The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war's continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition's curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.

This is the first book to examine the shifting relationship between humanitarianism and the expansion, consolidation and postcolonial transformation of the Anglophone world across three centuries, from the antislavery campaign of the late eighteenth century to the role of NGOs balancing humanitarianism and human rights in the late twentieth century. Contributors explore the trade-offs between humane concern and the altered context of colonial and postcolonial realpolitik. They also showcase an array of methodologies and sources with which to explore the relationship between humanitarianism and colonialism. These range from the biography of material objects to interviews as well as more conventional archival enquiry. They also include work with and for Indigenous people whose family histories have been defined in large part by 'humanitarian' interventions. -- .

The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war's continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition's curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.

The case study has proved of enduring interest to all Western societies, particularly in relation to questions of subjectivity and the sexed self. This volume interrogates how case studies have been used by doctors, lawyers, psychoanalysts, and writers to communicate their findings both within the specialist circles of their academic disciplines, and beyond, to wider publics. At the same time, it questions how case studies have been taken up by a range of audiences to refute and dispute academic knowledge. As such, this book engages with case studies as sites of interdisciplinary negotiation, transnational exchange and influence, exploring the effects of forces such as war, migration, and internationalization. Case Studies and the Dissemination of Knowledge challenges the limits of disciplinary-based research in the humanities. The cases examined serve as a means of passage between disciplines, genres, and publics, from law to psychoanalysis, and from auto/biography to modernist fiction. Its chapters scrutinize the case study in order to sharpen understanding of the genre's dynamic role in the construction and dissemination of knowledge within and across disciplinary, temporal, and national boundaries. In doing so, they position the case at the center of cultural and social understandings of the emergence of modern subjectivities.

The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable space for critical exploration in History and other Humanities disciplines. This has been informed by a heightened awareness of the role that the senses play in shaping modern identity and understanding of place; and increasingly, how the senses are central to the memory of past experiences and their representation. The result has been a broadening of our historical imagination, which has previously taken the visual for granted and ignored the other senses. Considering how crucial the auditory aspect of life has been, a shift from seeing to hearing past societies offers a further perspective for examining the complexity of historical events and experiences. Historians in many fields have begun to listen to the past, developing new arguments about the history and the memory of sensory experience. This volume builds on scholarship produced over the last twenty years and explores these dimensions by coupling the history of sound and the senses in distinctive ways: through a study of the sound of violence; the sound of voice mediated by technologies and the expression of memory through the senses. Though sound is the most developed field in the study of the sensorium, many argue that each of the senses should not be studied in isolation from each other, and for this reason, the final section incorporates material which emphasizes the sense as relational.

The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable space for critical exploration in History and other Humanities disciplines. This has been informed by a heightened awareness of the role that the senses play in shaping modern identity and understanding of place; and increasingly, how the senses are central to the memory of past experiences and their representation. The result has been a broadening of our historical imagination, which has previously taken the visual for granted and ignored the other senses. Considering how crucial the auditory aspect of life has been, a shift from seeing to hearing past societies offers a further perspective for examining the complexity of historical events and experiences. Historians in many fields have begun to listen to the past, developing new arguments about the history and the memory of sensory experience. This volume builds on scholarship produced over the last twenty years and explores these dimensions by coupling the history of sound and the senses in distinctive ways: through a study of the sound of violence; the sound of voice mediated by technologies and the expression of memory through the senses. Though sound is the most developed field in the study of the sensorium, many argue that each of the senses should not be studied in isolation from each other, and for this reason, the final section incorporates material which emphasizes the sense as relational.

The case study has proved of enduring interest to all Western societies, particularly in relation to questions of subjectivity and the sexed self. This volume interrogates how case studies have been used by doctors, lawyers, psychoanalysts, and writers to communicate their findings both within the specialist circles of their academic disciplines, and beyond, to wider publics. At the same time, it questions how case studies have been taken up by a range of audiences to refute and dispute academic knowledge. As such, this book engages with case studies as sites of interdisciplinary negotiation, transnational exchange and influence, exploring the effects of forces such as war, migration, and internationalization. Case Studies and the Dissemination of Knowledge challenges the limits of disciplinary-based research in the humanities. The cases examined serve as a means of passage between disciplines, genres, and publics, from law to psychoanalysis, and from auto/biography to modernist fiction. Its chapters scrutinize the case study in order to sharpen understanding of the genre's dynamic role in the construction and dissemination of knowledge within and across disciplinary, temporal, and national boundaries. In doing so, they position the case at the center of cultural and social understandings of the emergence of modern subjectivities.

In an engaging and original contribution to the field of memory studies, Joy Damousi considers the enduring impact of war on family memory in the Greek diaspora. Focusing on Australia's Greek immigrants in the aftermath of the Second World War and the Greek Civil War, the book explores the concept of remembrance within the larger context of migration to show how intergenerational experience of war and trauma transcend both place and nation. Drawing from the most recent research in memory, trauma and transnationalism, Memory and Migration in the Shadow of War deals with the continuities and discontinuities of war stories, assimilation in modern Australia, politics and activism, child migration and memories of mothers and children in war. Damousi sheds new light on aspects of forgotten memory and silence within families and communities, and in particular the ways in which past experience of violence and tragedy is both negotiated and processed.

