Trailblazer, superstar, activist, and spy: Alice Marble was a true American icon.

At seventeen, Alice Marble has no formal tennis skills and no coach. What she does have is an ability to hit the ball as hard as she can and a strong desire to prove herself. With steadfast determination and one sacrifice after another, Alice plays her heart out on the courts of the rich and famous, at national tournaments, and—the greatest of them all—at Wimbledon, rising to be one of the top-ranked players in the world.

But then her world falls apart.

With the outbreak of war with Germany, Alice’s tennis career and life come to a screeching halt, and for the first time, she is forced to confront who she is without tennis. As she seeks to understand her new place in the world and how she can aid in the war efforts, a telegram arrives with devastating news from overseas. Heartbroken and lost, she feels like she can only watch as the war wreaks havoc in every area of her life.

Alice is given the chance to fight back when the US Army sends her a request: Under the guise of playing in tennis exhibition games in Switzerland, she would be a spy for them. Alice aches for nothing more than to avenge what the war has taken from her and to prove herself against this new opponent. But what awaits her might be her greatest challenge yet.

From her start as a promising athlete with worn-out shoes to her status as a glamorous international star, Alice Marble’s determination to control her own life and destiny fuels a story of achievement, discipline, loss, and love.

Jenni L. Walsh’s Ace, Marvel, Spy brilliantly showcases the life of Alice Marble, a real-life tennis sensation known for her extraordinary talent and indomitable spirit. This fast-paced and action-packed historical novel spans multiple international settings and is enhanced by discussion questions that prompt readers to reflect on Alice’s challenges and triumphs, making it an ideal choice for book clubs.

This book strives to unmask the racial inequity at the root of the emergence of modern physical culture systems in the US Progressive Era (1890s-1920s). This book focuses on physical culture - systematic, non-competitive exercise performed under the direction of an expert - because tracing how people practiced physical culture in the Progressive Era, especially middle- and upper-class white women, reveals how modes of popular performance, institutional regulation, and ideologies of individualism and motherhood combined to sublimate whiteness beneath the veneer of liberal progressivism and reform. The sites in this book give the fullest picture of the different strata of physical culture for white women during that time and demonstrate the unracialization of whiteness through physical culture practices. By illuminating the ways in which whiteness in the US became a default identity category absorbed into the "universal" ideals of culture, arts, and sciences, the author shows how physical culture circulated as a popular performance form with its own conventions, audience, and promised profitability. Finally, the chapters reveal troubling connections between the daily habits physical culturists promoted and the eugenics movement's drive towards more reproductively efficient white bodies. By examining these written, visual, and embodied texts, the author insists on a closer scrutiny of the implicit whiteness of physical culture and forwards it as a crucial site of analysis for performance scholars interested in how corporeality is marshaled by and able to contest local and global systems of power.

In recent years, much Spanish literary criticism has been characterized by debates about collective and historical memory, stemming from a national obsession with the past that has seen an explosion of novels and films about the Spanish Civil War and Franco dictatorship. This growth of so-called memory studies in literary scholarship has focused on the representation of memory and trauma in contemporary narratives dealing with the Civil War and ensuing dictatorship. In contrast, the novel of the postwar period has received relatively little critical attention of late, despite the fact that memory and trauma also feature, in different ways and to varying degrees, in many works written during the Franco years. The essays in this study argue that such novels merit a fresh critical approach, and that contemporary scholarship relating to the representation of memory and trauma in literature can enhance our understanding of the postwar Spanish novel. The volume opens with essays that engage with aspects of contemporary theoretical approaches to memory in order to reveal the ways in which these are pertinent to Spanish novels written in the first postwar decades, with studies on novels by Camilo Jose Cela, Carmen Laforet, Arturo Barea and Ana Maria Matute. Its second section focuses on the representation of trauma in specific postwar novels, drawing on elements from trauma studies scholarship to discuss neglected works by Mercedes Salisachs, Dolores Medio and Ignacio Aldecoa. The final essays continue the focus on the theme of trauma and revisit works by women writers, namely Carmen Laforet, Rosa Chacel, Ana Maria Matute and Maria Zambrano, that foreground the experiences of female protagonists who are seeking to deal with a traumatic past. The essays in this volume thus propose a new direction for the study of Spanish literature of 1940s, 1950s and early 1960s, enhancing existing approaches to the postwar Spanish novel through an engagement with contemporary scholarship on memory and trauma in literature."

