|
Showing 1 - 7 of
7 matches in All Departments
One restless summer, anxious and dismayed by mounting crisis and
conflict on Earth, poet and journalist Marjolijn van Heemstra
learns of a phenomenon known as the overview effect. Experienced by
many astronauts when beholding our planet from the remoteness of
space, it’s a permanent shift in consciousness—an overwhelming
sense of wholeness and connection with humanity and the planet. In
Light-Years There’s No Hurry is the account of van Heemstra’s
yearlong quest to experience the overview effect on Earth. We
follow as she takes a night walk through a forest in search of true
darkness, listens to the distant singing of exoplanets at a radio
observatory and learns of prisoners working with astrophysicists to
imagine possible human settlements on Mars. Contemplating the
solace a cosmic perspective offers in our frenetic, divided world,
In Light-Years There’s No Hurry is a lyrical, searching
meditation on what it is to be human amidst the vastness of the
universe.
In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar
factory in Germany: Deutsche Zigarren-Werke. When his competitors,
supported by Nazi authorities, tried to shut it down, the
headstrong entrepreneur refused to give up the fight. Isay
Rottenberg was born into a large Jewish family in Russian Poland in
1889 and grew up in Lodz. He left for Berlin at the age of eighteen
to escape military service, moving again in 1917 to Amsterdam on
the occasion of his marriage. In 1932 he moved to Germany to take
over a bankrupt cigar factory. With newfangled American technology,
it was the most modern at the time. The energetic and ambitious
Rottenberg was certain he could bring it back to life, and with
newly hired staff of 670 workers, the cigar factory was soon back
in business. Six months later, Hitler came to power and the Nazi
government forbade the use of machines in the cigar industry so
that traditional hand-rollers could be re-employed. That was when
the real struggle began. More than six hundred qualified machine
workers and engineers would lose their jobs if the factory had to
close down. Supported by the local authorities he managed to keep
the factory going, but in 1935 he was imprisoned following
accusations of fraud. The factory was expropriated by the Deutsche
Bank. When he was released six months later thanks to the efforts
of the Dutch consul, he brought a lawsuit of his own. His fight for
rehabilitation and restitution of his property would continue until
Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is
written by two of Rottenberg's granddaughters, who knew little of
their grandfather's past growing up in Amsterdam until a call for
claims for stolen or confiscated property started them on a journey
of discovery.
|
Bonita Avenue (Paperback)
Peter Buwalda; Translated by Jonathan Reeder
1
|
R299
R249
Discovery Miles 2 490
Save R50 (17%)
|
Ships in 9 - 15 working days
|
A darkly hilarious tale of a model family's disintegration.
Professor Siem Sigerius - maths genius, jazz lover, judo champion,
Renaissance man. When Aaron meets his girlfriend Joni's family for
the first time, her multitalented father could hardly be a more
intimidating figure, but somehow the underachieving photographer
manages to bluff his way to a friendship with the paterfamilias.
With his feet under the table at the beautiful Sigerius farmhouse,
Aaron feels part of the family. A perfect family. Until, that is,
things start to go wrong in a very big way. A cataclysmic explosion
in a firework factory, the advent of internet pornography, the
reappearance of a forgotten murderer and a jet-black wig-all play a
role in the spectacular fragmentation of the Sigerius clan... and
of Aaron's fragile psyche. 'One wild ride: a swirling helix of a
family saga...a new writer as toe-curling as early Roth, as roomy
as Franzen and as caustic as Houellebecq. Don't let me forget to
mention Jonathan Reeder's note-perfect English translation.'
Anthony Cummins, Sunday Telegraph, 5-stars 'Dutch bestseller about
internet porn lives up to hype....a considerable achievement for a
seasoned writer, much less a newcomer...' James Kidd, Independent
'Fluent and complex, uncompromising and occasionally shocking...'
Daily Mail 'Buwalda writes with ferocious dexterity... Bonita
Avenue is a family epic seething with learning and regret, the kind
with which commuting becomes a pleasure.' New Statesman 'A
brilliantly constructed story, with complex characters tested to
the limit' The Lady 'One of the first great European novels of the
21st century' Foyles Bookshop interview with author Highly, highly
recommended reading.Savidge Reads If I had to choose one first
novel, it would be the addictive bedlam of Bonita Avenue...
deserves to be a book, not just a debut, of the year' Independent
Books of the Year 'Dripping with sex and bursting with comedy... in
a plot of fiendish ingenuity. Buwalda has a cold eye for the
hilarity of human disaster that would make Evelyn Waugh blanch.
Read this book, love it, and try to ignore the twisting in your
gut.' Booktrust 'Great European art: the Dutchman Peter Buwalda
explodes the bourgeois family saga. The narrative pyrotechnics
alone are a tour de force.' Die Zeit Born in Brussels in 1971,
Peter Buwalda is a Dutch novelist, formerly a journalist, editor at
several publishers, and founder of the literary music magazine
Wah-Wah. Bonita Avenue is his debut novel. Published in 2010 to
critical acclaim, it was shortlisted for twelve prizes, going on to
win the Academica Prize, the Selexyz Debut Prize, the Tzum Prize,
the Anton Wachter Prize and the Leesclubboek van het jaar. It spent
two years on the bestseller lists, and has since been translated
into seven languages. Bonita Avenue is a suspenseful, incendiary
and unpredictable debut-of relationships torn apart by lies, and
minds destroyed by madness.
Amsterdam Airport, 1998. Samir Karim steps off a plane from
Vietnam, flushes his fake passport down the toilet, and requests
asylum. Now, safely in the heart of Europe, he is sent to an asylum
center and assigned a bed in a shared dorm - where he will spend
the next nine years. As he navigates his way around the absurdities
of Dutch bureaucracy, Samir tries his best to get along with his
500 new housemates. Told with compassion and a unique sense of
humor, this is an inspiring tale of survival, a close-up view of
the hidden world of refugees and human smugglers, and a sobering
reflection of our times.
After nine years in a Dutch asylum centre, Samir finally has the
chance to start his new life as a European citizen. But it's a
full-time occupation for him to discover that integration needs a
dog leash and a rubber ball. Happily, this distracts him from what
is happening in his native land, Iraq, and from Leda, who stole his
heart in the first village he stayed in after being granted refugee
status. In this hilarious adventure story, we follow the lovable
and gritty Samir as he talks his way into every type of
accommodation to be found in this new country full of
incomprehensible rules.
"[A] funny, serious, clever novel." -The New York Times From
award-winning Dutch author Martin Michael Driessen comes a
fearlessly funny tragedy about an improbable friendship, unstable
dreams, missed opportunities, and epic coincidence. In a quiet
coastal town in Yugoslavia, two men seeking more than the Communist
regime can offer find their lives deceitfully entwined. Andrej is a
postman in complete denial of his existence. He yearns for respect
and fame but commits petty crimes for reasons he doesn't fully
comprehend. Josip is an increasingly irrelevant cable car operator
and unfaithfully married. Life was so much simpler when neither one
knew the other's secrets. Now that they do-discovered quite by
accident-each man has resorted to blackmailing the other. As their
anonymous misdeeds escalate, a farce of mutual dependency begins.
So does the unlikeliest of friendships when Andrej and Josip
finally meet face-to-face. In a tale set against the impending
wars, Martin Michael Driessen ingeniously explores the foibles of
two painfully ordinary men boldly staking their claims on life.
|
|