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The Cambridge Companion to Global Literature and Slavery reveals
the way recent scholarship in the field of slavery studies has
taken a more expansive turn, in terms of both the geographical and
the temporal. These new studies perform area studies-driven
analyses of the representation of slavery from national or regional
literary traditions that are not always considered by scholars of
slavery and explore the diverse range of unfreedoms depicted
therein. Literary scholars of China, Central Asia, the Middle East,
and Africa provide original scholarly arguments about some of the
most trenchant themes that arise in the literatures of slavery -
authentication and legitimation, ethnic formation and
globalization, displacement, exile, and alienation, representation
and metaphorization, and resistance and liberation. This Cambridge
Companion to Global Literature and Slavery is designed to highlight
the shifting terrain in literary studies of slavery and
collectively challenge the reductive notion of what constitutes
slavery and its representation.
The Cambridge Companion to Global Literature and Slavery reveals
the way recent scholarship in the field of slavery studies has
taken a more expansive turn, in terms of both the geographical and
the temporal. These new studies perform area studies-driven
analyses of the representation of slavery from national or regional
literary traditions that are not always considered by scholars of
slavery and explore the diverse range of unfreedoms depicted
therein. Literary scholars of China, Central Asia, the Middle East,
and Africa provide original scholarly arguments about some of the
most trenchant themes that arise in the literatures of slavery -
authentication and legitimation, ethnic formation and
globalization, displacement, exile, and alienation, representation
and metaphorization, and resistance and liberation. This Cambridge
Companion to Global Literature and Slavery is designed to highlight
the shifting terrain in literary studies of slavery and
collectively challenge the reductive notion of what constitutes
slavery and its representation.
A century and a half after the abolition of slavery in the United
States, survivors of contemporary forms of enslavement from around
the world have revived a powerful tool of the abolitionist
movement: first-person narratives of slavery and freedom. Just as
Frederick Douglass, Harriet Jacobs, and others used
autobiographical testimonies in the fight to eradicate slavery,
today's new slave narrators play a crucial role in shaping an
antislavery agenda. Their writings unveil the systemic
underpinnings of global slavery while critiquing the precarity of
their hard-fought freedom. At the same time, the demands of
antislavery organizations, religious groups, and book publishers
circumscribe the voices of the enslaved, coopting their narratives
in support of alternative agendas. In this pathbreaking
interdisciplinary study, Laura T. Murphy argues that the slave
narrative has reemerged as a twenty-first-century genre that has
gained new currency in the context of the memoir boom, post-9/11
anti-Islamic sentiment, and conservative family-values politics.
She analyzes a diverse range of dozens of book-length accounts of
modern slavery from Africa, Asia, the United States, the United
Kingdom, and Europe, examining the narrative strategies that
survivors of slavery employ to make their experiences legible and
to promote a reinvigorated antislavery agenda. By putting these
stories into conversation with one another, The New Slave Narrative
reveals an emergent survivor-centered counterdiscourse of
collaboration and systemic change that offers an urgent critique of
the systems that maintain contemporary slavery, as well as of the
human rights industry and the antislavery movement.
Slavery is not a crime confined to the far reaches of history. It
is an injustice that continues to entrap twenty-seven million
people across the globe. Laura Murphy offers close to forty
survivor narratives from Cambodia, Ghana, Lebanon, Macedonia,
Mexico, Russia, Thailand, Ukraine, and the United States, detailing
the horrors of a system that forces people to work without pay and
against their will, under the threat of violence, with little or no
means of escape. Representing a variety of circumstances in diverse
contexts, these survivors are the Frederick Douglasses, Sojourner
Truths, and Olaudah Equianos of our time, testifying to the
widespread existence of a human rights tragedy and the urgent need
to address it. Through storytelling and firsthand testimony, this
anthology shapes a twenty-first-century narrative that many believe
died with the end of slavery in the Americas. Organized around such
issues as the need for work, the punishment of defiance, and the
move toward activism, the collection isolates the causes,
mechanisms, and responses to slavery that allow the phenomenon to
endure. Enhancing scholarship in women's studies, sociology,
criminology, law, social work, and literary studies, the text
establishes a common trajectory of vulnerability, enslavement,
captivity, escape, and recovery, creating an invaluable resource
for activists, scholars, legislators, and service providers.
Slavery is not a crime confined to the far reaches of history. It
is an injustice that continues to entrap twenty-seven million
people across the globe. Laura Murphy offers close to forty
survivor narratives from Cambodia, Ghana, Lebanon, Macedonia,
Mexico, Russia, Thailand, Ukraine, and the United States, detailing
the horrors of a system that forces people to work without pay and
against their will, under the threat of violence, with little or no
means of escape. Representing a variety of circumstances in diverse
contexts, these survivors are the Frederick Douglasses, Sojourner
Truths, and Olaudah Equianos of our time, testifying to the
widespread existence of a human rights tragedy and the urgent need
to address it. Through storytelling and firsthand testimony, this
anthology shapes a twenty-first-century narrative that many believe
died with the end of slavery in the Americas. Organized around such
issues as the need for work, the punishment of defiance, and the
move toward activism, the collection isolates the causes,
mechanisms, and responses to slavery that allow the phenomenon to
endure. Enhancing scholarship in women's studies, sociology,
criminology, law, social work, and literary studies, the text
establishes a common trajectory of vulnerability, enslavement,
captivity, escape, and recovery, creating an invaluable resource
for activists, scholars, legislators, and service providers.
A century and a half after the abolition of slavery in the United
States, survivors of contemporary forms of enslavement from around
the world have revived a powerful tool of the abolitionist
movement: first-person narratives of slavery and freedom. Just as
Frederick Douglass, Harriet Jacobs, and others used
autobiographical testimonies in the fight to eradicate slavery,
today's new slave narrators play a crucial role in shaping an
antislavery agenda. Their writings unveil the systemic
underpinnings of global slavery while critiquing the precarity of
their hard-fought freedom. At the same time, the demands of
antislavery organizations, religious groups, and book publishers
circumscribe the voices of the enslaved, coopting their narratives
in support of alternative agendas. In this pathbreaking
interdisciplinary study, Laura T. Murphy argues that the slave
narrative has reemerged as a twenty-first-century genre that has
gained new currency in the context of the memoir boom, post-9/11
anti-Islamic sentiment, and conservative family-values politics.
She analyzes a diverse range of dozens of book-length accounts of
modern slavery from Africa, Asia, the United States, the United
Kingdom, and Europe, examining the narrative strategies that
survivors of slavery employ to make their experiences legible and
to promote a reinvigorated antislavery agenda. By putting these
stories into conversation with one another, The New Slave Narrative
reveals an emergent survivor-centered counterdiscourse of
collaboration and systemic change that offers an urgent critique of
the systems that maintain contemporary slavery, as well as of the
human rights industry and the antislavery movement.
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