London schoolgirl Hettie hears the whispers and sees the worry creeping across her parents' faces. She watches as the windows in her home are blacked out. She helps her dad build a bomb shelter. She learns how to wear a gas mask. The German war machine, led by Adolf Hitler, is stomping its feet on Great Britain's doorstep, and Hettie knows only one thing for certain: When the bombs come, it will take all the courage she has to be brave and survive.

The Titanic was only the beginning. What she survived has become legend. Violet Jessop is Miss Unsinkable. Violet is a stewardess and wartime nurse who not only survives a shipwreck but also two sinkings, one on the infamous Titanic. No one can understand why she would return to sea, but Violet is simply trying to survive. Her childhood was fraught with illness and death in her family. Her distraught mother is too ill to work, that responsibility falling to Violet as the oldest of nine. When the world enters the Great War, she becomes aboard as a nurse, helping men who could very well be her brothers. But disaster strikes again, this time as the Britannic strikes a mine. Miraculously, Violet survives, but her obligation to her mother and siblings still remains, leaving Violet to wonder if she'll ever be able to put her tumultuous life at sea behind her and pursue a life and love all her own. Daphne has survived calamity of her own. Daphne Chaundanson grows up as an unwanted child after her mother died in a tragedy. She throws herself into education, collecting languages like candy in a desperate attempt to finally earn her father’s approval. When the Special Operations Executive invites her to be an agent in France in World War II, her childhood of anonymity and her love of languages make her the perfect fit. She sees it as an opportunity to help the country she loves and live up to her father's expectations. But unthinkable moments of challenge and resilience change Daphne in ways she could never expect, including an eye-opening encounter where she must come to terms with the secrets in her own past. Two unsinkable women. Two stories of survival, family, and finding one’s own happiness. One connection that reshapes both their lives forever.

Sporting Performances is the first anthology to tackle sports and physical culture from a performance perspective; it serves as an invitation and provocation for scholarly discourse on the connections between sports and physical culture, and theatre and performance. Through a series of intriguing case studies that blur the lines between the realms of politics, sports, physical culture, and performance, this book assumes that sporting performances, much like theatre, serve as barometers, mirrors, and refractors of the culture in which they are enmeshed. Some of the topics include nineteenth-century variety show pugilists, athletes on Broadway, sumo wrestlers, rhythmic gymnasts, and Strava enthusiasts. While analyzing sport through the lens of theatre and performance, this anthology reflects on how physical culture and sports contribute to identity formation and the effects of nuanced imprints of physical activity on the mind, soul, and tongue. Written primarily for those interested in physical fitness, sports, dance, and physical theatre, this interdisciplinary volume is a crucial tool for Performance and Theatre Studies students and those in the fields of Sports Studies, Cultural Studies, Women's and Gender Studies, and American Studies more broadly.

Sporting Performances is the first anthology to tackle sports and physical culture from a performance perspective; it serves as an invitation and provocation for scholarly discourse on the connections between sports and physical culture, and theatre and performance. Through a series of intriguing case studies that blur the lines between the realms of politics, sports, physical culture, and performance, this book assumes that sporting performances, much like theatre, serve as barometers, mirrors, and refractors of the culture in which they are enmeshed. Some of the topics include nineteenth-century variety show pugilists, athletes on Broadway, sumo wrestlers, rhythmic gymnasts, and Strava enthusiasts. While analyzing sport through the lens of theatre and performance, this anthology reflects on how physical culture and sports contribute to identity formation and the effects of nuanced imprints of physical activity on the mind, soul, and tongue. Written primarily for those interested in physical fitness, sports, dance, and physical theatre, this interdisciplinary volume is a crucial tool for Performance and Theatre Studies students and those in the fields of Sports Studies, Cultural Studies, Women's and Gender Studies, and American Studies more broadly.

Depression Care across the Lifespan is a comprehensive, practical text that aims to increase knowledge and understanding of depression enabling professionals to enhance the care delivered to patients with depression. This text explores depression across all ages, starting with children and teenagers, through adulthood and finally old age.

Depression Care across the Lifespan explores depression amongst different groups including children and teenagers, depression throughout the adult female lifecycle and depression in later life. It also discusses the impact of depression in people with learning disabilities and those from ethnic minority and immigrant populations. It also looks at topics including the causes and treatment of depression, the impact of stress and depression upon work and wellbeing, depression in chronic illness, suicide and self harm, and managing depression in primary and secondary care are included.

