Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s.Between 1900 and 1930, Madrid's population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the 'Castilian' capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileno identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament.The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramon Mesonero Romanos, Benito Perez Galdos, Pio Baroja, Ramon Gomez de la Serna, Ramon Valle-Inclan and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates theinteraction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.

The Palestinian Druze are the only Israeli Arabs who are conscripted into the Israeli army today. Based on Israeli military and political documents, this book looks at the origins of the Druze's unique status in Israeli society by telling the story of the military and political alliance that emerged between the Druze and the Jewish army in the 1948 war.

Streetwalking the Metropolis makes an important contribution to ongoing debates on gender, the city and modernity. Re-drawing the gendered map of urban modernism, it offers stimulating accounts of a range of writers including Amy Levy, Dorothy Richardson, Virginia Woolf, Rosamund Lehmann. Jean Rhys, Janet Flanner, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing.

The Palestinian Druze are the only Israeli Arabs who are conscripted into the Israeli army today. Based on Israeli military and political documents, this book looks at the origins of the Druze's unique status in Israeli society by telling the story of the military and political alliance that emerged between the Druze and the Jewish army in the 1948 war.

Djuna Barnes once described herself as one of the most famous unknowns of the century. Revisionary accounts of female modernist writers have re-awakened interest in her work, yet she remains a unique and idiosyncratic figure, unassimilated by models of American expatriate or Sapphic modernism. In this illuminating and lucid study, Deborah Parsons examines the range of Barnes's oeuvre; her early journalism, short stories and one act dramas, poetry, the family chronicle Ryder, the Ladies Almanack, and her late play The Antiphon, as well as her modernist classic Nightwood. She explores the psychological and stylistic aspect of Barnes's work through close analysis of the texts within their social, cultural and aesthetic context, and provides an indispensable and enriching guide to Barnes's artistic identity and poetic vision. Barnes's determined inversion of generic and social norms, sexology, degeneration, ethnography and decadence, her unusual childhood, her professional friendships with T.S. Eliot and James Joyce, and her controversial lesbianism are all highlighted and discussed in this introduction to a bold and enigmatic writer.

Streetwalking the Metropolis makes an important contribution to ongoing debates on gender, the city and modernity. Re-drawing the gendered map of urban modernism, it offers stimulating accounts of a range of writers including Amy Levy, Dorothy Richardson, Virginia Woolf, Rosamund Lehmann. Jean Rhys, Janet Flanner, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing.

The harsh life of young eleven-year-old Andrew Boyd is forever altered in the summer of 1910, along with everyone he would meet from that day forth. In the lull between two wars, America wades within the shallows of prejudice and self-worth. Yet Andy serves as a mirror that unconsciously reflected people for what they truly are. Poor and hardworking, he and his mother obtain work in the industrial thriving city of Richmond, by means of the prosperously influential Stone family. Among the many that he influences, the Stone children have the greatest impact upon him. A headstrong and tempered William becomes his best friend, while ambiguous and starry-eyed Cherish forever torments his emotions. With their ever-changing world, they share many discerning firsts. As they pass through their teenage years, their conflicts amplify until eventually boiling over into the war. The story unfolds as Andy looks back upon the course of life even as he nears the end of his.

Military installations, airports, sporting events, and other facilities curtail operations when cloud-to-ground (CG) lightning is present. The National Lightning Detection Network records approximately 20 million lightning flashes each year (Orville and Huffines 1999). Because of the frequency and random nature of CG lightning more people become casualties to lightning each year than to either tornadoes or hurricanes. Lightning specific warning criteria are not standard and appear to have evolved over time as a result of increasing the distance in response to lightning incidents until the proper balance between threat and impact were achieved, rather than through research and lightning data analysis. This research effort attempted to quantify what constitutes a safe distance when lightning is present. The method used in this research project groups lightning flashes into clusters using spatial and temporal constraints. However, not all flashes meet the time and distance criteria for clustering and remained outside of the grouped flashes and as such are identified as isolated flashes. These isolated flashes are outliers in the data set, but are precisely the flashes that prove most dangerous. For this reason not only were the distances between each flash and cluster center studied, but also the distances between each isolated flash and its nearest neighboring flash. Distributions for both distances were studied for the continental U.S. by season.

This is a book that nurse managers and all managers throughout the hospital should be reading! It provides an overview of how to create the interdisciplinary team management and shared values essential to effective restructuring. It also contains valuable advice on staffing plans, management challenges and solutions, quality control issues, lessons learned and pitfalls to avoid, and a host of other special considerations. You'll learn how to develop a viable financial plan, predict the impact of restructuring, and collect and evaluate data to determine cost savings, quality of care outcomes, and patient satisfaction!

Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s.
Between 1900 and 1930, Madrid's population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the 'Castilian' capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileno identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament.
The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramon Mesonero Romanos, Benito Perez Galdos, Pio Baroja, Ramon Gomez de la Serna, Ramon Valle-Inclan and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigatesthe interaction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.

As the Vietnam War divided the nation, a network of antiwar coffeehouses appeared in the towns and cities outside American military bases. Owned and operated by civilian activists, GI coffeehouses served as off-base refuges for the growing number of active-duty soldiers resisting the war. In the first history of this network, David L. Parsons shows how antiwar GIs and civilians united to battle local authorities, vigilante groups, and the military establishment itself by building a dynamic peace movement within the armed forces. Peopled with lively characters and set in the tense environs of base towns around the country, this book complicates the often misunderstood relationship between the civilian antiwar movement, U.S. soldiers, and military officials during the Vietnam era. Using a broad set of primary and secondary sources, Parsons shows us a critical moment in the history of the Vietnam-era antiwar movement, when a chain of counterculture coffeehouses brought the war's turbulent politics directly to the American military's doorstep.