriptive and explanatory commentary by John Plummer. His introduction discusses the development of the Book of Hours as a liturgical form in general, and the history of the Cleves Hours specifically, and describes the place it holds in the history of Northern Painting.