Series Information:
The Novel in History

The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing:
* scandalous and amatory fictions
* criminal narratives of the early part of the century
* the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's
* novels promoting new ideas about the nature of domestic life
* novels by women and how they relate to the shift of subject matter
This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.

A comprehensive survey of the British novel from its origins in the 18th century to the modern day. Organized chronologically, this reference work traces the development of the novel and provides essays on its most illustrious practitioners, from Fielding and Austen to the postmodernists. The contributors challenge contemporary views of the classics by examining canonical writers, as well as women and post-colonial novelists. They also examine subgenres such as picaresque fiction, travelogues, historical romances, detective novels, adventures and the Bildungsroman. Brief biographies of the novelists discussed are given, along with lists for further reading.

This collection of essays studies the encounter between allegedly ahistorical concepts of narrative and eighteenth-century literature from across Europe. At issue is the question of whether the theoretical concepts underpinning narratology are, despite their appearance of ahistorical generality, actually derived from the historical study of a particular period and type of literature. The essays take on aspects of eighteenth-century texts such as plot, genre, character, perspective, temporality, and more, coming at them from both a narratological and a historical perspective.

‘A raging wave, mountain-like, came rowling a-stern of us … we were all swallowed up in a moment’

The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, first encounters another human being and fights off cannibals and mutineers. With Robinson Crusoe, Defoe wrote what is regarded as the first English novel, and created one of the most popular and enduring myths in literature. Written in an age of exploration and enterprise, it has been variously interpreted as an embodiment of British imperialist values, as a portrayal of ‘natural man’, or as a moral fable. But above all it is a brilliant narrative, depicting Crusoe’s transformation from terrified survivor to self-sufficient master of his island.

This edition contains a full chronology of Defoe’s life and times, explanatory notes, glossary and a critical introduction discussing Robinson Crusoe as a pioneering work of modern psychological realism.

An instant success in its own time, Daniel Defoe's The Adventures of Robinson Crusoe has for three centuries drawn readers to its archetypal hero, the man surviving alone on an island. This Companion begins by studying the eighteenth-century literary, historical and cultural contexts of Defoe's novel, exploring the reasons for its immense popularity in Britain and in its colonies in America and in the wider European world. Chapters from leading scholars discuss the social, economic and political dimensions of Crusoe's island story before examining the 'after life' of Robinson Crusoe, from the book's multitudinous translations to its cultural migrations and transformations into other media such as film and television. By considering Defoe's seminal work from a variety of critical perspectives, this book provides a full understanding of the perennial fascination with, and the enduring legacy of, both the book and its iconic hero.

Reflections on Sentiment not only addresses current scholarly interest in feeling and affect but also provides an occasion to celebrate the career of George Starr, who, in more than fifty years of incisive scholarship and committed teaching, haselucidated the work of Daniel Defoe and the role of sentimentalism in what was once reductively termed an age of reason and realism. Due to the critique Starr spearheaded, scholars today can approach with greater assurance the complex interplay of reason and emotion, thought and sensibility, science and feeling, rationality and enthusiasm, judgment and wit, as well as forethought and instinct, as these shaped the scientific, religious, political, social, literary, and cultural revolutions of the Enlightenment. Indeed, contributors to this anthology take inspiration from Starr's work to shed new light on Enlightenment thought and sociocultural formations generally, offering fresh interpretations of a period in which Reflection and Sentiment circulated, mutually influenced each other, and contended equally for cultural attention. In nine separate essays they explore: the ways sentiment and sentimentalism inflect the moral and ideological ambit of Enlightenment discourses; the sociopolitics of religious debate; the issues promoted by women writers, by gender and family relations; the artistic and rhetorical uses of lived language; the impacts of cultural developments on novelistic form; and the wide shifts in the literary marketplace. Deploying tools advanced by new work in animal studies, gender criticism, media analysis, genre studies, the new formalism, and ethical inquiry, and enabled by the power of digitization and new databases, the authors of this volume explain how and to what ends denizens of the Enlightenment were touched and moved.

Daniel Defoe had an eventful and adventurous life as a merchant, politician, spy and literary hack. He is one of the eighteenth century s most lively, innovative and important authors, famous not only for his novels, including Robinson Crusoe, Moll Flanders, and Roxana, but for his extensive work in journalism, political polemic and conduct guides, and for his pioneering 'Tour through the Whole Island of Great Britain.' This volume surveys the wide range of Defoe's fiction and non-fiction, and assesses his importance as writer and thinker. Leading scholars discuss key issues in Defoe's novels, and show how the man who was once pilloried for his writings emerges now as a key figure in the literature and culture of the early eighteenth century.

Daniel Defoe had an eventful and adventurous life as a merchant, politician, spy and literary hack. He is one of the eighteenth century s most lively, innovative and important authors, famous not only for his novels, including Robinson Crusoe, Moll Flanders, and Roxana, but for his extensive work in journalism, political polemic and conduct guides, and for his pioneering 'Tour through the Whole Island of Great Britain.' This volume surveys the wide range of Defoe's fiction and non-fiction, and assesses his importance as writer and thinker. Leading scholars discuss key issues in Defoe's novels, and show how the man who was once pilloried for his writings emerges now as a key figure in the literature and culture of the early eighteenth century.

The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.

In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.

This classic novel tells the story, in letters, of the beautiful and virtuous Clarissa Harlowe's pursuit by the brilliant, unscrupulous rake Robert Lovelace. The epistolary structure allows Richardson to create layered and fully realized characters, as well as an intriguing uncertainty about the reliability of the various "narrators." Clarissa emerges as a heroine at once rational and passionate, self-sacrificing and defiant, and her story has gripped readers since the novel's first publication in 1747-1748. This new abridgment is designed to retain the novel's rich characterizations and relationships, and reproduces individual letters in their entirety whenever possible. This Broadview Edition provides a uniquely accessible entry point for readers, while retaining much of the powerful reading experience of the complete novel.

This multifaceted picture of the British novel in its formative decades provides an indispensable guide for students of the eighteenth-century novel, and its place within the culture of its time. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. Sentimental and Gothic fiction, and fiction by women, are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett and Burney.