This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.

In its first thousand years -- from the revelations to Muhammad in the seventh century to the great Islamic empires of the sixteenth -- Islamic civilization flourished. While Europeans suffered through the Dark Ages, Muslims in such cities as Jerusalem, Damascus, Alexandria, Fez, Tunis, Cairo, and Baghdad made remarkable advances in philosophy, science, medicine, literature, and art. This engrossing and accessible book explores the first millennium of Islamic culture, shattering stereotypes and enlightening readers about the events and achievements that have shaped contemporary Islamic civilization.

Jonathan Bloom and Sheila Blair examine the rise of Islam, the life of Muhammad, and the Islamic principles of faith. They describe the golden age of the Abbasids, the Mongol invasions, and the great Ottoman, Safavid, and Mughal empires that emerged in their wake. Their narrative, complemented by excerpts of the Koran, poetry, biographies, inscriptions, travel guides, and even a thirteenth-century recipe, concludes with a brief epilogue that takes us to the twentieth century. Colorfully illustrated, this book is a wonderful introduction to the rich history of a civilization that still radically affects the world.

Tracing its origins and development, Bloom reveals that the Minaret, long understood to have been invented in the early years of Islam as the place from which the muezzin gives the call to prayer, was actually invented some two centuries later to be a visible symbol of Islam. From early Islam to the modern world, and from Iran, Egypt, Turkey and India to West and East Africa, the Yemen and Southeast Asia, this richly illustrated book is a sweeping tour of the minaret's position as the symbol of Islam.

How similar are humans to the non-human universe? Many people believe that there are obvious similarities between humans and some non-human animals, however, the similarities between humans and things such as trees and stones are less obvious. This has led to the conceptualisation of trees and stones as 'physical' stuff or 'mere matter', whereas humans contain feeling states such as the feeling of pain and the feeling of elation. In this book Jonathan Bloom outlines the case for believing that feelings pervade not only humans but that they pervade the entire non-human universe too.

In the years following the revelations of the Prophet Muhammad in the early seventh century AD, the new religion of Islam spread rapidly through Arabia to North Africa and Spain in the west and Cental Asia and India in the east. Through the following 1000 years, artists and craftsmen in the areas influenced by Islam produced some of the world's most beautiful works of art: from the Albrahmra to the Taj Mahal, from illuminated copies of the Koran to exquisite decorative arts: ceramics, textiles and metalwork.