View the Table of Contents. Read the Introduction.

aPublished by NYU Press, it is the first poetry anthology dedicated exclusively to verse about Brooklyn. Editors Julia Spicher Kasdorf and Michael Tyrell have culled 135 poems that chart the boroughas long history as a place of danger and beauty, dreams and disappointment. Sure, there are several references to Brooklynas bridges and Coney Islandas beaches -- and even a few to the Dodgers -- but the book also encompasses a diversity of lives lived among and between the boroughas icons.a
--"Brooklyn Daily Eagle"

aIn the excellent and surprising anthology Broken Land, poets and editors Julia Spicher Kasdorf and Michael Tyrell take a chronological and panoramic look at the New York borough of Brooklyn as portrayed in poems.a
--"Publishers Weekly"

"This book isn't only for Brooklyn residents but for all those who value community. . . . Reading this collection is a moving experience because the poems feel home-grown. It doesn't matter where they were written, each one makes Brooklyn come alive, and the poems find a home inside you."
--From the Foreword by Hal Sirowitz, author of "Mother Said"

Brooklyn, crouching forever in the shadow of Manhattan, is perhaps best known for a certain bridge or for the world-renowned tackiness of Coney Island. When it comes to literary history, Brooklyn can also seem dwarfed by its sister borough-until you take a closer look. As unlikely as it may sound, for more than two centuries Brooklyn has inspired poets and poetry. Although there are plenty of poetry anthologies devoted to specific regions of the United States, Broken Land is the first to focus exclusively on verse that celebratesBrooklyn. And what remarkable verse it is.

Edited by poets Julia Spicher Kasdorf and Michael Tyrell, this collection of 135 notable poems reveals the many cultural, ethnic, aesthetic, and religious traditions that have accorded Brooklyn its enduring place in the American psyche. Dazzling in its selections, Broken Land offers poetry from the colonial period to the present, including contributions from the American poets most closely associated with Brooklyn-Walt Whitman, Hart Crane, and Marianne Moore-as well as memorable poems from Elizabeth Bishop, Allen Ginsberg, Lawrence Ferlinghetti, George Oppen, and Charles Reznikoff. Also included are a wide range of contemporary works from both established and emerging poets: Derek Walcott, Galway Kinnell, C.K. Williams, Amy Clampitt, Martin Espada, Lisa Jarnot, Marilyn Hacker, Tom Sleigh, D. Nurkse, Donna Masini, Michael S. Harper, Noelle Kocot, Joshua Beckman, and many others.

With its expansive array of poetic styles and voices, Broken Land mirrors the borough's diversity, toughness, and surprising beauty. The requirements for inclusion in this volume were simple: excellent poems that pay tribute in some way to the land that Dutch settlers, translating from the Algonquin, called "Gebroken landt." But it is the phrase emblazoned on borough billboards that best serves to entice readers into entering this book: "Welcome to Brooklyn, Like No Other Place in the World."

View the Table of Contents. Read the Introduction.

aPublished by NYU Press, it is the first poetry anthology dedicated exclusively to verse about Brooklyn. Editors Julia Spicher Kasdorf and Michael Tyrell have culled 135 poems that chart the boroughas long history as a place of danger and beauty, dreams and disappointment. Sure, there are several references to Brooklynas bridges and Coney Islandas beaches -- and even a few to the Dodgers -- but the book also encompasses a diversity of lives lived among and between the boroughas icons.a
--"Brooklyn Daily Eagle"

aIn the excellent and surprising anthology Broken Land, poets and editors Julia Spicher Kasdorf and Michael Tyrell take a chronological and panoramic look at the New York borough of Brooklyn as portrayed in poems.a
--"Publishers Weekly"

"This book isn't only for Brooklyn residents but for all those who value community. . . . Reading this collection is a moving experience because the poems feel home-grown. It doesn't matter where they were written, each one makes Brooklyn come alive, and the poems find a home inside you."
--From the Foreword by Hal Sirowitz, author of "Mother Said"

Brooklyn, crouching forever in the shadow of Manhattan, is perhaps best known for a certain bridge or for the world-renowned tackiness of Coney Island. When it comes to literary history, Brooklyn can also seem dwarfed by its sister borough-until you take a closer look. As unlikely as it may sound, for more than two centuries Brooklyn has inspired poets and poetry. Although there are plenty of poetry anthologies devoted to specific regions of the United States, Broken Land is the first to focus exclusively on verse that celebratesBrooklyn. And what remarkable verse it is.

Edited by poets Julia Spicher Kasdorf and Michael Tyrell, this collection of 135 notable poems reveals the many cultural, ethnic, aesthetic, and religious traditions that have accorded Brooklyn its enduring place in the American psyche. Dazzling in its selections, Broken Land offers poetry from the colonial period to the present, including contributions from the American poets most closely associated with Brooklyn-Walt Whitman, Hart Crane, and Marianne Moore-as well as memorable poems from Elizabeth Bishop, Allen Ginsberg, Lawrence Ferlinghetti, George Oppen, and Charles Reznikoff. Also included are a wide range of contemporary works from both established and emerging poets: Derek Walcott, Galway Kinnell, C.K. Williams, Amy Clampitt, Martin Espada, Lisa Jarnot, Marilyn Hacker, Tom Sleigh, D. Nurkse, Donna Masini, Michael S. Harper, Noelle Kocot, Joshua Beckman, and many others.

