This pioneering proclamation by the great architect expounds Le Corbusier's technical and aesthetic theories, views on industry, economics, the relation of form to function, "mass-production spirit," and much more. Profusely illustrated with over 200 line drawings and photographs of Le Corbusier's buildings and other important structures.

Villa le Lac, which was designated a World Heritage in 2016, was designed and built by Le Corbusier as Geneva lakeside home for his parents in 1925. Because of its spare arrangement of spaces, he referred to it as a "dwelling machine." Even today it remains the modern prototype of the "small house" that fulfills all of the functions of a residence with a minimum of floor area and seamless transitions between spaces. For the first time, this book is appearing in three separate language editions, following the original edition in which Le Corbusier documented the history of the building: with photographs, sketches and a poetic text. Access to the original photographs allowed the quality of the illustrations in this edition to be improved significantly.

Die Villa le Lac, die seit 2016 zum Weltkulturerbe zahlt, hat Le Corbusier 1925 am Genfer See fur seine Eltern projektiert und gebaut. Aufgrund seiner sparsamen Raumdisposition bezeichnete er es selbst als "Wohnmaschine". Bis heute ist es der moderne Prototyp des "kleinen Hauses" geblieben, das mit einem Minimum an Grundflache und ineinander ubergehenden Raumen alle Funktionen des Wohnens erfullt. Das Buch erscheint erstmals in drei getrennten Sprachausgaben und folgt der Originalausgabe, in der Le Corbusier die Geschichte des Gebaudes dokumentiert hat: mit Fotos, Skizzen und einem poetischen Text. Sie greift dabei aber auch auf die Originalfotografien zuruck und bietet so eine massgeblich verbesserte Abbildungsqualitat; zudem enthalt sie ein Nachwort der Architekturhistorikerin Guillemette Morel-Journel.

2014 Reprint of 1927 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This classic work is a collection of essays written by Le Corbusier advocating for and exploring the concept of modern architecture. The book has had a lasting effect on the architectural profession, serving as the manifesto for a generation of architects, a subject of hatred for others, and unquestionably a critical piece of architectural theory. The architectural historian Reyner Banham once claimed that its influence was unquestionably "beyond that of any other architectural work published in this 20th] century to date." That unparalleled influence has continued, unabated, into the 21st century. The polemical book contains seven essays. Each essay dismisses the contemporary trends of eclecticism and art deco, replacing them with architecture that was meant to be more than a stylistic experiment; rather, an architecture that would fundamentally change how humans interacted with buildings. This new mode of living derived from a new spirit defining the industrial age, demanding a rebirth of architecture based on function and a new aesthetic based on pure form.

The only piece of architectural writing that will be classed among the essential literature of the 20th century.

In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as “Modulor�. Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, “Modulor� is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.

Coinciding with the 50th anniversary of his death (August 27, 2015), one of Le Corbusier's most significant books becomes available again in English. The "Precisions", as the book is commonly known, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires in 1929, reflecting a new maturity in his thinking. They contain some of his most compelling aphorisms, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture. As he spoke, Le Corbusier improvised colour drawings on large sheets of paper. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on. This new edition for the first time features all of Le Corbusier's drawings in colour. A new essay by British scholar Tim Benton, written for this new edition, contextualizes the "Precisions" within Le Corbusier's oeuvre and comments on their lasting significance.