This volume affords a fascinating and rare look at the sensitive issue of nuclear diplomacy between two critical Cold War allies, the United States and Japan, during the 1960s. Challenging the silence of the official bureaucracies in Washington and Tokyo, Wakaizumi Kei reveals the truth behind the secret 1969 agreement that ensured the eventual reversion of Okinawa to Japanese jurisdiction in 1972. Revelation of this secret accord created considerable controversy in Japan when Wakaizumi's memoir was first published in 1994. With the publication of this translation, his description of the events leading up to the closed-door agreement is available to an English-language audience for the first time.

At a time when security matters are once again predominant in the U.S. -- Japan alliance, Professor Wakaizumi's account is a timely reminder of the gap between official, media-filtered descriptions of diplomatic relations and the private discussions of national leaders. The long-standing reluctance of the Japanese government to declassify its postwar diplomatic records has meant that Japan's side of its relationship with the U.S. has been only partially revealed. The Best Course Available attempts to correct this shortcoming and at the same time provides insight into the complicated and arcane process of foreign policymaking, national leadership, and domestic politics in Japan after 1945.

At its most intimate, music heals our emotional wounds and inspires us; at its most public, it unites people across cultural boundaries. But can it rebuild a city? Renowned music writer John Swenson asks that question with New Atlantis: Musicians Battle for the Survival of New Orleans, a story about America's most colorful and troubled city and its indominable will to survive. Under sea level, repeatedly harangued by fires, crime, and most devastatingly, by Hurricane Katrina, New Orleans has the potential to one day become a "New Atlantis," a lost metropolis under the waves. But this threat has failed to prevent its stalwart musicians and artists from living within its limits, singing its praises and attracting the economic growth needed for its recovery. New Atlantis records how the city's jazz, Cajun, R&B, Bourbon Street, second line, brass band, rock and hip hop musicians are reconfiguring the city's unique artistic culture, building on its historic content while reflecting contemporary life in New Orleans. New Atlantis is a city's tale made up of citizen's tales. It's the story of Davis Rogan, a songwriter, bandleader and schoolteacher who has become an integral part of David Simon's new HBO series Treme (as compelling a story about New Orleans as The Wire was about Baltimore). It's the story of trumpeter Irvin Mayfield, who lost his father in the storm and has since become an important political and musical force shaping the future of New Orleans. It's the story of Bo Dollis Jr., chief of the Wild Magnolias Mardi Gras Indians, as he tries to fill the shoes of his ailing father Bo Dollis, one of the most charismatic figures in Mardi Gras Indian history. It is also the author's own story; each musician profiled will be contextualized by Swenson's three-decades-long coverage of the New Orleans music scene.

Eight distinguished experts from a wide range of disciplines consider the nature and the use of evidence in the modern world. Peter Lipton begins the book by analysing evidence in general philosophical terms. Carlo Ginzurg then examines the ambiguities of historical evidence. Vincent Courtillot analyses the evidence for cataclysmic geological change. Monica Grady considers the evidence for life in space. Brian Greene discusses superstring theory and the quest for a unified theory of the universe. Philip Dawid explores the uses and abuses of statistical evidence in landmark legal cases while Cherie Booth looks at the role of evidence in domestic and international law. In the final chapter Karen Armstrong considers the role of evidence in religious belief.

At its most intimate level, music heals our emotional wounds and inspires us. At its most public, it unites people across cultural boundaries. But can it rebuild a city? That's the central question posed in New Atlantis, journalist John Swenson's beautifully detailed account of the musical artists working to save America's most colorful and troubled metropolis: New Orleans. The city has been threatened with extinction many times during its three-hundred-plus-year history by fire, pestilence, crime, flood, and oil spills. Working for little money and in spite of having lost their own homes and possessions to Katrina, New Orleans's most gifted musicians-including such figures as Dr. John, the Neville Brothers, "Trombone Shorty," and Big Chief Monk Boudreaux-are fighting back against a tidal wave of problems: the depletion of the wetlands south of the city (which are disappearing at the rate of one acre every hour), the violence that has made New Orleans the murder capitol of the U.S., the waning tourism industry, and above all the continuing calamity in the wake of Hurricane Katrina (or, as it is known in New Orleans, the "Federal Flood"). Indeed, most of the neighborhoods that nurtured the indigenous music of New Orleans were destroyed in the flood, and many of the elder statesmen have died or been incapacitated since then, but the musicians profiled here have stepped up to fill their roles. New Atlantis is their story. Packed with indelible portraits of individual artists, informed by Swenson's encyclopedic knowledge of the city's unique and varied music scene-which includes jazz, R&B, brass band, rock, and hip hop-New Atlantis is a stirring chronicle of the valiant efforts to preserve the culture that gives New Orleans its grace and magic.

At a time when security and political relations between the United States and Japan are exhibiting renewed confidence and strength, this study provides a timely analysis and reassessment of the early Cold War’s trans-Pacific bilateral alliance. Taking issue with studies that have characterized the United States as largely dismissive of Japanese national interests, the book reveals an engaged and pragmatic leadership working to develop an active partnership with America's former adversary. Drawing on the latest scholarship in both Japan and the United States, exhaustively reassessing the diplomatic record, and relying on a wealth of newly released archival material, the author offers a reinterpretation of key issues in the early Cold War relationship. The work also casts dramatic new light on Japan's importance as a target of covert diplomacy and Soviet espionage—and the significance, in this context, of Japan's internal conflict between progressive and conservative values and the wider debate over national identity and political legitimacy.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Yale Law School LibraryCTRG99-B998Includes index.New York: Century Co., 1924. xxxviii, 475 p.; 23 cm

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