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Showing 1 - 13 of 13 matches in All Departments
Tim Farnsworth walks. He walks out of meetings and out of bed. He
walks in sweltering heat and numbing cold. He will walk without
stopping until he falls asleep, wherever he is. This curious
affliction has baffled medical experts around the globe--and come
perilously close to ruining what should be a happy life. Tim has a
loving family, a successful law career, and a beautiful suburban
home, all of which he maintains spectacularly well until his feet
start moving again.
No one knows us quite the same way as the men and women who sit
beside us in department meetings and crowd the office refrigerator
with their labeled yogurts. Every office is a family of sorts, and
the ad agency Joshua Ferris brilliantly depicts in his debut novel
is family at its strangest and best, coping with a business
downturn in the time-honored way: through gossip, pranks, and
increasingly frequent coffee breaks.
From the Booker-shortlisted author of To Rise Again at a Decent Hour comes a hilarious novel about fathers, sons, thwarted dreams and confronting the reality of who we really are 'This is a fine American novel about family, love, and a decent but flawed man trying to be better. In dark times like these, I can't recommend this book too highly. It's strong' Stephen King on Twitter ___________________________________ Charlie Barnes is a mid-century man devoted to his newspaper and his landline. But Charlie is about to get dragged into our troubled age by his storyteller son, who has a different idea of him than he has of himself. Then there are his other children, his ex-wives, present wife, business clients, friends and acquaintances, all of whom have their competing opinions of Charlie. He certainly seems simple enough: he's a striver, a romantic, and a thoroughgoing capitalist. But suddenly blindsided by the Great Recession and a dose of bad news, he might have to rethink his life from top to bottom, and on short notice. What makes a man real? What makes him good? And how does the story we tell about ourselves line up with the lives that we actually live? ___________________________________ 'Funny, moving, and formally a work of genius, A Calling for Charlie Barnes is quite literally the book Joshua Ferris was born to write' Garth Risk Hallberg, author of City on Fire 'Dazzling. Mind-blowing. About as much fun as you can have without risking arrest' Richard Russo, author of Empire Falls 'Wonderful: fast and deep, urgent and brilliant . . . A hilarious, intimate, and scathing takedown of so many American vanities' Dana Spiotta, author of Stone Arabia
From the Booker-shortlisted author of To Rise Again at a Decent Hour comes a hilarious novel about fathers, sons, thwarted dreams and confronting the reality of who we really are 'This is a fine American novel about family, love, and a decent but flawed man trying to be better. In dark times like these, I can't recommend this book too highly. It's strong' Stephen King on Twitter ___________________________________ Charlie Barnes is a mid-century man devoted to his newspaper and his landline. But Charlie is about to get dragged into our troubled age by his storyteller son, who has a different idea of him than he has of himself. Then there are his other children, his ex-wives, present wife, business clients, friends and acquaintances, all of whom have their competing opinions of Charlie. He certainly seems simple enough: he's a striver, a romantic, and a thoroughgoing capitalist. But suddenly blindsided by the Great Recession and a dose of bad news, he might have to rethink his life from top to bottom, and on short notice. What makes a man real? What makes him good? And how does the story we tell about ourselves line up with the lives that we actually live? ___________________________________ 'Funny, moving, and formally a work of genius, A Calling for Charlie Barnes is quite literally the book Joshua Ferris was born to write' Garth Risk Hallberg, author of City on Fire 'Dazzling. Mind-blowing. About as much fun as you can have without risking arrest' Richard Russo, author of Empire Falls 'Wonderful: fast and deep, urgent and brilliant . . . A hilarious, intimate, and scathing takedown of so many American vanities' Dana Spiotta, author of Stone Arabia
Charlie Barnes, sixty-eight years old, reasonable man, small-business owner is facing the abyss and it's time to reckon with how he has lived his life so far. What happened to all those great ideas that were snatched from the jaws of success? And what was with all those unsuccessful marriages? Well, who's counting the wives when Barbara, his fifth and most permanent wife, is such a rock solid pillar of society? Maybe Jake Barnes, son of Charlie and writer of his story is counting. Now that his father seems to be on the way out, Jake begins to wonder what Charlie Barnes's desperate dreams of success have really added up to. If his father's life was a series of fantasies, then how is it possible for his son to tell the truth about him? And will Jake have to confront the fact that in their ambitions, and their delusions, they might not actually be so very different? Joshua Ferris's new novel is both a profoundly tender and brutally funny portrayal of a life lost in the American dream.
