An anthology of both familiar and previously unavailable primary texts that illuminate the world of nineteenth-century ideas. An expert team introduce and annotate a range of original social, cultural, political and historical documents necessary for contextualising key literary texts from the Victorian period.

Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications.
The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large.
The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'.
Each section includes a new introduction by the editors.
The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.

John Plunkett presents the first history of the interaction between the monarchy and the media to focus on the reign of Queen Victoria. He argues that the development of popular print and visual media in the nineteenth century helped to reinvent the position of the monarchy in national life, and includes a detailed account of the emergence of royal journalism and the impact of new media such as photography.

Multimedia Histories: From the Magic Lantern to the Internet is the first book to explore in detail the vital connections between today's digital culture and an absorbing history of screen entertainments and technologies. Its range of coverage moves from the magic lantern, the stereoscope and early film to the DVD and the internet. By reaching back into the innovative media practices of the nineteenth century, Multimedia Histories outlines many of the revealing continuities between nineteenth, twentieth, and twenty-first century multimedia culture. Comprising some of the most important new work on multimedia culture and history by key writers in this growing field, Multimedia Histories will be an indispensable new sourcebook for the discipline. It will be an important intervention in rethinking the boundaries of Anglo-American film and media history.

Essays on the links between film and fiction, and their mutual influence. Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of "popular literature." One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture.
Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organized into ten thematically arranged sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

BILL Well, anyway, I won't let any more of them passengers go jumping into trains any more, not when they're moving, I won't. When the train gets in, doors shut. That's the rule. And they'll 'ave to abide by it.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of 'popular literature'. One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture. Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organised into ten themed sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The themed sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

BILL Well, anyway, I won't let any more of them passengers go jumping into trains any more, not when they're moving, I won't. When the train gets in, doors shut. That's the rule. And they'll 'ave to abide by it.