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Negotiating the Art of Fatherhood in Late Medieval and Early Modern
Italy examines contested notions of fatherhood in written and
visual texts during the development of the mercantile economy in
fourteenth- and fifteenth-century Italy. It analyzes debates about
the household and community management of wealth, emotion, and
trade in luxury "goods," including enslaved women, as moral
questions. Juliann Vitullo considers how this mercantile economy
affected paternity and the portraits of ideal fatherhood, which in
some cases reconceived the role of fathers and in others
reconfirmed traditional notions of paternal authority.
One of the first volumes to explore the intersection of economics,
morality, and culture, this collection analyzes the role of the
developing monetary economy in Western Europe from the twelfth to
the seventeenth century. The contributors"scholars from the fields
of history, literature, art history and musicology"investigate how
money infiltrated every aspect of everyday life, modified notions
of social identity, and encouraged debates about ethical uses of
wealth. These essays investigate how the new symbolic system of
money restructured religious practices, familial routines, sexual
activities, gender roles, urban space, and the production of
literature and art. They explore the complex ethical and
theological discussions which developed because the role of money
in everyday life and the accumulation of wealth seemed to
contradict Christian ideals of poverty and charity, revealing a
rich web of reactions to the tensions inherent in a predominately
Christian, (neo)capitalist culture. Money, Morality, and Culture in
Late Medieval and Early Modern Europe presents a comprehensive,
multi-disciplinary assessment of the ways in which the rise of the
monetary economy fundamentally affected morality and culture in
Western Europe.
One of the first volumes to explore the intersection of economics,
morality, and culture, this collection analyzes the role of the
developing monetary economy in Western Europe from the twelfth to
the seventeenth century. The contributors"scholars from the fields
of history, literature, art history and musicology"investigate how
money infiltrated every aspect of everyday life, modified notions
of social identity, and encouraged debates about ethical uses of
wealth. These essays investigate how the new symbolic system of
money restructured religious practices, familial routines, sexual
activities, gender roles, urban space, and the production of
literature and art. They explore the complex ethical and
theological discussions which developed because the role of money
in everyday life and the accumulation of wealth seemed to
contradict Christian ideals of poverty and charity, revealing a
rich web of reactions to the tensions inherent in a predominately
Christian, (neo)capitalist culture. Money, Morality, and Culture in
Late Medieval and Early Modern Europe presents a comprehensive,
multi-disciplinary assessment of the ways in which the rise of the
monetary economy fundamentally affected morality and culture in
Western Europe.
Negotiating the Art of Fatherhood in Late Medieval and Early Modern
Italy examines contested notions of fatherhood in written and
visual texts during the development of the mercantile economy in
fourteenth- and fifteenth-century Italy. It analyzes debates about
the household and community management of wealth, emotion, and
trade in luxury "goods," including enslaved women, as moral
questions. Juliann Vitullo considers how this mercantile economy
affected paternity and the portraits of ideal fatherhood, which in
some cases reconceived the role of fathers and in others
reconfirmed traditional notions of paternal authority.
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