The great Romantic poem of human consciousness, The Prelude takes as its theme 'the growth of a poet's mind'. In its search for the origins of the adult personality, The Prelude takes the reader back to the formative moments of childhood and youth: the baby at the breast, the boy ranging over the Cumbrian fells, the revolutionary undergraduate. In many ways it can be seen as the first modern poem, challenging Milton in its redefinition of epic, as Milton challenged Homer and Virgil. This new Penguin English Poets edition of The Prelude contains the brief first draft, Was It for This, composed in 1798; The Prelude in two books completed in 1799; and The Prelude in its 1805 and 1850 versions, printed here in parallel texts. The editor provides an invaluable introduction to the texts and fuller, more detailed notes than in any previous edition, as well as significant textual variants and a biographical table of dates.

An acclaimed anthology celebrating the creative flowering of the English Romantic period
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's ?The Tyger, ? Coleridge's ?Kubla Khan, ? and Shelley's ?Ozymandias? alongside verse from less well known figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth, and Shelley demonstrate their comic skills, while Coleridge, Keats, and Clare explore the Gothic and surreal.
?An absolutely fascinating selection?notable for its women poets, its intriguing thematic categories, and its helpful mini-biographies.? ?"Richard Holmes"

There are no fewer than seventeen manuscripts of The Prelude in the Wordsworth library at Grasmere. Working with these materials, the editors have prepared an accurate reading version of 1799 and have newly edited from manuscripts the texts of 1805 and 1850 thus freeing the latter poem from the unwarranted alterations made by Wordsworth's literary executors. The editors also provide a text of MS. JJ (Wordsworth's earliest drafts for parts of The Prelude) as well as transcriptions of other important passages in manuscript which Wordsworth failed to include in any fair copy of his poem. The texts are fully annotated, and the notes for all three versions of The Prelude are arranged so that each version may be read independently. The editors provide a concise history of the texts and describe the principles by which each has been transcribed from the manuscripts. There are many other aids for a thorough study of The Prelude and its background. A chronological table enables the reader to contextualize the biographical and historical allusions in the texts and footnotes. "References to The Prelude in Process" presents the relevant allusions to the poem, by Wordsworth and by members of his circle, from 1799 to 1850. Another section, "Early Reception," reprints significant comments on the published version of 1850 by readers and reviewers. Finally, there are seven critical essays by Jonathan Wordsworth, M. H. Abrams, Geoffrey H. Hartman, Richard J. Onorato, William Empson, Herbert Lindenberger, and W. B. Gallie."

The editor has included a full critical introduction as well as notes at the bottom of each page to help those who are reading the poems for the first time.

The text of the work remains that of Wollstonecraft's second edition of 1792, for scholarship has vindicated that choice. The annotations have been greatly expanded. Backgrounds documents more fully the early concern for women's education, with important extracts from the relevant works of John Locke and Mary Astell, as well as three more of Catherine Macaulay's influential "Letters on Education." A new section, The Wollstonecraft Debate, provides a wide spectrum of opinions about the woman herself, from the nastiness of Richard Polwhele to the adulation of William Blake, balanced by the cool intelligence of George Eliot and Virginia Woolf. Criticism contains essays by Emma Rauschenbusch-Clough, Carolyn W. Korsmeyer, R. M. Janes, Elissa S. Guralnick, Moira Ferguson and Janet Todd, Mitzi Myers, and Mary Poovey. A Chronology of Wollstonecraft's life and a Selected Bibliography are also included.