The legend of Aeneas as preserved in the art and artifacts of antiquity is the focus of this study. Gallant warrior, accomplice in the abduction of Helen, fugitive from burning Troy, founder of Rome-in all his roles, Aeneas appears in ancient sculpture and wall painting, on vases, coins, lamps, mirrors, and gems, as richly illustrated here. To what extent he was known to the Greeks and Romans, for what qualities he was admired, and how his legend served the propaganda of empire building are examined in this survey of the visual data, and these are correlated with what is known of the legend in the literary, historical, and religious traditions of the ancient Mediterranean world. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Augustus, Rome's first emperor, is one of the great figures of world history and one of the most fascinating. In this lively and concise biography Karl Galinsky examines Augustus' life from childhood to deification. He chronicles the mosaic of vicissitudes, challenges, setbacks and successes that shaped Augustus' life, both public and private. How did he use his power? How did he manage to keep re-inventing himself? What kind of man was he? A transformative leader, Augustus engineered profound change in Rome and throughout the Mediterranean world. No one would have expected such vast achievements from the frail and little-known eighteen-year-old who became Caesar's heir amid turmoil and crisis. A mere thirteen years later, after defeating Antony and Cleopatra, he had, in his words, 'power over all things'.

The age of Augustus, commonly dated to 30 BC - AD 14, was a pivotal period in world history. A time of tremendous change in Rome, Italy, and throughout the Mediterranean world, many developments were underway when Augustus took charge and a recurring theme is the role that he played in shaping their direction. The Cambridge Companion to the Age of Augustus captures the dynamics and richness of this era by examining important aspects of political and social history, religion, literature, and art and architecture. The sixteen essays, written by distinguished specialists from the United States and Europe, explore the multi-faceted character of the period and the interconnections between social, religious, political, literary, and artistic developments. Introducing the reader to many of the central issues of the Age of Augustus, the essays also break new ground and will stimulate further research and discussion.

Augustus, Rome's first emperor, is one of the great figures of world history and one of the most fascinating. In this lively and concise biography Karl Galinsky examines Augustus' life from childhood to deification. He chronicles the mosaic of vicissitudes, challenges, setbacks and successes that shaped Augustus' life, both public and private. How did he use his power? How did he manage to keep re-inventing himself? What kind of man was he? A transformative leader, Augustus engineered profound change in Rome and throughout the Mediterranean world. No one would have expected such vast achievements from the frail and little-known eighteen-year-old who became Caesar's heir amid turmoil and crisis. A mere thirteen years later, after defeating Antony and Cleopatra, he had, in his words, 'power over all things'.

What and how do people remember? Who controls the process of what we call cultural or social memory? What is forgotten and why? People's memories are not the same as history written in retrospect; they are malleable and an ongoing process of construction and reconstruction. Ancient Rome provided much of the cultural framework for early Christianity, and in both the role of memory was pervasive. Memory in Ancient Rome and Early Christianity presents perspectives from an international and interdisciplinary range of contributors on the literature, history, archaeology, and religion of a major world civilization, based on an informed engagement with important concepts and issues in memory studies. Moving beyond terms such as 'collective', 'social', and 'cultural memory' as standard tropes, the volume offers a selective exploration of the wealth of topics which comprise memory studies, and also features a contribution from a leading neuroscientist on the actual workings of the human memory. It is an importamt resource for anyone interested in Roman antiquity, the beginnings of Christianity, and the role of memory in history.

The legend of Aeneas as preserved in the art and artifacts of antiquity is the focus of this study. Gallant warrior, accomplice in the abduction of Helen, fugitive from burning Troy, founder of Rome-in all his roles, Aeneas appears in ancient sculpture and wall painting, on vases, coins, lamps, mirrors, and gems, as richly illustrated here. To what extent he was known to the Greeks and Romans, for what qualities he was admired, and how his legend served the propaganda of empire building are examined in this survey of the visual data, and these are correlated with what is known of the legend in the literary, historical, and religious traditions of the ancient Mediterranean world. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The age of Augustus, commonly dated to 30 BC - AD 14, was a pivotal period in world history. A time of tremendous change in Rome, Italy, and throughout the Mediterranean world, many developments were underway when Augustus took charge and a recurring theme is the role that he played in shaping their direction. The Cambridge Companion to the Age of Augustus captures the dynamics and richness of this era by examining important aspects of political and social history, religion, literature, and art and architecture. The sixteen essays, written by distinguished specialists from the United States and Europe, explore the multi-faceted character of the period and the interconnections between social, religious, political, literary, and artistic developments. Introducing the reader to many of the central issues of the Age of Augustus, the essays also break new ground and will stimulate further research and discussion.

Memory studies -- one of the most vibrant research fields of the present day -- brings together such diverse disciplines as art and archaeology, history, religion, literature, sociology, media studies, and neuroscience. In scholarship on ancient Rome, studies of social and cultural memory complement traditional approaches, opening up new horizons as we contemplate the ancient world. The fifteen essays presented here explore memory in the Roman Empire, addressing a wide spectrum of cultural phenomena from a range of approaches. Ancient Rome was a memory culture par excellence and memory pervades all aspects of Roman culture, from literature and art to religion and politics. This volume is the first to address the cultural artifacts of Rome through the lens of memory studies. An essential guide to the material culture of Rome, this book brings important new concepts to the fore for both scholars of the ancient world and those of social and cultural memory throughout human history.

