Originally published in 1983, this book is about the way we see things - or think we do, which is by no means the same - and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television. Whatever the medium, if any degree of realism is intended, some use of perspective is inevitable, and some understanding of it can aid the appreciation of the result. But here the technicalities of perspective geometry are treated as far as possible non-technically, by a common-sense approach. Students, would-be artists or architects, are warned in the Preface that they will travel second-class in the author's train of thought (the 'general reader' coming first), but they may well find the journey worthwhile in that it provides a background to a subsequent, more detailed studies. Lawrence Wright shows that every form of perspective representation has some innate falsity, but that most such forms offer an adequate makeshift; that rules of geometry often need to be bent; that labour-saving dodges and shortcuts exist. As he says, perspective drawing, like politics, is an art of the possible. In reading this book, beginners may find it all simpler than they had supposed, though the established expert may in some interesting respects find just the opposite. The general reader may thereafter find himself seeing things - and representations of them - in a new light.

This volume brings together the poetry wrtten over a period of 60 years by one of South Africa's distinctive poets. It is more than an assembly of individual poems: together the poems tell a South African story of a long journey of creative exploration. Many of the poems are collected for the first time, while others appear in print for the first time. The editor writes:;"This volume brings together the poetic output of one of South Africa's most distinctive poets. It covers a period of exactly 60 years, starting with poems written as an under-graduate at Rhodes University in 1938, and finishing with poems completed in 1998. In the interval we find one of the most compelling and substantial poetic achievements to have appeared on the South African literary scene for many years.;"The collection is more than an assembly of individual poems. It tells a story, a distinctively South African story, of a long journey of creative exploration.;"Because it is embedded in this country's landscape and mindscapes, the collection has a natural appeal for South Africans and those with South African connections - the diaspora which political turmoil in one way or another has scattered across the globe. But this work will find a readership beyond those who, by birth or happenstance, are in some way caught up in the story of the southern part of Africa. Wherever skilled and loving attention has been paid to humans living in a particular environment, a story emerges of commanding and universal interest. This is the paradox which sustains the global literary enterprise, and will, I believe, see increasing attention being paid to Guy Butler's poetry.";Much of this poetry is collected here for the first time, garnered from small journals and periodicals in which it first appeared. Much, too, appears in print for the first time. Its quality will astonish the world. Stephen Watson, of the University of Cape Town, writes:;"Guy Butler is a poet, above all, of what I would call the great primary emotions: of love, praise, compassion, fidelity, friendship; of hope tried and triumphant. The centrality of such subjects in his work as a whole establishes his authenticity as a poet."

Originally published in 1983, this book is about the way we see things - or think we do, which is by no means the same - and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television. Whatever the medium, if any degree of realism is intended, some use of perspective is inevitable, and some understanding of it can aid the appreciation of the result. But here the technicalities of perspective geometry are treated as far as possible non-technically, by a common-sense approach. Students, would-be artists or architects, are warned in the Preface that they will travel second-class in the author's train of thought (the 'general reader' coming first), but they may well find the journey worthwhile in that it provides a background to a subsequent, more detailed studies. Lawrence Wright shows that every form of perspective representation has some innate falsity, but that most such forms offer an adequate makeshift; that rules of geometry often need to be bent; that labour-saving dodges and shortcuts exist. As he says, perspective drawing, like politics, is an art of the possible. In reading this book, beginners may find it all simpler than they had supposed, though the established expert may in some interesting respects find just the opposite. The general reader may thereafter find himself seeing things - and representations of them - in a new light.

National Book Award Finalist
A "Time," " Newsweek," " Washington Post," " Chicago Tribune," " "and "New York Times Book Review" Best Book of the Year
A gripping narrative that spans five decades, " "The Looming Tower explains in unprecedented detail the growth of Islamic fundamentalism, the rise of al-Qaeda, and the intelligence failures that culminated in the attacks on the World Trade Center. Lawrence Wright re-creates firsthand the transformation of Osama bin Laden and Ayman al-Zawahiri from incompetent and idealistic soldiers in Afghanistan to leaders of the most successful terrorist group in history. He follows FBI counterterrorism chief John O'Neill as he uncovers the emerging danger from al-Qaeda in the 1990s and struggles to track this new threat. Packed with new information and a deep historical perspective, The Looming Tower is the definitive history of the long road to September 11.

