"I'm fat," I hear myself saying. I look in the mirror. My face has gone hot and red; I feel like I'm going to explode. "I'm fat." It sizzles under my skin, puffing me up, pushing me out, making me massive.

Weight has always been a big issue in Carmen's life. How could it not? Her mom is obsessed with the idea that thin equals beautiful, thin equals successful, thin equals the way to get what you want. Carmen knows that as far as her mom is concerned, there is only one option: be thin.

When her mother sweeps her off to live in the city, Carmen finds that her old world is disappearing. As her life spirals out of control Carmen begins to take charge of the only thing she can -- what she eats. If she were thin, very thin, could it all be different?

The anthology will be published in May 2023, just ahead of Pride. Containing 30 stories, non-fiction pieces, flash fiction and poetry, the winning entries from an international competition to capture the best of Queer writing today. Entry is open to anyone, without restriction. Submissions will open on 15th August and close on 1st October 2022. Winning authors will be notified in November 2022.

As the COVID-19 pandemic has unfolded, stark social inequalities have increasingly been revealed and, in many cases, been exacerbated by the global health crisis. This book explores these inequalities, identifying three thematic strands: power and governance, gender and marginalized communities. By examining these three themes in relation to the effects of the pandemic, the book uncovers how unequal the pandemic truly is. It brings together invaluable insights from a range of international scholars across multiple disciplines to critically analyse how these inequalities have played out in the context of COVID-19 as a first step towards achieving social justice.

A fully updated comprehensive guide for improving and practicing your creative writing, including contributions from Ali Smith and Kit de Waal

The Creative Writing Coursebook, edited by Julia Bell and Paul Magrs, takes aspiring writers through three stages of essential practice: Gathering – getting started, learning how to keep notes, making observations and using memory; Shaping – looking at structure, point of view, character and setting; and Finishing – being your own critic, joining workshops and finding publishers.

Fully updated and including a foreword by Marina Warner and contributions from forty-four authors such as Kit de Waal and Amy Liptrot, this is the perfect book for people who are just starting to write as well as for those who want some help honing work already completed. Filled with a wealth of exercises and activities, it will inspire budding writers to develop and hone their skills. Whether writing for publication, in a group or just for pleasure this comprehensive guide is for anyone who is ready to put pen to paper.

Late in the 1960s, before Bell was born, her father and mother visited Aberaeron, a small fishing town on the west coast of Wales. Here, her father heard a voice - which he knew to be God - directing him to minister to the Welsh. Six months after she was born in the early 1970s, they moved to Aberaeron where he took up his first curateship. Over the next eighteen years they would move to various parishes within a forty mile radius: first to Llangeler a predominantly Welsh-speaking parish in the Teifi valley, then back to Aberaeron where Bell's father became vicar, and then to a larger and more Evangelical church in Aberystwyth. This unique memoir in verse offers a series of snapshots about religion and sexuality. In verse because it's how Bell remembers: snapshots in words strung along a line, which somehow constitute a life. Snapshots of another time from now, but from a time which tells us about how Bell got here. Not the whole story, but her story. Of an English family on a mission from God, of signs and wonders in the Welsh countryside, of difference, and of faith and its loss.

EDITED BY ELAINE CANNING INTRODUCED BY JULIA BELL A collection of new contemporary short stories by Welsh writers, comprising twelve diverse stories about human relationships between people and places, representing the winners of the 2021 Rhys Davies Short Story Competition. Including short biographical notes on the authors and an introduction by Guest Judge Julia Bell, a writer and Course Director of the MA Creative Writing at Birbeck, University of London The Rhys Davies Short Story Competition is a distinguished national writing competition for writers born or living in Wales. Originally established in 1991, Parthian is delighted to publish the 2021 winning stories on behalf of the Rhys Davies Trust and in association with Swansea University's Cultural Institute. Previous winners of the prize have included Leonora Brito, Tristan Hughes and Kate Hamer.

An anthology of 22 stories set in the West Midlands and written by past and present members of the influential Tindal Street Fiction Group. Some authors ( e.g. Annie Murray, Amanda Smyth, Alan Beard, Gaynor Arnold, Joel Lane, Mick Scully, Mez Packer, Jackie Gay) are published novelists or story-writers. Others like Sibyl Ruth, Charles Wilkinson, Roz Goddard and Polly Wright are better-known as poets or dramatists. Fiona Joseph has written biography, Julia Bell writes teenage fiction and Luke Brown and Kavita Bhanot have both been editors as well as writers. New names included are Kit de Waal, Natalie White, James B Goodwin, Anthony Ferner, Georgina Bruce and Ryan Davis. Thje title story by Mick Scully has been chosen by Nicholas Royle for 'Best Short Stories of 2013'.

As the COVID-19 pandemic has unfolded, stark social inequalities have increasingly been revealed and, in many cases, exacerbated by the global health crisis. This book explores these inequalities, identifying three thematic strands: power and governance, gender and marginalized communities. By examining these three themes in relation to the effects of the pandemic, the book uncovers how unequal the pandemic truly is. It brings together invaluable insights from a range of international scholars across multiple disciplines to critically analyse how these inequalities have played out in the context of COVID-19 as a first step towards achieving social justice.

'Ten minutes to midnight!' Jonathan shouts over the sound of the blazing fire. Sparks rise into the sky and mingle with the stars. 'Only ten minutes!' Bevins says, falling down on his knees. 'So it begins.' Rebekah has lived on the island her whole life, and it's only now that she's starting to wonder what she might experience outside her strict religious community. Alex has been sent to the island to escape her dark past, and through her eyes it's a dark and sinister place. Thrown together by chance, Rebekah and Alex strike up an unlikely friendship and it's together that they attempt to break free of their worlds and make a world of their own. But when a kiss between the girls is witnessed by an islander there is no escape they can make - the Rapture is coming for them all.