Special volume treating exemplars of the vast number of texts arising from historic and imaginary encounters between Jews and non-Jewish Germans, from the early modern period to the present. Nexus is the official publication of the biennial German Jewish Studies Workshop, which was inaugurated at Duke University in 2009 and is now held at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing forum in North America for German Jewish studies. Nexus publishes innovative research in German Jewish Studies, introducing new directions, analyzing the development and definition of the field, and considering its place vis-a-vis both German Studies and Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. Nexus 5 features essays written in honor of the memory of Jonathan M. Hess, a leading scholar in German Jewish Studies who, through both his person and publications, opened up the field for many others to explore new areas of research and inquiry. It offers exemplary instances of historic and imaginary encounters based on interactions of Jews and "other Germans" from the early modern period to the present day. It also discusses adaptations and translations of Yiddish and German texts, presenting insights into connections between literary texts and their Jewish and non-Jewish readers alike. By exploring multimodal cultural works ranging from performance to poems and illustrated fairy tales, and literature in German, Yiddish, and other languages, Nexus 5 works to expand the field of German Jewish studies in the spirit of Jonathan Hess himself.

This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience. These verses provide a unique window into the Samaritan religious world during a formative period. Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets-the priest Amram Dara; his son, Marqah; and Marqah's son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest-for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day. Shedding important new light on the Samaritans' history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.

This supplement is perfect for individuals seeking greater understanding of the haftarot as independent literary entities and in the larger context of the Torah cycle and Jewish life; for leaders of adult education groups who wish to focus their study on the haftarot; and for b'nai mitzvah students preparing their divrei Torah.