In September 1978, President Jimmy Carter met with Israeli prime minister Menachem Begin and Egyptian president Anwar Sadat to broker a peace agreement between the two Middle Eastern nations. After thirteen tumultuous days a treaty was forged which would go on to last for more than three decades. With his hallmark insight into the forces at play in the Middle East, Pulitzer Prize-winning journalist Lawrence Wright takes us through each day of this historic conference, illuminating the issues that have made the region's troubles so intractable and exploring the scriptural narratives that continue to frame the conflict. Featuring vivid portrayals of the three leaders and other key participants, Thirteen Days in September is a riveting depiction of an unprecedented diplomatic triumph. Named as one of the best books of the year by the Financial Times, Economist, The New York Times and The Washington Post, it captures the extraordinary and profoundly difficult process by which an agreement was reached, providing us with a timely reminder that peace in the Middle East is possible.

A New York Times Notable Book for 1998

Critical acclaim for Lawrence Wright's

A Rhone-Poulenc Science Prize Finalist

""This is a book about far more than twins: it is about what twins can tell us about ourselves.""--The New York Times

""With plenty of amazing stories about the similarities and differences of twins, Wright respectfully shows, too, how their special circumstance in life challenges our notions of individuality. A truly fascinating but sometimes spooky (Mengele's experiments with twins at Auschwitz figure among Wright's examples) study.""--American Library Association

""Like so much of Wright's work, this book is a pleasure to read. Because he writes so well, without pushing a particular point of view, he soon has you pondering questions you have tended to comfortably ignore.""--Austin American-Statesman

""Informative and entertaining . . . a provocative subject well considered by a talented journalist.""--Kirkus Reviews

'A virtuoso feat ... a book of panoramic breadth' New York Times Book Review 'A devastating analysis ... Wright is a master of knitting together complex narratives' The Observer Just as Lawrence Wright's The Looming Tower became the defining account of our century's first devastating event, 9/11, so The Plague Year will become the defining account of the second. The story starts with the initial moments of Covid's appearance in Wuhan and ends with Joseph Biden's inauguration in an America ravaged by well over 400,000 deaths - a mortality already some ten times worse than US combat deaths in the entire Vietnam War. This is an anguished, furious memorial to a year in which all of America's great strengths - its scientific knowledge, its great civic and intellectual institutions, its spirit of voluntarism and community - were brought low, not by a terrifying new illness alone, but by political incompetence and cynicism on a scale for which there has been no precedent. With insight, sympathy, clarity and rage, The Plague Year allows the reader to see the unfolding of this great tragedy, talking with individuals on the front line, bringing together many moving and surprising stories and painting a devastating picture of a country literally and fatally misled. 'Maddening and sobering - as comprehensive an account of the first year of the pandemic as we've yet seen' Kirkus

National Book Award Finalist
National Book Critics Circle Award Finalist
A "New York Times" Notable Book
A Best Book of the Year: "The Washington Post," "The Boston Globe," "New York" magazine, "Slate," "Chicago Tribune," "Huffington Post," "Newsday," "Entertainment Weekly," "People," "The Week," "Publishers Weekly, Kirkus Reviews
"A GoodReads Reader's Choice
Scientology presents itself as a scientific approach to spiritual enlightenment, but its practices have long been shrouded in mystery. Now Lawrence Wright--armed with his investigative talents, years of archival research, and more than two hundred personal interviews with current and former Scientologists--uncovers the inner workings of the church. We meet founder L. Ron Hubbard, the highly imaginative but mentally troubled science-fiction writer, and his tough, driven successor, David Miscavige. We go inside their specialized cosmology and language. We learn about the church's legal attacks on the IRS, its vindictive treatment of critics, and its phenomenal wealth. We see the church court celebrities such as Tom Cruise while consigning its clergy to hard labor under billion-year contracts. Through it all, Wright asks what fundamentally comprises a religion, and if Scientology in fact merits this Constitutionally-protected label. Brilliantly researched, compellingly written, "Going Clear" pulls back the curtain on one of the most secretive organizations at work today.

