Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Animated adventure featuring the voice of Freddie Prinze Jr. When Pi (Prinze Jr), an ordinary fish from Boston, arrives at the exotic reef to live with his Aunt Pearl (Fran Descher), he is immediately attracted to Cordelia (Evan Rachel Wood), the fish of his dreams. There's just one problem - Troy (Donal Logue), the meanest shark in the ocean, who not only patrols the reef keeping its community in fear of becoming his next meal, but also has his eye on Cordelia and wants her for himself. Pi must join up with his new group of friends and try and outwit Troy and his henchmen, save the reef and win Cordelia.

'The substance of these lectures', John Rhys states in his preface, 'was delivered at Aberystwyth College in 1874 ... but it is hoped that they will also be found intelligible to other than Welsh readers'. Rhys (originally Rees, 1840-1915) had been a student of Jesus College, Oxford, and his interest in linguistics was fired by attending the lectures of German philologists while studying abroad in summer vacations. This 1877 work established him as a scholar, and led to his election as the first professor of Celtic languages at Oxford, and later as principal of Jesus College. Systematic research on Celtic languages using the methods of comparative philology was in its infancy when Rhys was writing, and he emphasises that the new discipline was in a state of flux, but this pioneering work still repays study today. His two-volume Celtic Folklore and his historical work Celtic Britain are also reissued in this series.

John Rhys (1840-1915), the son of a Welsh farmer, studied at Oxford and in Germany, and became the first professor of Celtic languages at Oxford in 1877. His research ranged across the fields of linguistics, history, archaeology, ethnology and religion, and his many publications were instrumental in establishing the field of Celtic studies. This two-volume work, published in 1901, had its beginnings in the late 1870s, when Rhys began collecting Welsh folk tales. His entertaining preface sheds light on folklore fieldwork and its difficulties, including fragmentary evidence, alteration of stories by those interviewed, and the hostility of the religious and educational establishment to 'superstition'. Volume 1 begins with these stories; for each text, Rhys provides fascinating information about his sources, and an English translation. Later chapters present comparative material, focusing particularly on the Isle of Man, and a detailed account of Welsh legends and customs associated with wells.

John Rhys (1840-1915), the son of a Welsh farmer, studied at Oxford and in Germany, and became the first professor of Celtic languages at Oxford in 1877. His research ranged across the fields of linguistics, history, archaeology, ethnology and religion, and his many publications were instrumental in establishing the field of Celtic studies. This two-volume work, published in 1901, had its beginnings in the late 1870s, when Rhys began collecting Welsh folk tales, several of which appear, with English translations, in Volume 1. Volume 2 analyses recurring Welsh themes, including submerged cities, water spirits and rivers; caves, heroes and treasure; place-names and Arthurian legends. It also considers, in a more global context, topics such as name magic, shape shifting, and the fairy as 'other'. Rhys discusses the difficulties of interpreting folkloric motifs and discovering their origins, and the blurred borders between story and history, myth and superstition.