Grand political accomplishment and artistic productivity were the hallmarks of Augustus Caesar's reign (31 B.C. to A.D. 14), which has served as a powerful model of achievement for societies throughout Western history. Although much research has been done on individual facets of Augustan culture, Karl Galinsky's book is the first in decades to present a unified overview, one that brings together political and social history, art, literature, architecture, and religion. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence.

Galinsky draws on source material ranging from coins and inscriptions to the major works of poetry and art, and challenges the schematic concepts and dichotomies that have commonly been applied to Augustan culture. He demonstrates that this culture was neither monolithic nor the mere result of one man's will. Instead it was a nuanced process of evolution and experimentation. Augustan culture had many contributors, as Galinsky demonstrates, and their dynamic interactions resulted in a high point of creativity and complexity that explains the transcendence of the Augustan age. Far from being static, its sophisticated literary and artistic monuments call for the active response and involvement of the reader and viewer even today.

Postmodernism, multiculturalism, the alleged decline of the United States, deconstruction, leadership, and values-these topics have been at the forefront of contemporary intellectual and cultural debate and are likely to remain so for the near future. Participants in the debate can usefully enlarge the perspective to a comparison between the Greco-Roman world and contemporary society. In this thought-provoking work, a noted classics scholar tests the ancient-modern comparison, showing what it can add to the contemporary debates and what its limitations are. Writing for intellectually adventurous readers, Galinsky explores Greece and Rome as multicultural societies, debates the merits of classicism in postmodern architecture, discusses the reign of Augustus in terms of modern leadership theories, and investigates the modern obsession with finding parallels between the supposed "decline and fall" of Rome and the "decay" of U.S. society. Within these discussions, Galinsky shows the continuing vitality of the classical tradition in the contemporary world. The Greek and Roman civilizations have provided us not only with models for conscious adaptation but also points for radical departures. This ability to change and innovate from classical models is crucial, Galinsky maintains. It creates a reciprocal process whereby contemporary issues are projected into the past while aspects of the ancient world are redefined in terms of current approaches. These essays result in a balanced assessment and stimulating restatement of some major issues in both contemporary U.S. society and the Greco-Roman world. The book, which speaks to a wide interdisciplinary audience, is based on a series of lectures that Galinsky gave as a national visiting scholar for Phi Beta Kappa. It concludes with a discussion of the role of classical studies in the United States today.

Written by leading specialists, the essays in Perspectives of Roman Poetry seek to provide a broad range of readers with a good understanding of some essential aspects of major Roman poets and poetic genres. The value of the essays is enhanced, for comparative purposes, by their extensive reference to modern authors. such as Shakespeare and Tolkien. For the modern reader, Latin quotations are accompanied by effective English translations.

The essays and their authors are as follows: "The Woman's Role in Latin Love Poetry," by Georg Luck "Autobiography and Art in Horace," by William S. Anderson "Some Trees in Virgil and Tolkien," by Kenneth J. Reckford "The Business of Roman Comedy," by Erich Segal "Ovid's Metamorphosis of Myth," by G. Karl Galinsky The preface and concluding panel discussion illumine the situation of literary criticism inthe classics and point out the need for diversity.

Perspectives of Roman Poetry resulted from a symposium held at the University of Texas at Austin in 1972. These essays offer different and, in some cases, heterodox interpretations that will serve as a basis for future discussions.

What and how do people remember? Who controls the process of what we call cultural or social memory? What is forgotten and why? People's memories are not the same as history written in retrospect; they are malleable and an ongoing process of construction and reconstruction. Ancient Rome provided much of the cultural framework for early Christianity, and in both the role of memory was pervasive. Memory in Ancient Rome and Early Christianity presents perspectives from an international and interdisciplinary range of contributors on the literature, history, archaeology, and religion of a major world civilization, based on an informed engagement with important concepts and issues in memory studies. It offers a selective exploration of the wealth of topics which comprise memory studies, and also features a contribution from a leading neuroscientist on the actual workings of the human memory.

Concern with memory permeated Roman literature, history, rhetorical training, and art and architecture. This is the first book to look at the phenomenon from a variety of perspectives, including cognitive science. There is no orthodoxy in memory studies and the approaches are both empirical and theoretical. A central issue is: who and what preserved and shaped cultural memory in Rome, and how did that process work? Areas and subjects covered include the Romans' view of the changing physical fabric of the city, monuments (by etymology related to memory) such as the Arch of Constantine, memory and the Roman triumph, Roman copies of Greek sculpture and their relation to memory, the importance of written information and of continuing process, the creation of memory in Republican memoirs and Flavian poetry, the invention of traditions, and the connection of cultural and digital memory.

The ten chapters present original findings that complement earlier scholarship from the perspective of memory and open up new horizons for inquiry. The introduction by volume editor Karl Galinsky situates the work within current studies on cultural and social memory, and the concluding chapter by Daniel Libeskind provides the perspective of a contemporary practitioner.

Additional contributors include Richard Jenkyns, Harriet I. Flower, T. P. Wiseman, Karl-J. Holkeskamp, Gianpiero Rosati, Diane Favro, Jessica Hughes, Anna Anguissola, Lisa Marie Mignone, and Bernard Frischer.