THE PULITZER PRIZE-WINNING BESTSELLER, NOW AN ACCLAIMED TV SERIES This is the definitive account of the run-up to 9/11: from the man who lit the spark of radical Islam in 1948, to those who built up a terror network, and to the FBI agent whose warnings of 'something big' coming were ignored until the Twin Towers fell. 'The Looming Tower is a thriller. And it's a tragedy, too' The New York Times 'The most detailed (and thrilling) account we have of the events that led to the destruction of the Twin Towers' Observer, Books of the Year 'Possibly the best book yet written on the rise of al-Qaeda ... beautifully written and wonderfully compelling' William Dalrymple 'We meet some formidable schemers and killers ... fabulists crazed with blood and death' Martin Amis

Ten powerful pieces first published in The New Yorker recall the path terror in the Middle East has taken from the rise of al-Qaeda in the 1990s to the recent beheadings of reporters and aid workers by ISIS. With the Pulitzer Prize-winning The Looming Tower, Lawrence Wright became generally acknowledged as one of our major journalists writing on terrorism in the Middle East. This collection draws on several articles he wrote while researching that book as well as many that he's written since, following where and how al-Qaeda and its core cult-like beliefs have morphed and spread. They include an indelible impression of Saudi Arabia, a kingdom of silence under the control of the religious police; the Syrian film industry, then compliant at the edges but already exuding a feeling of the barely masked fury that erupted into civil war; the 2006-11 Israeli-Palestinian conflict in Gaza, a study in disparate values of human lives. Others continue to look into al-Qaeda as it forms a master plan for its future, experiences a rebellion from within the organization, and spins off a growing web of terror in the world. The American response is covered in profiles of two FBI agents and a chief of the CIA. It ends with the recent devastating piece about the capture and beheading by ISIS of four American journalists and aid workers, and how the US government failed to handle the situation.

The Fascinating History Of The Bathroom And The Water Closet And Of Sundry Habits, Fashions And Accessories Of The Toilet, Principally In Great Britain, France And America.

The war to end all wars has finally culminated in a showdown of the world's military heavyweights. None of that matters to a young schoolboy from Australia. Until it does.

An up-close account of the experience of inner city New York kids--black and Latino, from ghettos and projects--who spent a summer in an Amish and Mennonite farm community in Central Pennsylvania in the late 1970s, sponsored by the Fresh Air Fund. "City Chidren, Country Summer" follows these children as they navigate two very different worlds, from Lawrence Wright, author of "The Looming Tower: Al-Qaeda and the Road to 9/11," winner of the 2007 Pulitzer Prize for General Nonfiction.

The Fascinating History Of The Bathroom And The Water Closet And Of Sundry Habits, Fashions And Accessories Of The Toilet, Principally In Great Britain, France And America.

In this fascinating work of historical fiction, Pulitzer Prize -- winning author Lawrence Wright captures all the gripping drama and black humor of Panama during the final, nerve-racking days of its legendary dictator, Manuel Antonio Noriega.

It is Christmas 1989, and Tony Noriega's demons are finally beginning to catch up with him. A former friend of President Bush, Fidel Castro, and Oliver North, this universally reviled strongman is on the run from the U.S. Congress, the Justice Department, the Colombian mob, and a host of political rivals. In his desperation, he seeks salvation from any and all quarters -- God, Satan, a voodoo priest, even the spirits of his murdered enemies. But with a million-dollar price on his head and 20,000 American soldiers on his trail, Noriega is fast running out of options.

Drawn from a historical record more dramatic than even the most artful spy novel, "God's Favorite" is a riveting and darkly comic fictional account of the events that occurred in Panama from 1985 to the dictator's capture in 1989. With an award-winning journalist's eye for detail, Lawrence Wright leads the reader toward a dramatic face-off in the Vatican embassy, where Noriega confronts his psychological match in the papal nuncio.

