Innovative study of state politics, identity and buildings that sheds new light on the links between the material and the ideational realms of contemporary life in Africa. Buildings shape politics in the ways they define communities, enable economic activity, reflect political ideas, and impact state-society relations. They are materially and symbolically interwoven with the everyday lives of elites and citizens, as well global flows of money, goods, and contracts. Yet, to date, there has been no research that explicitly connects debates about Africa's domestic and international politics with the study of architecture. This innovative book fills this gap, providing a new and compelling reading of the politics of identity in sub-Saharan Africa through an examination of some of its most significant buildings. Using case studies from nine countries across sub-Saharan Africa, this volume reveals how they are commissioned and built, how they enable elites to project power, and how they form a basis for popular conceptions of the state. Exploring a diverse range of buildings including parliaments, airports, prisons, ministries, regional institutions, libraries, universities, shopping malls, public housing, cathedrals and palaces, the contributors suggest a innovative perspective on African politics, identity and urban development. This book will be a compelling reference for scholars and students of African politics, development studies and city life in its elaboration of and challenges to established concepts and arguments about the relationship between material objects and political ideas. This book is available as Open Access under the Creative Commons license CC-BY-NC-ND.

Images of Africa challenges the widely-held idea that Africans are powerless in the creation of self-image. It explores the ways in which image creation is a process of negotiation entered into by a wide range of actors within and beyond the continent - in presidents' offices and party HQs, in newsrooms and rural authorities, in rebel militia bases and in artists' and writers' studies. Its ten chapters, written by scholars working across the continent and a range of disciplines, develop innovative ways of thinking about how image is produced. They ask: who controls image, how is it manipulated, and what effects do the images created have, for political leaders and citizens, and for Africa's relationships with the wider world. The answers to these questions provide a compelling and distinctive approach to Africa's positioning in the world, establishing the dynamic, relational and sometimes subversive nature of image. -- .

Africa was a key focus of Britain's foreign policy under Tony Blair. Military intervention in Sierra Leone, increases in aid and debt relief, and grand initiatives such as the Commission for Africa established the continent as a place in which Britain could 'do good'. Britain and Africa under Blair: in pursuit of the good state critically explores Britain's fascination with Africa. It argues that, under New Labour, Africa represented an area of policy that appeared to transcend politics. Gradually, it came to embody an ideal state activity around which politicians, officials and the wider public could coalesce, leaving behind more contentious domestic and international issues. Building on the story of Britain and Africa under Blair, the book draws wider conclusions about the role of 'good' and idealism in foreign policy. In particular, it discusses how international relationships provide opportunities to create and pursue ideals, and why they are essential for the wellbeing of political communities. It argues that state actors project the idea of 'good' onto idealised, distant objects, in order to restore a sense of the 'good state'. The book makes a distinctive and original contribution to debates about the role of ethics in international relations and will be of particular interest to academics, policy-makers and students of international relations, Africa and British foreign policy, and to anyone interested in ethics in international affairs. -- .

The 2013 general elections in Zimbabwe were widely expected to mark a shift in the nation's political system, and a greater role for the opposition Movement for Democratic Change (MDC), led by Prime Minister Morgan Tsvangirai. However, the results, surprisingly, were overwhelmingly in favour of long-time President Robert Mugabe, who swept the presidential, parliamentary and senatorial polls under relatively credible and peaceful conditions. In this book, a valuable and accessible read for both students and scholars working in African politics, and those with a general interest in the politics of the region, Stephen Chan and Julia Gallagher explore the domestic and international context of these landmark elections. Drawing on extensive research among political elites, grassroots activists and ordinary voters, Chan and Gallagher examine the key personalities, dramatic events, and broader social and political context of Mugabe's success, and what this means as Zimbabwe moves towards a future without Mugabe.

Africa was a key focus of Britain's foreign policy under Tony Blair. Military intervention in Sierra Leone, increases in aid and debt relief, and grand initiatives such as the Commission for Africa established the continent as a place in which Britain could 'do good'. Britain and Africa under Blair: in pursuit of the good state critically explores Britain's fascination with Africa. It argues that, under New Labour, Africa represented an area of policy that appeared to transcend politics. Gradually, it came to embody an ideal state activity around which politicians, officials and the wider public could coalesce, leaving behind more contentious domestic and international issues. Building on the story of Britain and Africa under Blair, the book, now available in paperback, draws wider conclusions about the role of 'good' and idealism in foreign policy. In particular, it discusses how international relationships provide opportunities to create and pursue ideals, and why they are essential for the well-being of political communities. It argues that state actors project the idea of 'good' onto idealised, distant objects, in order to restore a sense of the 'good state'. The book makes a distinctive and original contribution to debates about the role of ethics in international relations, and will be of particular interest to academics, policy-makers and students of international relations, Africa and British foreign policy, as well as anyone interested in ethics in international affairs. -- .

The 2013 general elections in Zimbabwe were widely expected to mark a shift in the nation's political system, and a greater role for the opposition Movement for Democratic Change (MDC), led by Prime Minister Morgan Tsvangirai. However, the results, surprisingly, were overwhelmingly in favour of long-time President Robert Mugabe, who swept the presidential, parliamentary and senatorial polls under relatively credible and peaceful conditions. In this book, a valuable and accessible read for both students and scholars working in African politics, and those with a general interest in the politics of the region, Stephen Chan and Julia Gallagher explore the domestic and international context of these landmark elections. Drawing on extensive research among political elites, grassroots activists and ordinary voters, Chan and Gallagher examine the key personalities, dramatic events, and broader social and political context of Mugabe's success, and what this means as Zimbabwe moves towards a future without Mugabe.

Zimbabwe is a state that has undergone significant ruptures in its domestic and international politics in recent years. This book explores how Zimbabwean citizens have, under difficult circumstances, reconstructed ideas of their state by imagining the wider world. Unlike other work on international relations, which tends to focus on the state level, this book is based on the accounts of ordinary people. Drawing on interviews with more than two hundred Zimbabweans, collected over three years, Gallagher explores how citizens draw on emotional responses to the international to find and construct different 'others'. While this unique and compelling read will appeal to those researching Zimbabwe, Gallagher's wider conclusions will interest those studying and advancing the broader theoretical debates of international relations.

Zimbabwe is a state that has undergone significant ruptures in its domestic and international politics in recent years. This book explores how Zimbabwean citizens have, under difficult circumstances, reconstructed ideas of their state by imagining the wider world. Unlike other work on international relations, which tends to focus on the state level, this book is based on the accounts of ordinary people. Drawing on interviews with more than two hundred Zimbabweans, collected over three years, Gallagher explores how citizens draw on emotional responses to the international to find and construct different 'others'. While this unique and compelling read will appeal to those researching Zimbabwe, Gallagher's wider conclusions will interest those studying and advancing the broader theoretical debates of international relations.

Images of Africa challenges the widely-held idea that Africans are powerless in the creation of self-image. It explores the ways in which image creation is a process of negotiation entered into by a wide range of actors within and beyond the continent - in presidents' offices and party HQs, in newsrooms and rural authorities, in rebel militia bases and in artists' and writers' studies. Its ten chapters, written by scholars working across the continent and a range of disciplines, develop innovative ways of thinking about how image is produced. They ask: who controls image, how is it manipulated, and what effects do the images created have, for political leaders and citizens, and for Africa's relationships with the wider world. The answers to these questions provide a compelling and distinctive approach to Africa's positioning in the world, establishing the dynamic, relational and sometimes subversive nature of image. -- .