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America's health care system is unraveling, with millions of
hard-working people unable to pay for prescription drugs and
regular checkups, let alone hospital visits. Jonathan Cohn traveled
across the United States--the only country in the developed world
that does not guarantee its citizens access to medical care--to
investigate why this crisis is happening and to see firsthand its
impact on ordinary Americans. Passionate, powerful, illuminating,
and often devastating, Sick chronicles the decline of America's
health care system, and lays bare the consequences any one of us
could suffer if we don't replace it.
The Burden of Choice examines how recommendations for products,
media, news, romantic partners, and even cosmetic surgery
operations are produced and experienced online. Fundamentally
concerned with how the recommendation has come to serve as a form
of control that frames a contemporary American as heteronormative,
white, and well off, this book asserts that the industries that use
these automated recommendations tend to ignore and obscure all
other identities in the service of making the type of affluence
they are selling appear commonplace. Focusing on the period from
the mid-1990s to approximately 2010 (while this technology was
still novel), Jonathan Cohn argues that automated recommendations
and algorithms are far from natural, neutral, or benevolent.
Instead, they shape and are shaped by changing conceptions of
gender, sexuality, race, and class. With its cultural studies and
humanities-driven methodologies focused on close readings,
historical research, and qualitative analysis, The Burden of Choice
models a promising avenue for the study of algorithms and culture.
Exploring how we make, distribute, and consume today’s media
systems Media backends--the electronics, labor, and operations
behind our screens--significantly influence our understanding of
the sociotechnical relations, economies, and operations of media.
Lisa Parks, Julia Velkova, and Sander De Ridder assemble essays
that delve into the evolving politics of the media infrastructural
landscape. Throughout, the contributors draw on feminist, queer,
and intersectional criticism to engage with infrastructural and
industrial issues. This focus reflects a concern about the systemic
inequalities that emerge when tech companies and designers fail to
address workplace discrimination and algorithmic violence and
exclusions. Moving from smart phones to smart dust, the essayists
examine topics like artificial intelligence, human-machine
communication, and links between digital infrastructures and public
service media alongside investigations into the algorithmic
backends at Netflix and Spotify, Google’s hyperscale data
centers, and video-on-demand services in India. A fascinating foray
into an expanding landscape of media studies, Media Backends
illuminates the behind-the-screen processes influencing our digital
lives. Contributors: Mark Andrejevic, Philippe Bouquillion,
Jonathan Cohn, Faithe J. Day, Sander De Ridder, Fatima Gaw,
Christine Ithurbide, Anne Kaun, Amanda Lagerkvist, Alexis Logsdon,
Stine Lomborg, Tim Markham, Vicki Mayer, Rahul Mukherjee, Kaarina
Nikunen, Lisa Parks, Vibodh Parthasarathi, Philipp Seuferling,
Ranjit Singh, Jacek Smolicki, Fredrik Stiernstedt, Matilda Tudor,
Julia Velkova, and Zala Volcic
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