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Most modern literary theory is explicitly anti-theological. This book states the case for a contemporary literary theory whose principles derive from Christian theology. Luke Ferretter argues that it remains rationally and ethically legitimate to use theological language in literary theory despite the objections to such a theory posed by deconstruction, Marxism and psychoanalysis. He concludes with an assessment of how such a theory can be formulated and used in contemporary cultural analysis.
Most modern literary theory is explicitly anti-theological. This
book states the case for a contemporary literary theory whose
principles derive from Christian theology. Ferretter argues that it
remains rationally and ethically legitimate to use theological
language in literary theory despite the objections to such a theory
posed by deconstruction, Marxism and psychoanalysis. He concludes
with an assessment of how such a theory can be formulated and used
in contemporary cultural analysis.
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