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An intimate portrait of the life and work of one of photography’s most renowned and celebrated artists Throughout his more than sixty-year-long obsession with the medium, Josef Koudelka considers a remarkable range of photographic subjects—from his early theater work, to his seminal project on the Roma and his legendary coverage of the 1968 Soviet invasion of Prague, to the solitariness of exile and the often-devastating impact humans have had on the landscape. Josef Koudelka: Next embraces all of Koudelka’s projects and his evolution as an artist in the context of his life story and working process, offering an unprecedented glimpse into the mind and world of this notoriously private photographer. Based on hundreds of hours of interviews conducted over the course of almost a decade with Koudelka—as well as ongoing conversations with his friends, family, colleagues, and collaborators worldwide—this deftly told, richly illustrated biography offers an unprecedented glimpse into the mind of this notoriously private photographer. Writer, editor, and curator Melissa Harris has independently crafted a unique, in-depth, and revelatory personal history of both the man and his photography. Josef Koudelka: Next is richly illustrated with hundreds of photographs, including many biographical and behind-the-scenes images from Koudelka’s life, as well as iconic images from his work, from the 1950s to the present. The visual presentation is conceived in collaboration with Koudelka himself, as well as his longtime collaborator, Czech designer Aleš Najbrt. Copublished by Aperture and Magnum Foundation
About "Exiles," Cornell Capa once wrote, "Koudelka's unsentimental,
stark, brooding, intensely human imagery reflects his own spirit,
the very essence of an exile who is at home wherever his wandering
body finds haven in the night. " In this newly revised and expanded
edition of the 1988 classic, which includes ten new images and a
new commentary with Robert Delpire, Koudelka's work once more forms
a powerful document of the spiritual and physical state of exile.
The sense of private mystery that fills these photographs--mostly
taken during Koudelka's many years of wandering through Europe and
Great Britain since leaving his native Czechoslovakia in
1968--speaks of passion and reserve, of his rage to see. Solitary,
moving, deeply felt and strangely disturbing, the images in
"Exiles" suggest alienation, disconnection and love. "Exiles"
evokes some of the most compelling and troubling themes of the
twentieth century, while resonating with equal force in this
current moment of profound migrations and transience.
Aperture's new edition of "Koudelka: Gypsies" rekindles the energy
and astonishment of this foundational body of work by master
photographer Josef Koudelka. Lavishly printed in a unique
quadratone mix by artisanal printer Gerhard Steidl, it offers an
expanded look at "Cikani" (Czech for "gypsies" )--109 photographs
of Roma society taken between 1962 and 1971 in then-Czechoslovakia
(Bohemia, Moravia and Slovakia), Romania, Hungary, France and
Spain. The design and edit for this volume revisits the artist's
original intention for the work, and is based on a maquette
originally prepared in 1968 by Koudelka and graphic designer Milan
Kopriva. Koudelka intended to publish the work in Prague, but was
forced to flee Czechoslovakia, landing eventually in Paris. In
1975, Robert Delpire, Aperture and Koudelka collaborated to publish
"Gitans, la fin du voyage" ("Gypsies," in the English-language
edition), a selection of 60 photographs taken in various Roma
settlements around East Slovakia. "Gypsies" includes more than 30
never-before-published images and a new text by Roma scholar and
sociologist Will Guy, who also wrote the essay for the 1975
edition. Guy contributes a new, in-depth analysis of the condition
of the Roma today, including the most recent upheavals in France
and Europe.
Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world. Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence and so little assistance. In this book, produced in close collaboration with the photographer, Koudelka’s aim was to use art to re-appropriate a world that is escaping us and that we could lose – a world where the mind alternates between reason and faith, law and liberty.
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