With its expansive array of poetic styles and voices, Broken Land mirrors the borough's diversity, toughness, and surprising beauty. The requirements for inclusion in this volume were simple: excellent poems that pay tribute in some way to the land that Dutch settlers, translating from the Algonquin, called "Gebroken landt." But it is the phrase emblazoned on borough billboards that best serves to entice readers into entering this book: "Welcome to Brooklyn, Like No Other Place in the World."

Field Language presents the work of an extraordinary couple who together left the rural lifeways of their Mennonite upbringing to go “into the world� to create forms of modern art that reflected on the places and culture they came from. Published on the occasion of a retrospective exhibition devoted to the working relationship between abstract painter Warren Rohrer and his wife, poet Jane Turner Rohrer, this sumptuously illustrated book explores the Rohrers’ painting and poetry in relation to their biographies and to the nature of modernism and modernity. The artists, poets, and historians contributing to this volume present a variety of perspectives on the Rohrers, situating their work within the context of modernism, the changing agricultural landscapes of Lancaster County, Pennsylvania, and the aestheticization of local craft practices. Through the work of these two highly original and creative artists, Field Language invites readers to consider relationships between global art movements and local visual cultures, issues of land use, the sustainability of rural communities and cultures, and our own relationships with agricultural landscapes, seasonal change, labor, and human need and desire. In addition to the editors, the contributors include Christopher Campbell, Steven Z. Levine, Nancy Locke, Sally McMurry, Janneken Smucker, William R. Valerio, Jonathan Frederick Walz, and Douglas Witmer.

As Is gathers everyday poems written over time and mostly at the poet’s home in the Ridge and Valley province of northern Appalachia. This work pays attention to the world as it is with curiosity, candor, and delight. Seeking connection with others and the earth and savoring the fine details of a messy life, these poems reckon with the demands of family, pandemic, aging, and loss even as they witness injustice, violence, environmental degradation, and climate crisis.

Winner of the 1991 Agnes Lynch Starrett Poetry Prize. The poems in this book deal with life in a Pennsylvania Mennonite community and the tensions and conflicts that exist for the speaker as she tries to be true to two worlds, the other being New York City.

Now in paperback, and with a new preface, Julia Kasdorf's The Body and the Book: Writing from a Mennonite Life investigates the often difficult relationships among writing, community, and belief. In the ten essays collected here--presented in relation to poetry as well as photographs and other illustrations--Kasdorf draws on family stories, historical documentation, and her own experiences to examine aspects of Mennonite life and explore a variety of themes, including gender, community, silence, place, identity, and the body.

In each of the four sections of The Body and the Book, Kasdorf tries to reconcile her profession with the practical wisdom and habitual silence of her Mennonite heritage. In the first section, she delves into the old Amish settlement where her parents grew up and its lasting influence on her. The second section focuses on the obstacles she faces as a woman writing from a traditional and ethnic religious background. In each essay in the third section, she uses a historical episode as an occasion to explore the complex interconnections among voice, body, gender, and religious tradition. And in the last section, she demonstrates how writing enables an author to integrate disparate experiences and memories. Even as she strives to create herself as an individual, she cannot fully separate from the Mennonite heritage that has shaped her.

In Shale Play, acclaimed poet Julia Spicher Kasdorf and award-winning documentary photographer Steven Rubin explore the small towns, farms, and forests of Appalachian Pennsylvania to gather the stories of these places and the working people who inhabit them. In the parlance of the oil and gas industry, “shale play� refers to a region exploited for its natural gas by means of hydraulic fracturing and horizontal drilling—transient industrial processes that often occur far from the populations that benefit from them. Amid polarized claims about fracking and pressure to develop these areas around the world, this project gathers evidence from everyday life in the Marcellus Shale Play. Kasdorf and Rubin follow in the footsteps of the documentarians of the 1930s, such as the artists and writers of the Works Progress Administration, taking a deliberate and thoughtful approach to gather the stories of workers on pipelines and well pads, landowners and leaseholders, waitresses, ministers, farmers, retired miners, teachers, and neighbors. The resulting collage of vivid oral and pictorial testimony reveals the natural beauty of rural places as well as the disturbance and spectacle fracking creates. A passionate work of witness, Shale Play invites the reader to look beyond the easy caricatures of the white working class to create an urgent, authentic representation of a sacrifice zone that fuels America.

Fred Lewis Pattee, long regarded as the father of American literary study, also wrote fiction. Originally published in 1905 by Henry Holt, The House of the Black Ring was Pattee's second novel--a local-color romance set in the mountains of Central Pennsylvania. The book's plot is driven by family feud, forbidden love, and a touch of the supernatural. This new edition makes this novel accessible to new generations of modern-day readers. General readers will find in The House of the Black Ring a thriller that preserves details of rural life and language during the late nineteenth century. Scholars will read it as an expression of cultural anxiety and change in the decades after the Civil War.

An introduction by poet and essayist Julia Spicher Kasdorf situates the novel within the context of social and literary history, as well as Pattee's own biography, and provides a compelling argument for its importance, not only as a literary artifact or record of local customs, but also as a reflection of Pattee's own story intertwined with the history of Penn State at the turn of the twentieth century. Joshua Brown draws on his expertise in Pennsylvania German ethno-linguistics to interpret the dialect writing and to give readers a clearer view of the customs and regionalisms depicted in the book.