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Showing 1 - 21 of 21 matches in All Departments
Imagining Culture, first published in 1996, discusses literature as a whole rather than a partisan interest in those who are in or out of favour, and how that literature relates to other arts as well as to philosophical, historical, and cultural contexts. This title will be of interest to students of literature and cultural studies.
First published in 1992, Theater and World is a detailed exploration of Shakespeare’s representation of history and how it affects the relation between theatre and world. The book focuses primarily on the Second Tetralogy (Richard II, Henry IV Part I, Henry IV Part II, and Henry V) and includes a wealth of analysis and interpretation of the plays. In doing so, it explores a wide range of topics, including the relation between literary and theatrical representations and the world; the nature of illusion and reality; genre; the connection between history and fiction (especially plays); historiography and literary criticism or theory; poetry and philosophy; and irony, both rhetorical and philosophical. Theater and World continues to have lasting relevance for anyone with an interest in Shakespeare’s words and his representation of history in particular.
First published in 1996, Explorations in Difference explores how contemporary debates over identity and difference come into play within the workings of cultural, legal, and political institutions. The book brings together a variety of perspectives on the meanings and implications of difference in the context of postmodern theory. It is divided into two parts: ‘Theoretical Accounts’, which establishes a context for postmodern inquiries into difference, and ‘Instances’, which provides application to particular issues. Highly interdisciplinary, Explorations in Difference continues to have lasting relevance and will appeal to those with an interest in postmodern difference and its implications.
First published in 1992, Theater and World is a detailed exploration of Shakespeare's representation of history and how it affects the relation between theatre and world. The book focuses primarily on the Second Tetralogy (Richard II, Henry IV Part I, Henry IV Part II, and Henry V) and includes a wealth of analysis and interpretation of the plays. In doing so, it explores a wide range of topics, including the relation between literary and theatrical representations and the world; the nature of illusion and reality; genre; the connection between history and fiction (especially plays); historiography and literary criticism or theory; poetry and philosophy; and irony, both rhetorical and philosophical. Theater and World continues to have lasting relevance for anyone with an interest in Shakespeare's words and his representation of history in particular.
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
This book of original essays explores three important areas in comparative literature and history and in cultural studies: the boundaries between history and fiction;women as writers and subjects; and the connection between the early modern, modern and postmodern. New history and new literary studies look at innovative ways to see past cultures in a new light. Traditional methods are used to new ends and writers who are familiar within their cultures are translated to other cultures. This study promotes an expanded understanding of our cultural artifacts in a rapidly changing present. It discusses English-speaking culture in the early modern period in the context of other European cultures and relates Europe to other parts of the world, most notably America. After grounding the discussion of culture in history, identity, dialogue as a genre that crosses the boundaries between philosophy and fiction, the rhetoric of prefaces to historical collections, cosmographies and histories that share something with the techniques of literary and forensic rhetoric, the book proceeds to discuss two central issues in cultural studies today: gender and postmodernity. The final section of the book provides a general assessment through early modern texts of modernity and postmodernity.
Reading the Renaissance, first published in 1996, is a collection of essays discussing the literature, drama, poetics and culture of the Renaissance period. The Renaissance, which extends from about 1300 to 1700 depending on the country, was originally a rebirth of the arts but has also come to apply to the wider cultural change in the face of modernization. The essays represent a plural Renaissance and explore the boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the postmodern, world and theatre. There is also a plurality of methods that is fitting for the variety of topics and the richness of the Renaissance. This book is ideal for students of literature and theatre studies.
First published in 1996, Explorations in Difference explores how contemporary debates over identity and difference come into play within the workings of cultural, legal, and political institutions. The book brings together a variety of perspectives on the meanings and implications of difference in the context of postmodern theory. It is divided into two parts: 'Theoretical Accounts', which establishes a context for postmodern inquiries into difference, and 'Instances', which provides application to particular issues. Highly interdisciplinary, Explorations in Difference continues to have lasting relevance and will appeal to those with an interest in postmodern difference and its implications.
This book of original essays explores three important areas in
comparative literature and history and in cultural studies: the
boundaries between history and fiction; women as writers and
subjects; and the connection between the early modern, modern and
postmodern.