'A virtuoso feat ... a book of panoramic breadth' New York Times Book Review 'A devastating analysis ... Wright is a master of knitting together complex narratives' The Observer Just as Lawrence Wright's The Looming Tower became the defining account of our century's first devastating event, 9/11, so The Plague Year will become the defining account of the second. The story starts with the initial moments of Covid's appearance in Wuhan and ends with Joseph Biden's inauguration in an America ravaged by well over 400,000 deaths - a mortality already some ten times worse than US combat deaths in the entire Vietnam War. This is an anguished, furious memorial to a year in which all of America's great strengths - its scientific knowledge, its great civic and intellectual institutions, its spirit of voluntarism and community - were brought low, not by a terrifying new illness alone, but by political incompetence and cynicism on a scale for which there has been no precedent. With insight, sympathy, clarity and rage, The Plague Year allows the reader to see the unfolding of this great tragedy, talking with individuals on the front line, bringing together many moving and surprising stories and painting a devastating picture of a country literally and fatally misled. 'Maddening and sobering - as comprehensive an account of the first year of the pandemic as we've yet seen' Kirkus

'This is a funny, pointed love letter to Texas, at once elegiac and clear-eyed' Ben Macintyre, The Times From the Pulitzer Prize-winning author of The Looming Tower, God Save Texas is a journey through the most controversial state in America. Texas is a Republican state in the heart of Trumpland that hasn't elected a Democrat to a statewide office in more than twenty years; but it is also a state in which minorities already form a majority (including the largest number of Muslim adherents in the United States). The cities are Democrat and among the most diverse in the nation. Oil is still king but Texas now leads California in technology exports and has an economy only somewhat smaller than Australia's. Lawrence Wright has written an enchanting book about what is often seen as an unenchanting place. Having spent most of his life there, while remaining deeply aware of its oddities, Wright is as charmed by Texan foibles and landscapes as he is appalled by its politics and brutality. With its economic model of low taxes and minimal regulation producing both extraordinary growth and striking income disparities, Texas, Wright shows, looks a lot like the America that Donald Trump wants to create. This profound portrait of the state, completed just as Texas battled to rebuild after the devastating storms of summer 2017, not only reflects the United States back as it is, but as it was and as it might be. As much the home of Roy Orbison and Willie Nelson as of J.R., Ross Perot and the Bush family, as filled with magical scenery as with desolate oil-fields and strip-malls, Texas is a bellwether, super-sized mass of contradictions: a life-long study.

A DEADLY VIRUS. QUARANTINE. A WORLD IN LOCKDOWN. THE THRILLER THAT PREDICTED IT ALL. THE INSTANT NEW YORK TIMES BESTSELLER 'Flies thrillingly, eerily close to reality' Guardian 'This page-turner... is riveting and spookily anticipates much that has unfolded in reality' Sunday Times A race-against-time thriller, as one man must find the origin and cure for a new killer virus that has brought the world to its knees. At an internment camp in Indonesia, forty-seven people are pronounced dead with a mysterious fever. When Dr Henry Parsons - microbiologist and epidemiologist - travels there on behalf of the World Health Organization to investigate, what he finds will soon have staggering repercussions across the globe. As international tensions rise and governments enforce unprecedented measures, Henry finds himself in a race against time to track the source and find a cure - before it's too late . . . *** WHAT READERS ARE SAYING: 'If you have a desire to really understand what is going on in the world right now, this is a novel that you cannot afford to miss!' 'Well-written and fast-paced. Most of all utterly, scarily, believable.'

In this book, Lawrence Wright takes a look at the place where we spend a third of our lives - bed. From a Neolithic stone bed unearthed at Skara Brae to the bed (c. 1350 BC) from Tutankhamen's tomb, from stark Anglo-Saxon designs to ornate early Renaissance beds and elaborate State bedchambers, this is a journey through the history of social, sexual and sanitary attitudes to the design of beds. Illustrated with over 200 images, including early wood-engravings and etchings and later contemporary drawings, this book explores beautiful, bizarre and humorous approaches to beds. Chippendale, in his Chinese period, created an elegant lacquered and gilt bed in strange contrast to his fantastic design for one with such an elaborate and overpowering superstructure that the bed itself looks like a small cushion. In modern times, the need for space inspired more practical designs such as wardrobe beds and American metal folding beds. Filled with a wealth of curious facts this is an ideal book for anyone interested in the history of everyday things.