Mickey Newbury (1940-2002) grew up in Houston and moved to Nashville in the early 1960s, following his muse. He wrote top hits for many well-known artists, including Don Gibson, Andy Williams, Kenny Rogers, Tom Jones, and others. He is probably best known, however, for being name-checked in the song 'Luckenbach, Texas (Back to the Basics of Love)' by Waylon Jennings. Newbury has been cited by Jennings, Kris Kristofferson, Townes Van Zandt, and many other eminent singer-songwriters as a primary influence.In his own independent fashion, Newbury helped to loosen the grip maintained for decades by the Nashville studio system, thus paving the way for later innovators like Willie Nelson, David Allan Coe, and others. He is still the only songwriter to produce hits on four different charts in the same year in 1968: 'Just Dropped In (to See What Condition My Condition was In)' on the pop/rock charts, 'Sweet Memories' on easy listening, 'Time Is a Thief' on the R & B charts, and 'Here Comes the Rain, Baby' in country. Following the successful pattern established in his previous works on Townes Van Zandt and Ray Wylie Hubbard, veteran music journalist Brian T. Atkinson has interviewed artists such as Kris Kristofferson, Bobby Bare, Ramblin' Jack Elliott, Steve Earle, Rodney Crowell, and many others to learn how Newbury's influence continues to shape the musical and artistic approach of both seasoned and newer performers. Forewords by Larry Gatlin and Don McLean set the stage for a fascinating look back at one of the most revered songwriters and musicians of recent decades.

The Birth of a Texas Ghost Town: Thurber 1886–1933 provides readers with a detailed history of the rise and fall of one of the most notable coal-mining and brick-producing communities in Texas. . . . Any historian interested in Texas history, urban studies, and business history would find this book a valuable resource.”—Southwestern Historical Quarterly Gentry’s work is full of anecdotes that give life to the community, and her story illuminates an important chapter in Texas history . . . Gentry’s work should rekindle interest in Texas coal mining.”—Journal of Southern History