Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Early Recollections: Chiefly Relating To The Late Samuel Taylor Coleridge, During His Long Residence In Bristol, Volume 1; Early Recollections: Chiefly Relating To The Late Samuel Taylor Coleridge, During His Long Residence In Bristol; Joseph Cottle Joseph Cottle Longman, Rees, and Co. and Hamilton, Adams & Co., 1837

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Early Recollections: Chiefly Relating To The Late Samuel Taylor Coleridge, During His Long Residence In Bristol, Volume 1; Early Recollections: Chiefly Relating To The Late Samuel Taylor Coleridge, During His Long Residence In Bristol; Joseph Cottle Joseph Cottle Longman, Rees, and Co. and Hamilton, Adams & Co., 1837

Published in 1847 by Joseph Cottle (1770-1853), this work recounts his relationship with Coleridge and Southey, whom he first met in 1794 as a successful bookseller in Bristol. Cottle went on to finance a number of the Romantic poets' publications, including Wordsworth and Coleridge's Lyrical Ballads (1798), which is seen as marking the start of Romanticism. A reworking of Cottle's controversial Early Recollections (1837), Reminiscences was criticised upon publication for being exaggerated and misleading, coloured by the breakdown of the author's friendship with the poets, as well as revealing information about disputes, moneylending and Coleridge's opium addiction. In spite of its shortcomings, the work gives a uniquely valuable insight into the lives and characters of the Romantic poets by a member of their inner circle. Cottle's memoir has much to reveal about the poets' private lives and artistic influences during a key moment in the Romantic period.

Thomas Chatterton (1752-70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 1 includes his earliest poetry, and a biography by George Gregory (also reissued separately in this series).

Thomas Chatterton (1752-70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. They were to influence the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 2 contains the Rowley poems, for which Chatterton is best known. Ironically, they were never published under his own name in his lifetime: he claimed that the poems were transcripts he had taken from the work of Thomas Rowley, a fifteenth-century monk. The value of these ambitious forgeries is still underappreciated.

Thomas Chatterton (1752-70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 3 includes Chatterton's prose works, selected letters, some contemporary discussion of his work, and Cottle's account of the Rowley manuscripts.

Title: An Expostulatory Epistle to Lord Byron.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Cottle, Joseph; 1820. 13 p.; 4 . 644.k.26.(4.)

This is an OCR edition without illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from GeneralBooksClub.com. You can also preview excerpts from the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Volume: 1; Original Published by: Longman, Rees & Co. in 1837 in 386 pages; Subjects: Poets, English; Biography & Autobiography / Literary; Fiction / Classics; Literary Criticism / European / English, Irish, Scottish, Welsh; Literary Criticism / Poetry; Poetry / English, Irish, Scottish, Welsh;

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Title: Malvern Hills: a poem.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Cottle, Joseph; 1798. 71 p.; 4 . 644.k.25.(11.)