Key features:
- Essential reading for practitioners involved in the care of depressed people
- Useful for students undertaking nursing, health and social care courses
- Evidence-based, and supported by relevant literature
- Links policy with current practice across the whole lifespan

In recent years, much Spanish literary criticism has been characterized by debates about collective and historical memory, stemming from a national obsession with the past that has seen an explosion of novels and films about the Spanish Civil War and Franco dictatorship. This growth of so-called memory studies in literary scholarship has focused on the representation of memory and trauma in contemporary narratives dealing with the Civil War and ensuing dictatorship. In contrast, the novel of the postwar period has received relatively little critical attention of late, despite the fact that memory and trauma also feature, in different ways and to varying degrees, in many works written during the Franco years. The essays in this study argue that such novels merit a fresh critical approach, and that contemporary scholarship relating to the representation of memory and trauma in literature can enhance our understanding of the postwar Spanish novel. The volume opens with essays that engage with aspects of contemporary theoretical approaches to memory in order to reveal the ways in which these are pertinent to Spanish novels written in the first postwar decades, with studies on novels by Camilo Jose Cela, Carmen Laforet, Arturo Barea and Ana Maria Matute. Its second section focuses on the representation of trauma in specific postwar novels, drawing on elements from trauma studies scholarship to discuss neglected works by Mercedes Salisachs, Dolores Medio and Ignacio Aldecoa. The final essays continue the focus on the theme of trauma and revisit works by women writers, namely Carmen Laforet, Rosa Chacel, Ana Maria Matute and Maria Zambrano, that foreground the experiences of female protagonists who are seeking to deal with a traumatic past. The essays in this volume thus propose a new direction for the study of Spanish literature of 1940s, 1950s and early 1960s, enhancing existing approaches to the postwar Spanish novel through an engagement with contemporary scholarship on memory and trauma in literature.

This book strives to unmask the racial inequity at the root of the emergence of modern physical culture systems in the US Progressive Era (1890s-1920s). This book focuses on physical culture - systematic, non-competitive exercise performed under the direction of an expert - because tracing how people practiced physical culture in the Progressive Era, especially middle- and upper-class white women, reveals how modes of popular performance, institutional regulation, and ideologies of individualism and motherhood combined to sublimate whiteness beneath the veneer of liberal progressivism and reform. The sites in this book give the fullest picture of the different strata of physical culture for white women during that time and demonstrate the unracialization of whiteness through physical culture practices. By illuminating the ways in which whiteness in the US became a default identity category absorbed into the "universal" ideals of culture, arts, and sciences, the author shows how physical culture circulated as a popular performance form with its own conventions, audience, and promised profitability. Finally, the chapters reveal troubling connections between the daily habits physical culturists promoted and the eugenics movement's drive towards more reproductively efficient white bodies. By examining these written, visual, and embodied texts, the author insists on a closer scrutiny of the implicit whiteness of physical culture and forwards it as a crucial site of analysis for performance scholars interested in how corporeality is marshaled by and able to contest local and global systems of power.

Perfect for fans of Alan Gratz and Jennifer A. Nielsen, a gripping and accessible story of a young girl from Cold War East Berlin who is forced to spy for the secret police... but is determined to escape to freedom. Sophie has spent her entire life behind the Berlin Wall, guarded by land mines, towers, and attack dogs. A science lover, Sophie dreams of becoming an inventor... but that's unlikely in East Berlin, where the Stasi, the secret police, are always watching. Though she tries to avoid their notice, when her beloved neighbor is arrested, Sophie is called to her principal's office. There, a young Stasi officer asks Sophie if she'll spy on her neighbor after she is released. Sophie doesn't want to agree, but in reality has no choice: The Stasi threaten to bring her mother, who has a disability from post-polio syndrome, to an institution if Sophie does not comply. Sophie is backed into a corner, until she finds out, for the first time, that she has family on the other side of the Wall, in the West. This could be what she needs to attempt an escape with her mother to freedom -- if she can invent her way out. Jenni L. Walsh, author of I Am Defiance, tells a page-turning story of a young girl taking charge of her own destiny, and helping others do the same, in the face of oppression. Filled with adrenaline-inducing action and inspired by true stories, this novel evokes the perils of life in East Berlin and the risks some took in search of something better. The ingenuity Sophie and Katarina display in overcoming obstacles is compelling, and the no-win situation Sophie finds herself in rings painfully true. Page-turning action and dangerous intrigue fuel this Cold War-era novel. -- Kirkus Reviews

This volume is a selection from the 281 published papers of Joseph Leonard Walsh, former US Naval Officer and professor at University of Maryland and Harvard University. The nine broad sections are ordered following the evolution of his work. Commentaries and discussions of subsequent development are appended to most of the sections. Also included is one of Walsh's most influential works, "A closed set of normal orthogonal function," which introduced what is now known as "Walsh Functions".

