The Norton Library edition of Rousseau's Discourse features an inviting and readable translation by Julia Conaway Bondanella that makes the text accessible to the modern English reader while faithfully preserving the power and clarity of Rousseau's voice and style of argumentation. A thorough introduction by Frederick Neuhouser-"one of the most brilliant philosophical readers of Rousseau that we have" (Christopher Brooke)-provides historical and intellectual context for the Discourse and its major arguments. Annotations throughout the text clarify obscure or ambiguous terms and references.

Each piece is fully annotated. Backgrounds includes a sketch of Rousseau s life, selections from his Confessions, and comments on Rousseau s work and character from such illustrious contemporaries and early critics as Voltaire, Hume, Boswell and Johnson, Paine, Kant, and Proudhon. Commentaries includes assessments of Rousseau s political thought by a wide variety of scholars and critics including Judith Shklar, Robert Nisbet, Simone Weil, and Benjamin R. Barber."

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance," was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.
This new translation, specially commissioned for the Oxford World's Classics series, contains thirty-six of the most important lives. Fully annotated and with a brand new package, Lives of the Artists is an invaluable classic to add to your collection.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Discourses on Livy (1531) is as essential to an understanding of Machiavelli as his famous treatise, The Prince. Equally controversial, it reveals his fundamental preference for a republican state. Comparing the practice of the ancient Romans with that of his contemporaries provided Machiavelli with a consistent point of view in all his works. Machiavelli's close analysis of Livy's history of Rome led him to advance his most original and outspoken view of politics - the belief that a healthy body politic was characterized by social friction and conflict rather than by rigid stability. His discussion of conspiracies in Discourses on Livy is one of the most sophisticated treatments of archetypal political upheaval every written. In an age of increasing political absolutism, Machiavelli's theories became a dangerous ideology. This new translation is richly annotated, providing the contemporary reader with sufficient historical, linguistic, and political information to understand and interpret the revolutionary affirmations Machiavelli made, based on the historical evidence he found in Livy. The complete Livy in English, available in five volumes from Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Men like Benvenuto, unique in their profession, need not be subject to the law."
--Pope Paul III on learning that Cellini had murdered a fellow artist
Benvenuto Cellini was beloved in Renaissance Florence. A renowned sculptor and goldsmith whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novel.
This new translation, which captures the freshness and vivacity of the original, is based on the latest critical edition. It examines in detail the central event in Cellini's narrative, the casting of the statue of Perseus.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.