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Showing 1 - 3 of 3 matches in All Departments
"Cleopatra" faced countless problems during its filming and
production: passionate casting disputes, broken contracts, a costly
re-location from London to Rome, an emergency tracheotomy for its
star, Elizabeth Taylor, scandal-ridden gossip surrounding
relationships on set, and a budget of $2 million that ballooned to
final costs of $44 million. Legendary producer Walter Wanger
recalls the drama that occurred both on and off the set, including
the incredible obstacles he had to overcome and the exhilaration of
producing a cinematic triumph. A revealing story about Elizabeth
Taylor and Richard Burton's tempestuous romance and an insightful
filmmaker's journal, now back in print for the 50th anniversary of
"Cleopatra"'s release, "My Life with Cleopatra "shares the true
story of the relationship and film that enthralled the world.
Almost every day of the year a film festival takes place somewhere in the world - from sub-Saharan Africa to the Land of the Midnight Sun. "Sundance to Sarajevo" is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the "Los Angeles Times", writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect. Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic.
"Free for All "is an irresistible behind-the-scenes look at one
of America's most beloved and important cultural
institutions.
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