The Call of the Wrens introduces the little-known story of the daring women who rode through war-torn Europe carrying secrets on their shoulders. An orphan who spent her youth without a true home, Marion Hoxton found in the Great War something other than destruction. She discovered a chance to belong. As a member of the Women's Royal Naval Service-the Wrens-Marion gained sisters. She found purpose in her work as a motorcycle dispatch rider assigned to train and deliver carrier pigeons to the front line. And despite the constant threat of danger, she and her childhood friend Eddie began to dream of a future together. Until the battle that changed everything. Now twenty years later, another war has broken out across Europe, calling Marion to return to the fight. Meanwhile others, like twenty-year-old society girl Evelyn Fairchild, hear the call for the first time. For Evelyn, serving in the war is a way to prove herself after a childhood fraught with surgeries and limitations from a disability. The re-formation of the Wrens as World War II rages is the perfect opportunity to make a difference in the world at seventy miles per hour. Told in alternating narratives that converge in a single life-changing moment, The Call of the Wrens is a vivid, emotional saga of love, secrets, and resilience-and the knowledge that the future will always belong to the brave souls who fight for it. Historical, stand-alone novel Book length: approximately 94,000 words Includes discussion questions for book clubs

A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. * Covers both artistic developments and critical approaches to the period by leading contemporary scholars * Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period * Reveals the practical issues connected with the production, sale, public and private display of art of the period * Assesses eighteenth-century art s contribution to what we now refer to as modernity * Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources

Genevieve L. Walsh's debut solo collection covers her first five years of performing her punk-song-length poetry about love, hatred, aggressive platitudes, sexual politics, alienation and inebriation. Includes a Foreword by Henry Normal. "A collection full of passion and subversion ... keen and urgent with an untamed beauty - like a puma caught under a streetlight. She chooses her language and targets with precision and infuses humour and fight in every verse." - Henry Normal, poet "Rejecting the beige and embracing the dark, this collection is a lyrical and defiant hymn to vodka nights and concrete days. Shot through with nostalgia and the fear of losing fellow dancers to normality." - Kate Fox, Stand-up Poet "A unique and passionately inclusive voice guides us with incredible skill and dexterity through everything that unites us: love, loss, and drunk conversations. This book is a brutally affectionate hug and a call to arms for all the losers, freaks, and feral lost souls of the world." - Steve Nash, Saboteur Awards Performer of the Year "Sharp, dark, insightful, inciteful, Genevieve switches it up; lyrically rich imagery / word lust / street voice. From the Femme Banal to the Double Windsor noose, for hardcore losers everywhere. Buy it and "make yourself fucking lovely"." - Louise Fazackerley, Performance Poet "A stunning collection from a unique voice. Poetic without ever being pretentious. Dive in and embrace your inner weirdo." - Kieren King, Cantankerous Word Git "Her poems are like Genevieve herself... strong yet sensitive, clever yet accessible, dark yet resplendent with colour. A collection penned with acute observation and affection. A poetic celebration of 'otherness'." - Joy France, Afflecks Creative in Residence

Jenni L. Walsh delivers a gripping story about a real-life youth resistance group in World War II Germany, and about the power of thinking for yourself in the fight against hatred. Brigitte tries not to ask questions. They don't seem very welcome at her League of German Girls meetings, where she and her friends learn about their duties to Hitler's war effort. But she can't help asking questions when a mysterious pamphlet appears in her mailbox: a pamphlet full of words like resistance and freedom, from a group that calls itself the White Rose. Brigitte's father and older sister, Angelika, seem to agree with the forbidden papers -- an opinion that is dangerous even to whisper at home. And when Angelika becomes involved with secret resistance efforts, Brigitte's questions only bloom. Could Angelika be connected to the White Rose? Is Brigitte's family in danger of being arrested? And if she chooses a side, will Brigitte be able to take a stand?