Sixty years after the publication of his great modernist masterpiece, Call It Sleep, Henry Roth, a retired waterfowl farmer already in his late eighties, shocked the literary world with the announcement that he had written a second novel. It was called, he reported, Mercy of a Rude Stream, the title inspired by Shakespeare, and it followed the travails of one Ira Stigman, whose family had just moved to New York s Jewish Harlem in that "ominous summer of 1914." "It is like hearing that J. D. Salinger is preparing a sequel to The Catcher in the Rye," the New York Times Book Review pronounced, while Vanity Fair extolled Roth's new work as "the literary comeback of the century." Even more astonishing was that Roth had not just written a second novel but a total of four chronologically linked works, all part of Mercy of a Rude Stream. Dying in 1995 at the age of eighty-nine, Roth would not live to see the final two volumes of this tetralogy published, yet the reappearance of Mercy of a Rude Stream, a fulfillment of Roth's wish that these installments appear as one complete volume, allows for a twenty-first-century public to reappraise this late-in-life masterpiece, just as Call it Sleep was rediscovered by a new generation in 1964. As the story unfolds, we follow the turbulent odyssey of Ira, along with his extended Jewish family, friends, and lovers, from the outbreak of World War I through his fateful decision to move into the Greenwich Village apartment of his muse and older lover, the seductive but ultimately tragic NYU professor Edith Welles. Set in both the fractured world of Jewish Harlem and the bohemian maelstrom of the Village, Mercy of a Rude Stream echoes Nabokov in its portrayal of sexual deviance, and offers a harrowing and relentless family drama amid a grand panorama of New York City in the 1910s and Roaring 20s. Yet in spite of a plot that is fraught with depictions of menace, violence, and intense self-loathing, Mercy of a Rude Stream also contains a cathartic, even redemptive, overlay as "provocative as anything in the chapters of St. Augustine" (Los Angeles Times), in which an elder Ira, haunted by the sins of his youth, communes with his computer, Ecclesias, as he recalls how his family's traditional piety became corrupted by the inexorable forces of modernity. As Ira finally decides to get "the hell out of Harlem," his Proustian act of recollection frees him from the ravages of old age, and suddenly he is in his prime again, the entire telling of Mercy his final pronouncement. Mercy of a Rude Stream is that rare work of fiction that creates, through its style and narration, a new form of art. Indeed, the two juxtaposed voices one of the "little boys swimming in a sea of glory," the other of one of those same boys "in old age being rudely swept to sea" creates a counterpoint, jarring yet oddly harmonious, that makes this prophetic American work such an lasting statement on the frailties of memory and the essence of human consciousness. Mercy of a Rude Stream: The Complete Novels includes A Star Shines Over Mt. Morris Park, A Diving Rock on the Hudson, From Bondage, and Requiem for Harlem."
He was going to lose the house and everything in it. The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family-again he would lose his family. He stood inside the house and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn't recall the moment that promise had given way to the everyday.
Much more than a word list, the Oxford American Writer's Thesaurus
is a browsable source of inspiration as well as an authoritative
guide to selecting and using vocabulary. This essential guide for
writers provides real-life example sentences and a careful
selection of the most relevant synonyms, as well as new usage
notes, hints for choosing between similar words, a Word Finder
section organized by subject, and a comprehensive language guide.
The text is also peppered with thought-provoking reflections on
favorite (and not-so-favorite) words by noted contemporary writers,
including Joshua Ferris, Francine Prose, David Foster Wallace,
Zadie Smith, and Simon Winchester, many newly commissioned for this
edition.
*** Winner of the Dylan Thomas Prize 2014 and shortlisted for the Man Booker Prize 2014 *** 'The Catch-22 of dentistry' Stephen King Joshua Ferris's dazzling novel To Rise Again at a Decent Hour is about the meaning of life, the certainty of death, and the importance of good oral hygiene. There's nothing like a dental chair to remind a man that he's alone in the world . . . Paul O'Rourke - dentist extraordinaire, reluctant New Yorker, avowed atheist, disaffected Red Sox fan, and a connoisseur of the afternoon mochaccino - is a man out of touch with modern life. While his dental practice occupies his days, his nights are filled with darker thoughts, as he alternately marvels at and rails against the optimism of the rest of humanity. So it goes, until someone begins to impersonate Paul online. What began as an outrageous violation of privacy soon becomes something far more soul-frightening: the possibility that the virtual 'Paul' might be a better version of the man in the flesh . . . 'Frenetic, very funny, it confirms Ferris as a rising star of American fiction' Mail on Sunday 'Glorious . . . A very, very funny novel' BBC Radio 4 Saturday Review 'Dismayingly funny in the way that only really serious books can be' Guardian Joshua Ferris was born in Illinois in 1974. He is the author of Then We Came to the End (2007), which was nominated for the National Book Award and longlisted for the Guardian First Book Award, and the highly acclaimed The Unnamed. In 2010 he was selected for the New Yorker's prestigious '20 under 40' list. In 2014 To Rise Again At A Decent Hour won the Dylan Thomas Prize and was shortlisted for the Man Booker Prize. Joshua Ferris lives in New York.
A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS They spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues. There's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them. Then We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine. *Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.* 'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work' The Times 'As dazzling as Franzen's The Corrections and as confident as Tartt's The Secret History . . . Exceptional, very funny' Daily Telegraph 'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world' Daily Mail
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