Taking as its point of departure the alleged inaccuracy of the chronicles of Matthew Paris, "Hubert's Arthur" presents an alternative retelling of English history from the point of view of Hubert de Burgh. In Hubert's narrative, which begins with an account of the struggle for succession in the wake of King Richard Lionheart's death, young Duke Arthur of Brittany does not die at the hands of King John, but instead ascends to the throne. Hubert relates Arthur's adventures as he combats the wily John, fights in the Crusades, and wages battle against the treacherous Simon de Montfort, before facing perhaps his greatest challenge when his reign is threatened by the crucifixions of young Christian boys.

Penned by the brilliant but eccentric Frederick Rolfe (who styled himself Baron Corvo) whilst he was starving and homeless in a self-imposed exile in Venice, "Hubert's Arthur," first published posthumously in 1935, is one of the strangest and most remarkable novels of the twentieth century. Filled with action and suffused throughout with Rolfe's characteristic humor, the novel is notable for its blatant homoeroticism, its savage anti-Semitism, and its shockingly graphic violence. This edition features a new scholarly introduction by Kristin Mahoney, who also provides detailed annotations to help guide readers through Rolfe's labyrinth of historical and literary references and his unique vocabulary of archaic words, some of which have not been used since the sixteenth century.

"Mahoney's introduction to "Hubert's Arthur" is excellent advocacy for the virtues and importance of the work. With notes in the text up to this standard, the edition will not only contribute importantly to scholarship on Rolfe, but also help forge new understanding of the values of his age." - Prof. Edmund Miller, Long Island University

Queer Kinship after Wilde investigates the afterlife of the Decadent Movement's ideas about kinship, desire, and the family during the modernist period within a global context. Drawing on archival materials, including diaries, correspondence, unpublished manuscripts, and photograph albums, it tells the story of individuals with ties to late-Victorian Decadence and Oscar Wilde who turned to the fin-de-siecle past for inspiration as they attempted to operate outside the heteronormative boundaries restricting the practice of marriage and the family. These post-Victorian Decadents and Decadent modernists engaged in translation, travel, and transnational collaboration in pursuit of different models of connection that might facilitate their disentanglement from conventional sexual and gender ideals. Queer Kinship after Wilde attends to the successes and failures that resulted from these experiments, the new approaches to affiliation inflected by a cosmopolitan or global perspective that occurred within these networks as well as the practices marked by Decadence's troubling patterns of Orientalism and racial fetishism.

In Literature and the Politics of Post-Victorian Decadence, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siecle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and artists refused to assimilate to the aesthetic and political ethos of the era, representing themselves instead as time travellers from the previous century for whom twentieth-century modernity was both baffling and disappointing. However, they did not turn entirely from the modern moment, but rather relied on decadent strategies to participate in conversations concerning the most highly vexed issues of the period including war, the rise of the Labour Party, the question of women's sexual freedom, and changing conceptions of sexual and gender identities.