Race Horse Men "recaptures the vivid sights, sensations, and illusions of nineteenth-century thoroughbred racing, America's first mass spectator sport. Inviting readers into the pageantry of the racetrack, Katherine C. Mooney conveys the sport's inherent drama while also revealing the significant intersections between horse racing and another quintessential institution of the antebellum South: slavery.

A popular pastime across American society, horse racing was most closely identified with an elite class of southern owners who bred horses and bet large sums of money on these spirited animals. The central characters in this story are not privileged whites, however, but the black jockeys, grooms, and horse trainers who sometimes called themselves race horse men and who made the racetrack run. Mooney describes a world of patriarchal privilege and social prestige where blacks as well as whites could achieve status and recognition and where favored slaves endured an unusual form of bondage. For wealthy white men, the racetrack illustrated their cherished visions of a harmonious, modern society based on human slavery.

After emancipation, a number of black horsemen went on to become sports celebrities, their success a potential threat to white supremacy and a source of pride for African Americans. The rise of Jim Crow in the early twentieth century drove many horsemen from their jobs, with devastating consequences for them and their families. Mooney illuminates the role these too-often-forgotten men played in Americans' continuing struggle to define the meaning of freedom.

The rise and fall of one of America’s first Black sports celebrities   Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. They were internationally famous, the first African American superstar athletes—and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all.   At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences.   Katherine C. Mooney uncovers the history of Murphy’s troubled life, his death in 1896 at age thirty-five, and his afterlife. In recounting Murphy’s personal story, she also tells two of the great stories of change in nineteenth-century America: the debates over what a multiracial democracy might look like and the battles over who was to hold power in an economy that increasingly resembled the corporate, wealth-polarized world we know today.

First published in 1978, Claude F. Oubre's Forty Acres and a Mule has since become a definitive study in the history of American Reconstruction. Drawing on a vast collection of government records and newspapers, Oubre examines what he sees as the crucial question of Reconstruction: Why were the far majority of freed slaves denied the opportunity to own land during the Reconstruction era, leaving them vulnerable to a persecution that strongly resembled slavery? Oubre recounts the struggle of black families to acquire land and how the U.S. government agency Freedmen's Bureau both served and obstructed them. This groundbreaking book offers an indispensable resource for anyone eager to understand the evolution of slavery studies.