Pop music stars in many of the most exciting and successful British films--from "Performance" to "Trainspotting," from "A Hard Day's Night" to H"uman Traffic." Other films using pop music might be more obscure but include many demonstrating a boldness and imagination rarely matched in other areas of British cinema.
Pop artists (David Bowie, Cliff Richard, Spice Girls, Patsy Kensit, Sex Pistols) could be said to be captured at their most iconic on celluloid. And of course there are the rare but prized cameos from a huge variety of other musicians and their songs in the most unexpected of places. This book tells the story and records the facts of the pop-film relationship decade by decade. It is the most systematic guide to where and how pop appears in British cinema.
"Pop in British Cinema" includes:
* Decade by decade commentary and systematic listings of films with pop music
* Comprehensive referencing of all British feature films using music from the 50s to the end of the century
* Illustrations and descriptions of the changing ways of using pop in British film
* Listings of "band" movies and indexes to musicians, directors, and film titles
For researchers and the curious alike this is an easy and fascinating reference source. It represents both a first history of pop music in British cinema and a mine of trivia questions for music and film buffs of all descriptions.

Three timeless favoritesLittle Red Riding Hood, Jack the Giant-Killer, and Rumpelstiltskincome together in this enchanting collection of read-aloud fun. Illustrated in charming detail by Edward Gorey and retold with engaging wit by James Donnelly, these unique renditions offer a fresh take on age-old tales.

What happens when Little Red Riding Hood ignores her mother's advice to "Keep yourself to yourself"? How will young Jack fight the Giant who gobbles children by the fistful? And how will Queen Omoline save her baby from the devious Rumpelstiltskin? Gorey's expressive drawings and Donnelly's breezy text prove that good stories never grow old: rather, the tales in Three Classic Children's Stories are better than ever.

Stanley Kubrick's The Shining (1980) is an esteemed member of the twentieth century's pantheon of outstanding films while also perhaps being the director's most accessible film. It is a rarity in that on the one hand it was a successful mainstream horror film about a violent father in a deserted and haunted hotel, but on the other is a more rarefied and esoteric object for cult audiences who are convinced that the film means something totally different. Indeed, the film appears replete with enigmatic and provocative allusions, which provide The Shining with an almost unmatched sense of resonance. Seeing the film as a vehicle for secret messages has led to a myriad of different interpretations, which has helped elevate the film's cult status over the years to make it a special case in cinema. Indeed, it is so singular that it arguably even redefines the notion of cult film. This volume investigates The Shining's most fascinating aspects as a film while also addressing the range of meanings and interpretations assigned to the film, looking into what has made it one of the key cult films of the last half century.

Life was never meant to be easy, as a famous politician once said, and tragedy and loss can strike at any time. Losing a loved one unexpectedly and without reason, facing family hardship or a crisis at work are events that can touch anyone of us. But, there are ways to be resilient and to overcome adversity and pain and to lesson the impact of depression. In Taming the Black Dog, Kevin Donnelly writes how literature, religious faith and the love and comfort of family and friends can help one to find a safe shore after the storms and the rough seas. While there is no closure - there is hope and a chance to live life to the full. Dr Kevin Donnelly, author of Dumbing Down, Australia's Education Revolution and Educating your Child, is one of Australia's leading education authors and commentators. He taught for 18 years in government and non-government schools and is currently a Senior Research Fellow at the Australian Catholic University.

Are you a good parent and what is the best way to raise your child? Are the tiger mums correct and do Australian children need more discipline and tougher expectations? There are no simple answers and there's no doubt that being a parent these days is no longer easy or straightforward. Some mums and dads are criticised for being helicopter parents and smothering their children in cotton wool. Other parents are criticised for giving their children too much freedom and failing to teach them civility and respect. New technologies like the internet, mobile phones and game boys, fears about stranger danger and being bullied at school and the ever increasing pressure to get the best academic results are all conspiring to make the job a lot harder. Educating your child: it's not rocket science provides an easy to read, comprehensive guide to being a good parent, with suggestions and advice proving that it's not rocket science and that every parent can succeed. As every parent knows, the most precious gift we can give our children is a good education and a sound footing to help them meet life's challenges. Dr Kevin Donnelly, author of Why Our Schools are Failing, Dumbing Down and Australia's Education Revolution, is one of Australia's leading education authors and commentators. He taught for 18 years in government and non-government schools.

This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music dealing not only with traditional orchestral film music, but also looks at film music's colonisation of television, and discusses pop music in relation to films, and the historical dimensions to ability to possess audiences that have so many important cultural and aesthetic effects. It challenges the dominant but limited conception of film music as restricted to film by looking at its use in television and influence in the world of pop music and the traditional restriction of analysis to 'valued' film music, either from 'name' composers' or from the 'golden era' of Classical Hollywood. Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film- this is an original study which expands the range of writing on the subject.

Pop music stars in many of the most exciting and successful British films--from "Performance" to "Trainspotting," from "A Hard Day's Night" to H"uman Traffic." Other films using pop music might be more obscure but include many demonstrating a boldness and imagination rarely matched in other areas of British cinema.
Pop artists (David Bowie, Cliff Richard, Spice Girls, Patsy Kensit, Sex Pistols) could be said to be captured at their most iconic on celluloid. And of course there are the rare but prized cameos from a huge variety of other musicians and their songs in the most unexpected of places. This book tells the story and records the facts of the pop-film relationship decade by decade. It is the most systematic guide to where and how pop appears in British cinema.
"Pop in British Cinema" includes:
* Decade by decade commentary and systematic listings of films with pop music
* Comprehensive referencing of all British feature films using music from the 50s to the end of the century
* Illustrations and descriptions of the changing ways of using pop in British film
* Listings of "band" movies and indexes to musicians, directors, and film titles
For researchers and the curious alike this is an easy and fascinating reference source. It represents both a first history of pop music in British cinema and a mine of trivia questions for music and film buffs of all descriptions.

Adolphe Quetelet was an influential astronomer and statistician whose controversial work inspired heated debate in European and American intellectual circles. In creating a science designed to explain the "average man," he helped contribute to the idea of normal, most enduringly in his creation of the Quetelet Index, which came to be known as the Body Mass Index. Kevin Donnelly presents the first scholarly biography of Quetelet, exploring his contribution to quantitative reasoning, his place in nineteenth-century intellectual history, and his profound influence on the modern idea of average.

This edition, which offers a bilingual selection of poetry and selected prose translated into English by the nun-author Cecilia del Nacimiento (1570-1646), increases contemporary scholars' access to, and therefore understanding of, the Spanish early modern religious and intellectual milieu. A significant, rarely-studied mystic and poet, and member of the Discalced Carmelite Order in the years after St. Teresa of Avila's death, Cecilia del Nacimiento exemplifies the range of possibilities used by women writers who worked within the conventions of hegemonic discourses, while creating a unique literary voice. -Stacey Schlau Professor, Department of Languages and Culture and the Women's Studies Program West Chester University, Pennsylvania