Approaching the Renaissance from many perspectives-historicism, genre studies, close reading, anthropology, feminism, new historicism, cultural materialism and postmodernism-these original essays explore the boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the Middle Ages, the early modern and the post-modern, world and theater. They offer a new way of looking at the Renaissance and at literature and history generally-through the lens of cultural pluralism, which reflects the changing nature of Western society. The collection reveals that the study of literature should take into account its cultural context and that it is enriched by an examination of other literatures.
Northrop Frye is acknowledged as a prominent 20th-century critic. "The Anatomy of Criticism" (1957) is said to have transformed literary theory, and his contributions to studies of Blake, theories of aesthetics, theology and social criticism, have ensured his place in the field of cultural studies. His belief that ideology is everywhere, and that mythology is part of ideology, has given rise to one of the most important contemporary theoretical debates: the relation between myth and ideology, between narrative and imagination. This work surveys Frye's career, incoporating archival material as well as his published work.
Reading the Renaissance, first published in 1996, is a collection of essays discussing the literature, drama, poetics and culture of the Renaissance period. The Renaissance, which extends from about 1300 to 1700 depending on the country, was originally a rebirth of the arts but has also come to apply to the wider cultural change in the face of modernization. The essays represent a plural Renaissance and explore the boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the postmodern, world and theatre. There is also a plurality of methods that is fitting for the variety of topics and the richness of the Renaissance. This book is ideal for students of literature and theatre studies.
Imagining Culture, first published in 1996, discusses literature as a whole rather than a partisan interest in those who are in or out of favour, and how that literature relates to other arts as well as to philosophical, historical, and cultural contexts. This title will be of interest to students of literature and cultural studies.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Two enclosures were recorded - near Rodway was discovered a small Middle Bronze Age farmstead containing evidence of two roundhouses, with associated pottery and plant remains; and at Sandy Lane a Roman villa was shown to have developed from a Late Iron Age ridge-top settlement.
Archaeological surveys and excavations were carried out between 2006 and 2010 in advance of the construction of a gas pipeline in the Gloucestershire Cotswolds. They resulted in the discovery of many new sites and the investigation of eighteen of them dating from the prehistoric to medieval periods. Early Neolithic and Beaker/Early Bronze Age pits in the southern part of the route near Winstone, suggest transitory occupation in early prehistoric times. Early Bronze Age cremation graves on lower ground near Stanway were associated with two slightly later ring-ditches, and another Bronze Age ring-ditch was excavated at Foxcote Hill. A segmented boundary ditch near Winstone was also the location of Iron Age and Roman activity. An Iron Age settlement on Salter's Hill, Winchcombe, included an Early Iron Age roundhouse, while Middle Iron Age grain-storage pits here and elsewhere indicated other farming settlements. Late Iron Age and Roman occupations in the high Wolds showed a range of remains, including unusual deposits of artefacts, animal bones and burials. A fragmentary sequence of Anglo-Saxon boundary burials was found at the southern end of the route near Sapperton. In the same area, two 12th- to 13th-century buildings near Overley Wood may have been part of the medieval settlement of Pinbury. Trackways revealed near Coberley, Foxcote and Hailes linked rural settlements in historical times. The range of sites and finds from these investigations provide important new information on the human past across parts of a landscape in many respects considered to be marginal.
This book presents a unique new method to improve business focus, capacity, capability, performance, profitability and information, reduce stress and attract the right sort of customers, suppliers, personnel and publicity. In other words, how to get your ducks in a row. You'll discover how Purpose and Intention act as the Magnetic North of a business, and how aligning everything to P&I will transform the capability of the business. One thing's for sure, if you follow this method, you'll never look at your business in the same light again.
When civilizations first encounter each other a cascade of change is triggered that both challenges and reinforces the identities of all parties. Making Contact revisits key encounters between cultures in the medieval and early modern world-Europe and Africa, the multiple ethnicities of greater Poland, Christians and Jews, Jesuits and Japanese, Elizabethans vs. aboriginals and vagrants, English and Algonquians, Pierre Radisson and the Iroquois, and the Spaniards in America.
Empires and Colonies provides a thoroughgoing and lively
exploration of the expansion of the seaborne empires of western
Europe from the fifteenth century and how that process of expansion
affected the world, Furthermore, Empires and Colonies recognizes that whilst a study
of the expansion of Europe is an important part of world history,
it is not a history of the world per se. The focus on culture is
used to assert that areas and peoples
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