The Cold War was a turbulent time to grow up in. Family ties were tested, friendships torn apart and new beliefs forged out of the ruins of old loyalties. In this book, through 12 evocative stories of childhood and early adulthood in Australia during the Cold War years, writers from vastly different backgrounds explore how global political events affected the intimate space of home, family life and friendships.

The Labour of Loss explores how mothers, fathers, widows, relatives and friends dealt with their experiences of grief and loss during and after the First and Second World Wars. Based on an examination of private loss through letters and diaries, this study makes a significant contribution to understanding how people came to terms with the deaths of friends and family. Unlike other studies in this area, The Labour of Loss considers how mourning affected men and women in different ways, and analyzes the gendered dimensions of grief.

The 20th century, with revolutionary and rapid developments in travel, communications and computerised technologies, offered new and seemingly limitless horizons which accompanied and amplified distinctive experiences of emotions. The birth of psychology and psychiatry revealed the importance of emotional life and that individuals could have control over their behaviour. Traditional religion was challenged and alternative forms of spiritualism emerged. Creative and performing arts continued to shape understandings and experiences of emotions, from realism to detachment, holistic to fragmented notions of self and society. The role of emotions in family life focused on how to deal with modern day freedom and anxiety. In the public sphere, people used emotion to oppress as well as liberate. Countering threats to national security, personal and cultural identity, a range of political motivated activities emerged embracing peace, humanitarian and environmental causes. This volume surveys the means by which modern experience shaped how, why and where emotions were expressed, monitored and controlled.

Spanning six decades from the formation of the Save the Children Fund in 1919 to humanitarian interventions during the Vietnam War, The Humanitarians maps the national and international humanitarian efforts undertaken by Australians on behalf of child refugees. In this longitudinal study, Joy Damousi explores the shifting forms of humanitarian activity related to war refugee children over the twentieth century, from child sponsorship, the establishment of orphanages, fundraising, to aid and development schemes and campaigns for inter-country adoption. Framed by conceptualisations of the history of emotions, and the limits and possibilities afforded by empathy and compassion, she considers the vital role of women and includes studies of unknown, but significant, women humanitarian workers and their often-traumatic experience of international humanitarian work. Through an examination of the intersection between racial politics and war refugees, Damousi advances our understanding of humanitarianism over the twentieth century as a deeply racialised and multi-layered practice.

This four-volume Cambridge World History of Violence is the first collection of its kind to look at violence across different periods of human history and different regions of the world. It capitalises on the growing scholarly interest in the history of violence, which is emerging as one of the key intellectual issues of our time. The volumes take into account the latest scholarship in the field and comprises the work of nearly 140 scholars, who have contributed substantial chapters to provide an authoritative treatment of violence from a multiplicity of perspectives. The collection thus offers the reader a wide-ranging thematic treatment of the historical contexts of different types of violence, as well as a compendium of experience shared by peoples across time.

In an engaging and original contribution to the field of memory studies, Joy Damousi considers the enduring impact of war on family memory in the Greek diaspora. Focusing on Australia's Greek immigrants in the aftermath of the Second World War and the Greek Civil War, the book explores the concept of remembrance within the larger context of migration to show how intergenerational experience of war and trauma transcend both place and nation. Drawing from the most recent research in memory, trauma and transnationalism, Memory and Migration in the Shadow of War deals with the continuities and discontinuities of war stories, assimilation in modern Australia, politics and activism, child migration and memories of mothers and children in war. Damousi sheds new light on aspects of forgotten memory and silence within families and communities, and in particular the ways in which past experience of violence and tragedy is both negotiated and processed.

Colonial Voices explores the role of language in the greater 'civilising' project of the British Empire through the dissemination and reception of, and challenge to, British English in Australia during the period from the 1840s to the 1940s. This was a period in which the art of oratory, eloquence and elocution was of great importance in the empire and Joy Damousi offers an innovative study of the relationship between language and empire. She shows the ways in which this relationship moved from dependency to independence and how, during that transition, definitions of the meaning and place of oratory, eloquence and elocution shifted. Her findings reveal the central role of voice and pronunciation in informing and defining both individual and collective identity, as well as wider cultural views of class, race, nation and gender. The result is a pioneering contribution to cultural history and the history of English within the British Empire.

This very moving book on the shifting patterns of mourning and grief focuses on the experiences of Australian women who lost their husbands during the Second World War and the wars in Korea and Vietnam. The book makes use of extensive oral testimonies to illustrate how widows internalised and absorbed the traumas of their husband's war experience. Joy Damousi is able to demonstrate that a significant shift in attitudes towards grieving and loss came about between the mid century and the later part of the twentieth century. In charting the memory of grief and its expression, she discerns a move away from the denial and silence which shaped attitudes in the 1950s towards a much fuller expression of grief and mourning and perhaps a new way of understanding death and loss at the beginning of the new century.

