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Modern international studies of world theatre and drama have begun
to acknowledge the Arab world only after the contributions of Asia,
Africa and Latin America. Within the Arab world, the contributions
of Algeria, Tunisia, and Morocco to modern drama and to
post-colonial expression remain especially neglected, a problem
that this book addresses.
Modern international studies of world theatre and drama have begun
to acknowledge the Arab world only after the contributions of Asia,
Africa and Latin America. Within the Arab world, the contributions
of Algeria, Tunisia, and Morocco to modern drama and to
post-colonial expression remain especially neglected, a problem
that this book addresses.
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