Academy Award-winning animated comedy by Walt Disney Studios featuring the voice talents of Scott Adsit and Ryan Potter. 14-year-old robotics genius Hiro Hamada (Potter) spends his days being a typical teenager, getting into fights and struggling to cope with his changing body. When his older brother Tadashi (Daniel Henney) becomes concerned that his brother is wasting his potential, he takes him to the robotics lab at his university where he introduces him to Baymax (Adsit), an inflatable robot created and developed by Tadashi himself. Programmed to take care of humans, Baymax starts to work with Hiro and encourages him to focus on his invention of microbots. When Hiro and Baymax discover that someone has been copying his ideas and creating microbots of their own, the pair team up to find the masked assailant. The film won the Academy Award for Best Animated Feature.

Academy Award-winning animated comedy by Walt Disney Studios featuring the voice talents of Scott Adsit and Ryan Potter. 14-year-old robotics genius Hiro Hamada (Potter) spends his days being a typical teenager, getting into fights and struggling to cope with his changing body. When his older brother Tadashi (Daniel Henney) becomes concerned that his brother is wasting his potential, he takes him to the robotics lab at his university where he introduces him to Baymax (Adsit), an inflatable robot created and developed by Tadashi himself. Programmed to take care of humans, Baymax starts to work with Hiro and encourages him to focus on his invention of microbots. When Hiro and Baymax discover that someone has been copying his ideas and creating microbots of their own, the pair team up to find the masked assailant. The film won the Academy Award for Best Animated Feature.

Academy Award-winning animated comedy by Walt Disney Studios featuring the voice talents of Scott Adsit and Ryan Potter. 14-year-old robotics genius Hiro Hamada (Potter) spends his days being a typical teenager, getting into fights and struggling to cope with his changing body. When his older brother Tadashi (Daniel Henney) becomes concerned that his brother is wasting his potential, he takes him to the robotics lab at his university where he introduces him to Baymax (Adsit), an inflatable robot created and developed by Tadashi himself. Programmed to take care of humans, Baymax starts to work with Hiro and encourages him to focus on his invention of microbots. When Hiro and Baymax discover that someone has been copying his ideas and creating microbots of their own, the pair team up to find the masked assailant. The film won the Academy Award for Best Animated Feature.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Completed in 1959, hidden from the Soviet secret police for twenty years, THE ROSE OF THE WORLD was first made public through excerpts in the magazine Novy Mir in 1989. THE ROSE OF THE WORLD is a unique and poetic cosmological treatise, passionately written out of personal spiritual experience. It offers a prophetic call for the spiritual reunification of all people and an open and harmonious relationship among the great world religions. For Daniel Andreev, The Rose of the world is a spiritual flower whose roots are in heaven; each petal is a unique image of the great world religions and cultures, and the whole flower is their joint co-creation with God. Lindisfarne Books is proud to publish the first English translation of this masterpiece of contemporary Russian spiritual literature, a work that belongs to Russian religious thought in the tradition of Vladimir Soloviev, and to the West in the tradition of Dante and Blake-truly a work for the twenty-first century.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This innovative collection of essays addresses important issues in the history of the book. The multidisciplinary essays consider different aspects of the production, circulation, and consumption of printed texts, analyzing such topics as market trends, modes of publication, and the use of pseudonyms by women writers. Contributors draw on speech act, reader response and gender theory in addition to historical, narratological, materialist, and bibliographical perspectives to study authors such as Dickens, the Brontës and George Eliot.

This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontes, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.

The secret origin of all Shadowmen, past and present... Long ago, in the antebellum South, Master Darque's evil spawned the one thing that could stop him: the Shadowman. Now, for the very first time, discover how the dark roots of Darques' depravity has intertwined with Shadowman for more than a century and the betrayal that forged them both in this collection of acclaimed tales from some of comics brightest talents. Collecting Shadowman #0 and Shadowman #10-12, join Harvey Award-nominated writer Justin Jordan and an all-star cast of visionary creators - including Ales Kot (Suicide Squad), Christopher Sebela (Captain Marvel), Miguel Sepulveda (Red Lanterns), Mico Suayan (The Punisher), Jim Zub (Skullkickers), and more - for an unadulterated look inside the secret world of New Orleans' nocturnal guardian.