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In the late eighteenth and early nineteenth centuries, historical
subjects became some of the most popular topics for stage dramas of
all kinds on both sides of the Atlantic. This collection of essays
examines a number of extraordinary theatrical works in order to
cast light on their role in shaping a popular interpretation of
historical events. The medium of drama ensured that the telling of
these histories - the French Revolution and the American War of
Independence, for example, or the travels of Captain Cook and
Christopher Columbus - were brought to life through words, music
and spectacle. The scale of the productions was often ambitious: a
water tank with model floating ships was deployed at Sadler's Wells
for the staging of the Siege of Gibraltar, and another production
on the same theme used live cannons which set fire to the vessels
in each performance. This illustrated volume, researched and
written by experts in the field, explores contemporary theatrical
documents (playbills, set designs, musical scores) and images
(paintings, prints and illustrations) in seeking to explain what
counted as history and historical truth for the writers, performers
and audiences of these plays. In doing so it debates the peculiar
contradictions of staging history and re-examines some spectacular
box office hits.
A science fiction roleplaying game of bringing law and order to the
dark and dangerous corners of the universe. Pressure: Industrial
Science Fiction Roleplaying is a rules-light, story-focused game of
facing the darkness at the heart of humanity’s fragile and
claustrophobic existence – both on Earth and among the stars. An
entirely standalone title, Pressure also develops and expands upon
the mechanics and setting introduced in the Those Dark Places
roleplaying game. As highly skilled agents of Special Operations
Squads, players are tasked with cleaning up after the Corporations
– investigating links to organised crime, neutralising rogue
weapons research, negotiating with rebel leaders on orbital
stations, and hunting down whatever that black-budget excavation
team ‘awoke’ out in the Procyon Sector… The universe is a
dangerous and hostile place; the Hypercities and the Deep Black
alike hide powerful foes. But you have the tools, the training, and
the resources to face these dangers… you hope.
Space is a hell of a thing but you need to be sure that this is
what you want. Like, what you really want. The idea of space
exploration to further the frontiers of mankind is noble, but let's
not kid ourselves - it's really all about furthering the profit
margins. There's money to be made and out there is the place to
make it, but you hear all kinds of stories... equipment
malfunctions, strange discoveries, crewmembers going insane...
You'll be out there in the reaches, alone, for months or years,
breathing recycled air and drinking recycled water, with nothing
but a few feet of metal and shielding between you and certain
death. Are you sure this is what you want? - Crew Orientation
Briefing *** Those Dark Places is a rules-light, story-focused
roleplaying game about the darker side of space exploration and the
people who travel the stars in claustrophobic, dangerous
conditions. Starships, stations, and outposts aren't havens of
safety with clean, brightly lit corridors - they're potential
deathtraps, funded by budget-conscious corporate interests and
running on stale, recycled air and water. The stars may be the
future of humanity, but they are also home to horrors and terror
the human mind cannot comprehend.
Gallipoli, 4th March 1915. The invasion force prepares to land on
the Dardanelles. Oscendale is a thoughtful detective who fights
against the brutality he sees all around him during WWI to bring a
killer to justice and to solve the mystery behind murder.
Jonathan Hicks, published twice in the British Science Fiction
Association's writer's magazine 'FOCUS' and the mission
designer/dialogue writer of the mobile telephone game of acclaimed
television show 'Battlestar Galactica', presents twelve short
stories about the little people in the big universe. "I grew up
with the grandiose science fiction tales, in books and on film,
with great galaxy-spanning adventures or life-changing
technologies," said Jonathan Hicks. "In this book I concentrate on
the 'little guy', the people who work behind the scenes and those
who get a less than stellar deal out of the supposed adventure
travelling the galaxy and exploring new technologies offers." Click
on the 'preview this book' under the cover picture above to find
out more about these stories. Contains strong language and some
violence
We seem to see melodrama everywhere we look--from the soliloquies
of devastation in a Dickens novel to the abject monstrosity of
Frankenstein's creation, and from Louise Brooks's exaggerated
acting in Pandora's Box to the vicissitudes endlessly reshaping the
life of a brooding Don Draper. This anthology proposes to address
the sometimes bewilderingly broad understandings of melodrama by
insisting on the historical specificity of its genesis on the stage
in late-eighteenth-century Europe. Melodrama emerged during this
time in the metropolitan centers of London, Paris, Vienna, and
Berlin through stage adaptations of classical subjects and gothic
novels, and they became famous for their use of passionate
expression and spectacular scenery. Yet, as contributors to this
volume emphasize, early melodramas also placed sound at center
stage, through their distinctive--and often
disconcerting--alternations between speech and music. This book
draws out the melo of melodrama, showing the crucial dimensions of
sound and music for a genre that permeates our dramatic, literary,
and cinematic sensibilities today. A richly interdisciplinary
anthology, The Melodramatic Moment will open up new dialogues
between musicology and literary and theater studies.
Biography of Richard Wain from Penarth, Glamorgan, who won the
Victoria Cross for his heroic actions at the Battle of Cambrai in
the First World War, aged only 20. Also traces in detail the
history of the Tank Corps and its contribution to the winning of
the war, looking at personnel training and the development of
tanks. -- Cyngor Llyfrau Cymru
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