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This volume is an attempt to integrate the theory and data of
social and personality development within a modem evolutionary
framework. The various chapters are not meant to be read in
isolation from one another but rather are intended to form an
integrated whole. There is thus a great deal of cross-referencing
between chapters and to some extent they all stand or fall
together. This also suggests that the accuracy (or usefulness) of a
particular chapter cannot be judged until the book is comprehended
as a whole. Chapter 1 deals with the theoretical foundations of
this enterprise, and the focus is on the compatibility of
mainstream approaches within the field to a modem evolutionary
approach. Chapters 2-4 concern what I view to be the fundamental
proximal mechanisms underlying social and personality development.
Chapter 2, on temperament and person ality development, is
particularly central to the rest of the volume because these
processes are repeatedly invoked as explanatory concepts at later
points in the volume."
Examines the importance of evolutionary biology for key issues in
human development. Illustrates the power of socio- biological
approaches in understanding developmental pheno- mena and their
importance in generating new, empirically verifiable predictions.
Since 2001, Trevor Lynch's witty, pugnacious, and profound film
essays and reviews have developed a wide following among cinephiles
and White Nationalists alike. Lynch deals frankly with the
anti-white bias and Jewish agenda of many mainstream films, but he
is even more interested in discerning positive racial messages and
values, sometimes in the most unlikely places. Trevor Lynch's White
Nationalist Guide to the Movies gathers together some of his best
essays and reviews covering 32 movies, including his startling
philosophical readings of Pulp Fiction, The Dark Knight Trilogy,
and Mishima; his racialist interpretations of The Lord of the Rings
and Gangs of New York; his masculinist readings of The Twilight
Saga and A History of Violence; his insights into the Jewish nature
of the superhero genre occasioned by Guillermo del Toro's Hellboy
movies; and his hilarious demolitions of The Matrix Trilogy, The
Girl With the Dragon Tattoo series, and the detritus of Quentin
Tarantino's long decline. Trevor Lynch's White Nationalist Guide to
the Movies establishes its author as a leading cultural theorist
and critic of the North American New Right. "Trevor Lynch provides
us with a highly literate, insightful, and even philosophical
perspective on film-one that will send you running to the video
rental store for a look at some very worthwhile movies-although he
is also quite willing to tell you what not to see. He sees movies
without the usual blinders. He is quite aware that because
Hollywood is controlled by Jews, one must typically analyze movies
for their propaganda value in the project of white dispossession.
Trevor Lynch's collection is a must read for anyone attempting to
understand the deep undercurrents of the contemporary culture of
the West." - Kevin MacDonald, author of The Culture of Critique,
from the Foreword "Hollywood has been deconstructing the white race
for nearly a century. Now Trevor Lynch is fighting back,
deconstructing Hollywood from a White Nationalist point of view.
But these essays are not just of interest to White Nationalists.
Lynch offers profound and original insights into more than 30
films, including Christopher Nolan's The Dark Knight, Quentin
Tarantino's Pulp Fiction, Guillermo del Toro's Hellboy, and Martin
Scorsese's Gangs of New York. These essays combine a cultural and
philosophical sophistication beyond anything in film studies today
with a lucid, accessible, and entertaining prose style. Every
serious cineaste needs to read this book." - Edmund Connelly "The
Hollywood movie may be the greatest vehicle of deception ever
invented, and the passive white viewer is its primary target. Yet
White Nationalist philosopher and film critic Trevor Lynch
demonstrates that truth is to be found even in this unlikeliest of
places. If American audiences could learn the kind of critical
appreciation Mr. Lynch demonstrates for them, their seductive
enemies in Tinseltown wouldn't stand a chance." - F. Roger Devlin,
author of Alexandre Kojeve and the Outcome of Modern Thought
"Trevor Lynch's White Nationalist Guide to the Movies is not some
collection of vein-popping rants about Hollywood's political
agendas. It's a thoughtful and engaging examination of ideas in
popular films from a perspective you won't find in your local
newspaper or in Entertainment Weekly. Lynch has chosen films
that-in many cases-he actually enjoyed, and playfully teased out
the New Right themes that mainstream reviewers can only afford to
address with a careful measure of scorn. How many trees have been
felled to print all of the Marxist, feminist, minority-pandering
'critiques' of contemporary celluloid over the past fifty years?
