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This book discusses British cinema's representation of the Great
War during the 1920s. It argues that popular cinematic
representations of the war offered surviving audiences a language
through which to interpret their recent experience, and traces the
ways in which those interpretations changed during the decade.
This book discusses British cinema's representation of the Great
War during the 1920s. It argues that popular cinematic
representations of the war offered surviving audiences a language
through which to interpret their recent experience, and traces the
ways in which those interpretations changed during the decade.
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