Rogers Hornsby has the highest career batting average of any right-handed hitter and the second highest career mark overall. "The Rajah" won seven batting titles and hit over .400 three times. He was also one of baseball's most successful player-managers, leading the St. Louis Cardinals to a historic World Series triumph over the Yankees in 1926. Hornsby had an unrivaled passion for baseball; as a young player, he once even donned a disguise to play in a women's league. But his unyielding drive to succeed often alienated him from lesser players, and his penchant for the racetrack made him powerful enemies in baseball's higher ranks. Jonathan D'Amore presents a fascinating look at this outstanding hitter and complicated man. It has been said that hitting a baseball is the hardest thing in professional sports. Baseball's All-Time Greatest Hitters presents biographies on Greenwood's selection for the 12 best hitters in Major League history, written by some of today's best baseball authors. These books present straightforward stories in accessible language for the high school researcher and the general reader alike. Each volume includes a timeline, bibliography, and index. In addition, each volume includes a "Making of a Legend" chapter that analyses the evolution of the player's fame and (in some cases) infamy.

"American Authorship and Autobiographical Narrative" explores the contorted and often conflicted relationship writers have with their images and reputations as authors, particularly when they choose to write about themselves and their personal lives. By analyzing the autobiographical nonfiction of Norman Mailer, John Edgar Wideman, and Dave Eggers in light of theories of authorship, autobiography, and celebrity, this book considers the art of literary self-representation practiced under the forces of publishing's business imperatives and mass culture's insatiable appetite for personal stories about public figures. Contributing to ongoing conversations about the explosion of popular and critical interest in life narrative as well as those about relation of an author to his text, this book will be of interest to scholars and students in the fields of contemporary American literature, life writing studies, and authorship and publishing history, as well as the many serious and dedicated readers of Eggers, Wideman, and Mailer.

This book explores the conflicted relationship writers have with their public image, particularly when they have written about their personal lives. D'Amore analyzes the autobiographical works of Norman Mailer, John Edgar Wideman, and Dave Eggers in light of theories of authorship, autobiography, and celebrity.