Isn't it about time we read an explicitly white review of The
Fellowship of the Ring, or Traditionalist take on take on The Dark
Knight?" - Jack Donovan, author of The Way of Men
Since 2001, Trevor Lynch's witty, pugnacious, and profound film
essays and reviews have developed a wide following among cinephiles
and White Nationalists alike. Lynch deals frankly with the
anti-white bias and Jewish agenda of many mainstream films, but he
is even more interested in discerning positive racial messages and
values, sometimes in the most unlikely places. Trevor Lynch's White
Nationalist Guide to the Movies gathers together some of his best
essays and reviews covering 32 movies, including his startling
philosophical readings of Pulp Fiction, The Dark Knight Trilogy,
and Mishima; his racialist interpretations of The Lord of the Rings
and Gangs of New York; his masculinist readings of The Twilight
Saga and A History of Violence; his insights into the Jewish nature
of the superhero genre occasioned by Guillermo del Toro's Hellboy
movies; and his hilarious demolitions of The Matrix Trilogy, The
Girl With the Dragon Tattoo series, and the detritus of Quentin
Tarantino's long decline. Trevor Lynch's White Nationalist Guide to
the Movies establishes its author as a leading cultural theorist
and critic of the North American New Right. "Trevor Lynch provides
us with a highly literate, insightful, and even philosophical
perspective on film-one that will send you running to the video
rental store for a look at some very worthwhile movies-although he
is also quite willing to tell you what not to see. He sees movies
without the usual blinders. He is quite aware that because
Hollywood is controlled by Jews, one must typically analyze movies
for their propaganda value in the project of white dispossession.
Trevor Lynch's collection is a must read for anyone attempting to
understand the deep undercurrents of the contemporary culture of
the West." - Kevin MacDonald, author of The Culture of Critique,
from the Foreword "Hollywood has been deconstructing the white race
for nearly a century. Now Trevor Lynch is fighting back,
deconstructing Hollywood from a White Nationalist point of view.
But these essays are not just of interest to White Nationalists.
Lynch offers profound and original insights into more than 30
films, including Christopher Nolan's The Dark Knight, Quentin
Tarantino's Pulp Fiction, Guillermo del Toro's Hellboy, and Martin
Scorsese's Gangs of New York. These essays combine a cultural and
philosophical sophistication beyond anything in film studies today
with a lucid, accessible, and entertaining prose style. Every
serious cineaste needs to read this book." - Edmund Connelly "The
Hollywood movie may be the greatest vehicle of deception ever
invented, and the passive white viewer is its primary target. Yet
White Nationalist philosopher and film critic Trevor Lynch
demonstrates that truth is to be found even in this unlikeliest of
places. If American audiences could learn the kind of critical
appreciation Mr. Lynch demonstrates for them, their seductive
enemies in Tinseltown wouldn't stand a chance." - F. Roger Devlin,
author of Alexandre Kojeve and the Outcome of Modern Thought
"Trevor Lynch's White Nationalist Guide to the Movies is not some
collection of vein-popping rants about Hollywood's political
agendas. It's a thoughtful and engaging examination of ideas in
popular films from a perspective you won't find in your local
newspaper or in Entertainment Weekly. Lynch has chosen films
that-in many cases-he actually enjoyed, and playfully teased out
the New Right themes that mainstream reviewers can only afford to
address with a careful measure of scorn. How many trees have been
felled to print all of the Marxist, feminist, minority-pandering
'critiques' of contemporary celluloid over the past fifty years?
Isn't it about time we read an explicitly white review of The
Fellowship of the Ring, or Traditionalist take on take on The Dark
Knight?" - Jack Donovan, author of The Way of Men
Irmin Vinson's Some Thoughts on Hitler and Other Essays is a book
about propaganda. Vinson explains how the organized Jewish
community uses the memory of Adolf Hitler and the Holocaust as
weapons to stigmatize the patriotism and ethnic pride not just of
Germans, but of all whites, including those who fought against
Hitler. In these clear, rational, and highly readable essays, Irmin
Vinson demolishes this propaganda and exposes the insidious agenda
behind it.
Irmin Vinson's Some Thoughts on Hitler and Other Essays is a book
about propaganda. Vinson explains how the organized Jewish
community uses the memory of Adolf Hitler and the Holocaust as
weapons to stigmatize the patriotism and ethnic pride not just of
Germans, but of all whites, including those who fought against
Hitler. In these clear, rational, and highly readable essays, Irmin
Vinson demolishes this propaganda and exposes the insidious agenda
behind it.
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