This edited volume provides a comprehensive overview of the renewal of academic engagement in the Argentinian dictatorship in the context of the post-2001 crisis. Significant social and judicial changes and the opening of archives have led to major revisions of the research dedicated to this period. As such, the contributors offer a unique presentation to an English-speaking audience, mapping and critiquing these developments and widening the recent debates in Argentina about the legacy of the dictatorship in this long-term perspective.

In this rousing study, Alessandro Olsaretti argues that we need a new approach to fundamental questions to turn back neoliberal economic policy. The Struggle for Development and Democracy makes the case that we need significantly new theories of development and democracy to answer the problem posed by neoliberalism and the populist backlash, namely, uneven development and divisive politics. This book proposes as a first step a truly multidisciplinary humanist social science, to overcome the flaws of neoliberal economic theories, and to recover a balanced approach to theories and policies alike that is especially needed in the wake of the 9/11 attacks. These led to divisive culture wars, which were compounded by the divisive populist politics. This book begins to sketch such a humanist social science, and applies it to answer one question: who is responsible for neoliberalism and the populist backlash?

This edited volume provides a comprehensive overview of the renewal of academic engagement in the Argentinian dictatorship in the context of the post-2001 crisis. Significant social and judicial changes and the opening of archives have led to major revisions of the research dedicated to this period. As such, the contributors offer a unique presentation to an English-speaking audience, mapping and critiquing these developments and widening the recent debates in Argentina about the legacy of the dictatorship in this long-term perspective.

The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism's combined but uneven development as these appear from the global periphery. The grand project of Brasilia is the main theme of the first two chapters, which treat the 'ideal city' as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture.