Widor's pedagogical writings, translated for the first time, offer essential guidance for interpreting his organ compositions as well as those of his followers in the French Romantic organ school. Renowned organist, composer, and Paris Conservatory professor Charles-Marie Widor (1844-1937) was a leading figure of the French Romantic organ school. In the extensive Preface he wrote for his edition of the complete organ worksof J. S. Bach, Widor conveyed what he considered to be the essential maxims of organ performance practice and technique. Given that he felt that "the art of organ playing has not changed at all since Johann Sebastian Bach," the principles detailed in his highly articulate writings can be seen today as relevant to his own organ compositions as well as those of his circle of followers. In Widor on Organ Performance Practice and Technique,John Near translates for the first time all the statements from Widor's Bach Preface that reflect his distinctive and influential approach to performance style and artistic awareness. Correlative source material that clarifies andaugments these passages is included after the translations. To complement the pedagogical material and bring a broader view of Widor's involvement in all things pertaining to the organ, his four most significant writings about the organ and organ playing are included in the appendixes. JOHN R. NEAR is Professor Emeritus of Music, Principia College. His publications include Widor: A Life beyond the Toccata, available from theUniversity of Rochester Press.

Brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. Widor: A Life beyond the Toccata brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. He is considered one of the greatestorganists of his time, a prolific composer in nearly every genre, professor of organ and composition at the Paris Conservatory, academician and administrator at the Institute of France, journalist, conductor, music editor, scholar, correspondent, inspired visionary, and man of deep culture. An appendix constitutes the most complete listing ever compiled of Widor's oeuvre. Each work is dated as accurately as possible and includes the publisher, platenumber, dedicatee, and relevant commentary. Another appendix lists Widor's complete published writings, other than the scores of press reviews he penned over several decades. Widor: A Life beyond the Toccata illuminates the life and work of one of France's most distinguished yet neglected musicians of the belle epoque. JOHN R. NEAR is Professor Emeritus of Music, Principia College.

Brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. Widor: A Life beyond the Toccata brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. He is considered one of the greatestorganists of his time, a prolific composer in nearly every genre, professor of organ and composition at the Paris Conservatory, academician and administrator at the Institute of France, journalist, conductor, music editor, scholar, correspondent, inspired visionary, and man of deep culture. An appendix constitutes the most complete listing ever compiled of Widor's oeuvre. Each work is dated as accurately as possible and includes the publisher, platenumber, dedicatee, and relevant commentary. Another appendix lists Widor's complete published writings, other than the scores of press reviews he penned over several decades. Widor: A Life beyond the Toccata illuminates the life and work of one of France's most distinguished yet neglected musicians of the belle epoque. JOHN R. NEAR is Professor Emeritus of Music, Principia College.