Teaching and learning in South African schools offers sound, detailed and practical direction to help new and experienced educators and student educators move with ease within the framework of teaching and learning. This title will enable them to understand the management of teaching and learning in schools, apply the relevant roles of the educator to teaching practice; ensure staff development and partnerships with parents and communities.

This Bridge We Call Communication: Anzalduan Approaches to Theory, Method, and Praxis explores contemporary communication research studies, performative writing, poetry, Latina/o studies, and gender studies through the lens of Gloria Anzaldua's theories, methods, and concepts. Utilizing different methodologies and approaches-testimonio, performative writing, and interpretive, rhetorical, and critical methodologies-the contributors provide original research on contexts including healing and pain, woundedness, identity, Chicana and black feminisms, and experiences in academia.

The collection of essays outlines how feminists employ a variety of online platforms, practices, and tools to create spaces of solidarity and to articulate a critical politics that refuses popular forms of individual, consumerist, white feminist empowerment in favor of collective, tangible action. Including scholars and activists from a wide range of disciplinary perspectives, these essays help to catalog the ways in which feminists are organizing online to mobilize different feminist, queer, trans, disability, reproductive justice, and racial equality movements. Together, these perspectives offer a comprehensive overview of how feminists are employing the tools of the internet for political change. Grounded in intersectional feminism--a perspective that attends to the interrelatedness of power and oppression based on race, class, gender, ability, sexuality, and other identities--this book gathers provocations, analyses, creative explorations, theorizations, and case studies of networked feminist activist practices. In doing so, this collection archives important work already done within feminist digital cultures and acts as a vital blueprint for future feminist action.

This Bridge We Call Communication: Anzalduan Approaches to Theory, Method, and Praxis explores contemporary communication research studies, performative writing, poetry, Latina/o studies, and gender studies through the lens of Gloria Anzaldua's theories, methods, and concepts. Utilizing different methodologies and approaches-testimonio, performative writing, and interpretive, rhetorical, and critical methodologies-the contributors provide original research on contexts including healing and pain, woundedness, identity, Chicana and black feminisms, and experiences in academia.

It's obvious that Conley's favorite character in this novel is Stricland. I'm sure it's because he doesn't talk much but acts, since his mind isn't full of jibber jabber from others. That's the only way a person can write. Conley understands Stricland enough to know that he needs that one special person that accepts him and loves him in spite of all his flaws. She can travel the same road and is the partner he and Conley have been looking for all their lives. I think I can safely say that Conley found his. Look at all of his dedications to Grace.

Ross' life has turned into a country song. Through no fault of his own he ends up in witness protection and before he can get to the safe house he gets shot in the ass. It's not funny to him but the person that's supposed to protect him finds it hilarious. She's five foot tall on a good day but has the heart of a lion, a gun that doesn't miss and the courage of a warrior of old. In this action packed thriller Ross and Jena take you on an adventure not soon forgot. Conley's sense of humor may be a little twisted but he puts you dead center in another one of his page turners.

Four regular guys are trying to do the right thing because they have no choice. They're not born heroes. In this action thriller Conley takes you to a special world; the world of in between. Because love can be so strong that death can't take it away and there are times when it stays so close you can feel it; like a hot breath of air or a cool breeze in an elevator. Conley takes you on an adventure that moves ever so slightly beyond, creating a love story in the midst of chaos and produces one of his most memorable characters, Steffan Von De Cruz.

Human traffickers and drug lords have finally done the deed. They made Jena mad. There's no more waiting around and besides it doesn't suit Jena's personality or for that fact Ross', reluctant as he may be. The US Government can't do anything about the problem in Mexico but private citizens don't have the legal constraints especially when drug lords, tunnels, horses and the dead of night are used. In this fast paced action adventure thriller Conley takes you on a mission of justice from days gone by that maybe should rise again. Conley asks; with the confines that a lawful society puts on us can we really protect what is precious in our lives?

In a world of super money, bodyguards, living in luxury doesn't mean you can't be shy and have a heart of gold. Two such people meet in sixth grade and don't say hello until their senior year in high school. Once that hurdle is behind them life becomes real instead of just daydreams. Conley takes you on their action adventure romp from mid America to Guatemala to parts unknown as soon as the baton is handed off to them from Bob Stewart of "The Friday Night Poker Club." His tale weaves you through love, hate, right, wrong and as yet substances not yet on the Periodic Table. Buckle up for a thrilling ride.