This innovative book marks a new way of looking at convict women. It tells their stories in a powerful and evocative way, drawing out broader themes of gender and sexual disorder and race and class dynamics in a colonial context. It considers the convict past in light of contemporary concerns, looking at the cultural meanings of aspects of life in the colony: on ships, in the factories and in orphanages. Using startlingly original research, Joy Damousi considers such varied topics as headshaving as punishment in the prisons and the subversive nature of laughter and play, as well as analysing the language of pollution, purity and abandonment. She also dicusses the nature of sexual relationships, including evidence of lesbianism. The book shows how understanding about sexual and racial difference was crucial for both the maintenance and disturbance of colonial society, and became a focus for cultural anxiety.

War has been a key part of the Australian experience and central to many national mythologies. Yet more than most activities, war polarises femininity and masculinity. This exciting collection of essays explores the inter-relationship of gender and war in Australia for the first time. Traditional images of Australians during wartime show the 'digger' making history in battle, while women play a supportive role as nurses, or wives and mothers on the home front. Yet as this book shows, war offers opportunities that erode gender boundaries. Women may be empowered economically, politically and sexually, while the trauma of war can leave men emasculated. First published in 1995, Gender and War focuses on women's and men's experiences in WWI, WWII and the Vietnam War. This interdisciplinary collection addresses a wide range of subjects, and promises to change the way we think about women, men and war in the twentieth century.

The aftermath of the Second World War marked a radical new moment in the history of migration. For the millions of refugees stranded in Europe, China and Africa, it offered the possibility of mobility to the ‘new world’ of the West; for countries like Australia that accepted them, it marked the beginning of a radical reimagining of its identity as an immigrant nation. For the next few decades, Australia was transformed by waves of migrants and refugees. However, two of the five million who came between 1947 and 1985 later left. When Migrants Fail to Stay examines why this happened. This innovative collection of essays explores a distinctive form of departure, and its importance in shaping and defining the reordering of societies after World War II. Esteemed historians Ruth Balint, Joy Damousi, and Sheila Fitzpatrick lead a cast of emerging and established scholars to probe this overlooked phenomenon. In doing so, this book enhances our understanding of the migration and its history.

This collection tells the story of the case study genre at a time when it became the genre par excellence for discussing human sexuality across the humanities and life sciences.It is a transcontinental journey from the imperial world of fin-de-siecle Central Europe to the interwar metropolises of Weimar Germany and to the United States of America in the post-war years. Foregrounding the figures of case study pioneers, and highlighting their often radical engagements with the genre, the book scrutinises the case writing practices of Sigmund Freud and his predecessor sexologist Richard von Krafft-Ebing; writers including Leopold von Sacher-Masoch and Alfred Doeblin; Weimar intellectuals such as Erich Wulffen and psychoanalyst Viola Bernard. The results are important new insights into the continuing legacy of such writers and into the agency increasingly claimed by the readerships that emerged with the development of modernity. -- .

The 20th century, with revolutionary and rapid developments in travel, communications and computerised technologies, offered new and seemingly limitless horizons which accompanied and amplified distinctive experiences of emotions. The birth of psychology and psychiatry revealed the importance of emotional life and that individuals could have control over their behaviour. Traditional religion was challenged and alternative forms of spiritualism emerged. Creative and performing arts continued to shape understandings and experiences of emotions, from realism to detachment, holistic to fragmented notions of self and society. The role of emotions in family life focused on how to deal with modern day freedom and anxiety. In the public sphere, people used emotion to oppress as well as liberate. Countering threats to national security, personal and cultural identity, a range of political motivated activities emerged embracing peace, humanitarian and environmental causes. This volume surveys the means by which modern experience shaped how, why and where emotions were expressed, monitored and controlled.

Colonial Voices explores the role of language in the greater 'civilising' project of the British Empire through the dissemination and reception of, and challenge to, British English in Australia during the period from the 1840s to the 1940s. This was a period in which the art of oratory, eloquence and elocution was of great importance in the empire and Joy Damousi offers an innovative study of the relationship between language and empire. She shows the ways in which this relationship moved from dependency to independence and how, during that transition, definitions of the meaning and place of oratory, eloquence and elocution shifted. Her findings reveal the central role of voice and pronunciation in informing and defining both individual and collective identity, as well as wider cultural views of class, race, nation and gender. The result is a pioneering contribution to cultural history and the history of English within the British Empire.

Brave and controversial, this account argues that Australians' collective obsession with the Australian and New Zealand Army Corps (ANZAC) has distorted their perception of national history. Delving into the history of ANZAC and the mythologies surrounding it, this detailed record explores topics such as the formation of Australia's national holiday--ANZAC Day--and the way in which the spirit of ANZAC is taught in the nation's classrooms. Ultimately, this informative narrative claims that ANZAC has become a conservative political force in Australia and questions whether ANZAC'S renowned foreign battles were worth all of the bloodshed. Daring, intelligent, and thought-provoking, this is a must-read for those interested in Australian or military history.