THE THRILLING TRUE STORY OF BRITAIN'S FIRST EVER RAILWAY MURDER 'A fascinatingly quirky portrait of the underside of Victorian London . . . unputdownable' Daily Telegraph 'A cunning and suspenseful tale' Independent 'Meticulously researched . . . the final revelation is a showstopper' New York Times On 9 July 1864, businessman Thomas Briggs walked into carriage 69 on the 9.45 Hackney-bound train. A few minutes later, two bank clerks entered the carriage - but as they sat down, one of them noticed blood pooled in the seat cushions and smeared on the walls. But there was no sign of Thomas Briggs. The only things left in the carriage were his walking stick, his bag - and a hat that, strangely, did not belong to Mr Briggs . . . 'A thrilling book, which reads at times like a good Victorian novel... an utterly compelling did-he-do-it' Sunday Times 'A riveting portrait of Victorian London' Financial Times

A brilliantly conceived biography of Joseph Paxton, horticulturist to the Duke & Duchess of Devonshire at Chatsworth, architect of the Crystal Palace at the Great Exhibition of 1851 and one of the greatest unsung heroes of the Victorian Age In the nineteenth century, which witnessed a revolution in horticulture and urban planning and architecture, Joseph Paxton, a man with no formal education, strode like a colossus. Head gardener at Chatsworth by the age of twenty-three, and encouraged by the sixth Duke of Devonshire whose patronage soon flourished into the defining friendship of his life, Paxton set about transforming this Derbyshire estate into the greatest garden in England. Visitors there were astonished by the enormous glasshouses and ambitious waterworks he built, the collection of orchids, the largest in all England, the dwarf bananas and the gargantuan lily, the trees and plants brought back from all over the world. Queen Victoria came to marvel and, increasingly, with the development of the railway in which Paxton was also involved, daytrippers from all over the country. It was the Crystal Palace, home of the Great Exhibition in 1851, that secured Paxton's fame. His design, initially doodled on a piece of blotting paper, was the architectural triumph of its time. Two thousand men worked for eight months to complete it. It was six times the size of St Paul's Cathedral, enclosed a space of 18 acres, and entertained six million visitors. By the time of his death fourteen years later, 'the busiest man in England' according to Dickens, was friends with Brunel and Stevenson and in constant demand to design public parks and gardens. His last, seemingly most eccentric project was for a Great Boulevard under glass, a crystal arcade that would connect all the main railway termini in London. Drawing on exclusive access to Paxton's personal letters, Kate Colquhouns's remarkable biography is a compelling story of a man who typifies the Victorian ideal of self-improvement and a touching portrait of one of that era's great heroes.