A SPECTATOR BOOK OF THE YEAR Longlisted for the William Hill Sports Book of the Year 'Rich and joyous ...The book's quiet optimism about our ability to change, and to learn to love small things passionately, will stay with me for a long time' Helen Macdonald 'Big-hearted and quietly gripping' Guardian 'I love Jon Day's writing and his birds. A marvellous, soaring account' Olivia Laing '[A] beautiful book about unbeautiful birds' Observer 'This is nature writing at its best' Financial Times 'Awash with historical and literary detail, and moving moments ... Wonderful' Telegraph 'Every page of this beautifully written book brought me pleasure' Charlotte Higgins 'A vivid evocation of a remarkable species and a rich working-class tradition. It's also a charming defence of a much-maligned bird, which will make any reader look at our cooing, waddling, junk-food-loving feathered friends very differently in future' Daily Mail 'Endlessly interesting and dazzlingly erudite, this wonderful book will make a home for itself in your heart' Prospect As a boy, Jon Day was fascinated by pigeons, which he used to rescue from the streets of London. Twenty years later he moved away from the city centre to the suburbs to start a family. But in moving house, he began to lose a sense of what it meant to feel at home. Returning to his childhood obsession with the birds, he built a coop in his garden and joined a local pigeon racing club. Over the next few years, as he made a home with his young family in Leyton, he learned to train and race his pigeons, hoping that they might teach him to feel homed. Having lived closely with humans for tens of thousands of years, pigeons have become powerful symbols of peace and domesticity. But they are also much-maligned, and nowadays most people think of these birds, if they do so at all, as vermin. A book about the overlooked beauty of this species, and about what it means to dwell, Homing delves into the curious world of pigeon fancying, explores the scientific mysteries of animal homing, and traces the cultural, political and philosophical meanings of home. It is a book about the making of home and making for home: a book about why we return.

Concentrating on the work of four major modernist authors Virginia Woolf, James Joyce, Wyndham Lewis and Samuel Beckett this book examines the close links between modernist literature and the philosophy of mind. By historicising the qualia debate and situating it within its cultural and literary contexts, it stages interventions into a range of academic debates: over the status of 'sensations' and 'sense data' within modernist fiction, over the scope and possibility of 'neuroaesthetic' approaches to literary criticism, and over the relationship between literature, philosophy and technology in the modernist moment.

Cyclogeography is an essay about the bicycle in the cultural imagination and a portrait of London seen from the saddle. The bicycle enables us to feel a landscape, rather than just see it, and in the great tradition of the psychogeographers, Day attempts to depart from the map and reclaim the streets of the city whilst exploring the relationship between bodies, bikes and geography.

The best fishing writing is never really about fishing, or never only about fishing, and the writers collected in A Twitch Upon the Thread use angling as a way to write about love, loss, faith, and obsession. This is an anthology of fishing writing ranging from medieval times to the present, taking the reader from riverbank to open ocean, from England to New Zealand, from the shore to the depths. Read it and be hooked. Included are contributions from Virginia Woolf, Charles Dickens, Ota Pavel, Arthur Ransome, George Orwell, Gerard Manley Hopkins, and dozens more.

A radical intervention into critical debates over the status of sensation within modernist literature Offers novel and insightful readings of key modernist authors within their philosophical contexts Critiques a range of 'neuroaesthetic' approaches to literary criticism Proposes new ways of thinking about the relationship between philosophy, literature and technology within modernist studies. Concentrating on the work of four major modernist authors - Virginia Woolf, James Joyce, Wyndham Lewis and Samuel Beckett - this book examines the close links between modernist literature and the philosophy of mind. By historicising the qualia debate and situating it within its cultural and literary contexts, it stages interventions into a range of academic debates: over the status of 'sensations' and 'sense data' within modernist fiction, over the scope and possibility of 'neuroaesthetic' approaches to literary criticism, and over the relationship between literature, philosophy and technology in the modernist moment.